Location, Location, Location

by Carolyn Haines, @DeltaGalCarolynBone to be Wild

In real estate, the old saw is that location is everything. For me, the same is almost always true in fiction. My reading and writing preference is that the characters are either organic to the setting, or they are fish out of water. Either choice provides the reader with a unique view of the story’s setting.

Growing up in Mississippi, I’m well aware of the rich heritage of writers from my home state. Eudora Welty, William Faulkner, Tennessee Williams—they have imprinted an image of Mississippi on multiple generations of readers and writers. My experiences were very different. I grew up during the turmoil of the 60s and 70s. My parents were journalists who believed in civil rights at a time when that wasn’t the most popular stance. So I grew up loving the incredible woods and creeks of a state blessed with natural beauty, but saddened by the willful ignorance and sometimes the pure damn meanness. It is this rich diversity that makes Mississippi such a perfect setting for novels: the very poor and very wealthy, the pine barrens and sandy beaches of the Gulf, the good-hearted and kind, and those who are not. I grew up knowing all of it. And all of it comes out in the characters I write about.Continue reading

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Blog

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

Writing a Book People Can’t Put Down: The Art of Pacing:  http://ow.ly/M6VIg @mara_fortune

5 tips for conducting an interview with someone you care about:  http://ow.ly/M6WF6 @daveisay @TED @awesomechoi

The Truth About Memoirs: Is Yours A Brave Confession Or A Book Of Lies?  http://ow.ly/M6ZjM  @AnthonyEhlers

Get your yoga on as a writer:  http://ow.ly/M6Zug by Meredith Quinn

4 ways to remove padding words:  http://ow.ly/M6ZHq @MiaJouBotha    Continue reading

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Blog

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

7 Keys to Building Relatable Characters:  http://ow.ly/LJu8t @MartinaABoone

How 7 Literary Authors Collaborated to Launch a Box Set: http://ow.ly/LJunC @Roz_Morris @Janefriedman

Review on Pronouns: http://ow.ly/LJu1D from Melissa Gilbert

Avoiding Melodrama in Your Story:  http://ow.ly/LJtpD @LaurieTomlinson Continue reading

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Blog

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

50 Questions to Ask Yourself About Your Author Platform:  http://ow.ly/LnY7I @amcbooks

Writing Tip: Dialogue:  http://ow.ly/Lo0JY @lindasclare

The Ups and Downs of Indie Life:  http://ow.ly/LnYUj @Nicholas_Rossis               Continue reading

7 Smart Tactics for Describing a Character in First Person PoV

by Alex Limbergwritingdesk

Would you like to be an actor in your own crazy play, a play you can make up any minute as you go along? That’s basically what telling your story in first person is.

If your narrator is a character in your story, his point of view does come with a couple of limitations though: What your narrator knows, what he sees, what he feels all have to go through the filter of your character’s personality. You can’t switch perspectives and fly from location to location as easily as a neutral narrator, you can’t stay as invisible as a neutral narrator… in short, you lack superpowers!

This post aims to offer a bunch of solutions for one problem in particular: How do you describe somebody when you can’t see him because you are inside of him, looking out, and you don’t even have a reason to describe him? How can you tell your reader what your character looks like through his own eyes?Continue reading

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