Category: Writing Tips

Quick Tip: Save Your Outlines

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by Elizabeth S. Craig, @elizabethscraig

Here’s a quick tip for those of you who already like to outline: save your outlines for your older books.

I’m now over 30 books in and I’ve found my memory seriously failing when it comes to remembering non-recurring characters and plots.  The problem is most-evident with books published 8-10 years ago, but I may also struggle with details from books I wrote last year.  There are just too many books.  Or maybe it’s just that my memory completely stinks.  :)

Once I had to re-read an entire book of mine before speaking to a local book club about it. I was happy to do it because I would have felt awful if they’d known the book better than I did, but I didn’t really have the time to do it.

In the past, when I’d finished and published a book, I ditched the outline as just another unnecessary file taking up space in Word.  Then I realized…these outlines were the perfect cheat-sheets.  I could pull them out and they’d jog my memory.

This has helped me not only with book club appearances, but with emails received from readers on particular books, and on Wattpad where sometimes I’m receiving a lot of comments about a book I’m uploading that I’ve written long ago.

An important point: if you decide to use your old outlines this way, be sure to note deviations from the outline on your document or else you’re not going to do yourself any favors. I do frequently diverge from the outline and I’ll make a short note with Word’s comments feature in track changes.

Do you keep your outlines? Any other uses for them that I haven’t thought of?

Why Outlining Writers Should Keep Their Old Outlines: Click To Tweet

Photo credit: h.koppdelaney on Visualhunt.com / CC BY-ND

Limiting the Number of Characters

Writing Tips

by Elizabeth S. Craig, @elizabethscraig 

This is the second post in a short series about making our lives easier as writers. One thing that I’ve tried to be more conscious of as the years have gone by is limiting the number of characters I introduce in a story or series.

With a cozy mystery series, for example, the field of characters is already going to be pretty crowded. You have a sleuth and a sidekick and around five suspects. And then you have recurring characters: friends and family of the sleuth and  some sort of police presence.

The more characters we add, the harder it is for readers to keep up.  And we run the risk of not having the space to make the characters more than one-dimensional.Continue reading

Beginning Close to the Action

Writing Tips

by Elizabeth S. Craig, @elizabethscraig

I’m running a short blog series on making your life easier as a writer. I’m planning on sharing a few tips that I’ve learned over the years (often through making mistakes).

Starting it out today is a quick tip for writers: get the central action of the story started as soon as possible.

Some writers advocate starting in medias res, or in the middle of the action.  This can work too, if you can handle a bit of backstory well later (how did our heroes get in this situation? Who are these people and why should we care about them? What’s going on?)

But starting in the middle of things comes with its own set of problems, too.  The stakes aren’t as high when readers aren’t yet invested in the characters.Continue reading

Intermittent Journaling: How I Lost the Guilt and Acquired a Helpful Writing Strategy.

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by Heather Wright, @hwrightwriter

Ever since I got a pink diary with a lock and key for Christmas when I was eleven, I have tried to keep a daily journal—I really have. But, no matter what my intentions, I have never managed to succeed. And once I became a writer, it seemed even more important that I keep a daily journal. I mean, it’s what writers do, right?

Finally, I stopped trying. More importantly, I stopped feeling less than a ‘real writer’ or guilty because I didn’t write in my journal every day. Journaling has a definite place in my writing life, and when I need to, I approach my journal with a purpose and enjoy the benefits that journaling brings.

Here are the times when I turn to my journal—sometimes daily, sometimes not.  These journaling times are short-term, focused, and reap rewards.

Journal when the creative well needs filling.

I have writer friends who always have an abundance of story ideas. They bemoan the fact that there will never be enough time to write them down. Sadly, I’m not like that. When I search my brain for inspiration and get crickets, that’s when the journal comes out. I commit to a week of daily journaling, and if I’m still looking for inspiration at the end of the week, I’ll try another week.

My best time to access random story ideas is before bed. I quickly jot down my to-do list for the next day, so those I-must-remembers are cleared out of my head, and then, because I’m a bit tired and dozy, I just let my brain wander. I let characters walk in and talk or move around, and I write it down. I’m under no pressure to make a story out of these ramblings right now. I just let them be. If you’re not a lark like I am, then mornings may be the best time for you to welcome that half-dreamy state where stories can happen.

Yes, some dross lands on the page, but there’s gold, too, and I’ve found many stories and book ideas using this process.Continue reading

How To Decide The Voice And Tone Of Your Novel

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by Kristina Adams, @KristinaAuthor 

The voice and tone of your novel will affect who connects with your characters and what genre it fits into. It can even be the difference between someone finishing your book an avid fan or putting it down after the first page.

Yes, it really is that important.

Tone is the overall mood of your novel. The voice, meanwhile, is how you and your characters communicate with your reader. It’s how you get across the personality of your characters, as well as draw in your target audience from the first words on the page.

If your book is written in third person, you can channel a little bit of yourself into your narration. If it’s written in first, your character(s) should speak through you.

When it comes to dialogue, the voice will vary from character to character. It’s the main way we show their different personalities. Your reader should be able to tell who’s saying what even without dialogue tags.

Here are some of the factors you need to consider when deciding on the voice and tone of your novel:Continue reading

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