Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Blog

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

I’ll be stepping away from the blog tomorrow to observe Memorial Day and will be back on Friday. Thanks!

How to Write a Novel with Only 1 Hour a Day:  http://ow.ly/MWgyf by Daniel Schwabauer

A Writer’s Cheatsheet to Plot and Structure:  http://ow.ly/MWgHj @mgherron

9 Tips for Hosting Book Contests:  http://ow.ly/MWgLj @writersrelief               Continue reading

Location, Location, Location

by Carolyn Haines, @DeltaGalCarolynBone to be Wild

In real estate, the old saw is that location is everything. For me, the same is almost always true in fiction. My reading and writing preference is that the characters are either organic to the setting, or they are fish out of water. Either choice provides the reader with a unique view of the story’s setting.

Growing up in Mississippi, I’m well aware of the rich heritage of writers from my home state. Eudora Welty, William Faulkner, Tennessee Williams—they have imprinted an image of Mississippi on multiple generations of readers and writers. My experiences were very different. I grew up during the turmoil of the 60s and 70s. My parents were journalists who believed in civil rights at a time when that wasn’t the most popular stance. So I grew up loving the incredible woods and creeks of a state blessed with natural beauty, but saddened by the willful ignorance and sometimes the pure damn meanness. It is this rich diversity that makes Mississippi such a perfect setting for novels: the very poor and very wealthy, the pine barrens and sandy beaches of the Gulf, the good-hearted and kind, and those who are not. I grew up knowing all of it. And all of it comes out in the characters I write about.Continue reading

Tips for Success on ACX

By Elizabeth S. Craig, @elizabethscraigIWSG Post (1)

If you’re not familiar with ACX, it’s basically the audiobook option for self-published authors. And it can be free if you opt for the royalty-share option.  More on that in this post I wrote here a couple of years ago.  I’ll have a post up in a few weeks on the IWSG blog (June 8) on the subject, too if you’d like to learn more about starting out with the platform.

I’ve found that good narrators are happy to take on a royalty-share arrangement with successful self-published authors.  A few tips I’ve discovered for being attractive to narrators/producers for royalty share:Continue reading

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Blog

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

Great Books Adapted from Classics:  http://ow.ly/N0eqZ @miralsattar @BiblioCrunch  @SamanthaKnoerze

Mistakes Authors Make at Events (And How To Avoid Them):  http://ow.ly/MJyeR @NikkiTrex

Sensory Memory Adds Grist to Your Story:  http://ow.ly/MJAvn from Kelly Saderholm @killernashville

7 Ways to Write a Plot Outline: Infographic:  http://ow.ly/MJxXY @nownovel    Continue reading

Branching into Other Genres

By Elizabeth S. Craig, @elizabethscraigDeathtoStock_EnergyandSerenity2

I’ve mentioned earlier that I’m branching out into another genre.  This isn’t resulting from boredom with my current genre.  It’s not even purely a commercial endeavor.  No, this is an Attack Novel.  The story rose up and demanded I write it.  Its incessant nagging started two years ago, and the fact I ignored its demands demonstrates my stubbornness and focus.  It’s zombies.  It’s more than zombies, of course, but drilling it down to its core…yeah, zombies.

The book is a cozy treatment of zombies. Zombies with off-stage violence. Zombies with no profanity.  Is there an audience for this?  Who knows?  I was attacked.

Then I realized that my team might not really be onboard with zombies.  Does my cover designer do zombie covers?  Does my cozy editor do zombie books?

It’s good to make sure everyone has experience producing the new genre if we have a team that works with us on a different one.
Continue reading

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