Your “Easy As Pie” Guide to Subplots + Giveaway (Part 3 of 3)

by H.R. D’Costa, @scribesworld

Oh, no.

You just took a look at your outline or draft.

It’s definitely too short.

Or, in a different scenario, it’s long enough.

But, unfortunately, it’s rather bland. It lacks texture and variety.

Who are you gonna call to fix it?

Not the Ghostbusters.

Not a developmental editor. (Save that for a more dire writing emergency.)

Because, you see, you can fix this easily on your own.

All you need to do is to weave a subplot (or two) alongside your main plot.

Your page count will expand, and at the same time, your story will become more textured.

This three-part series on subplots will help you get there. Here’s a quick overview:

  • In Part 1, we covered 5 uses for subplots. (Definitely read this if you’re struggling to come up with content for your subplot.)
  • In Part 2, we covered how to structure your subplot—plus the golden rule to follow regarding subplots.
  • In Part 3, we’ll cover how to weave subplots into your story as well as conduct a subplot “safety check.” (You’re reading Part 3 right now.)

Note: These subplot tips have been adapted from my writing guide Sparkling Story Drafts, which will help you write cleaner rough drafts, reduce your revision time, and get a crazy-good story onto the marketplace—faster. To learn how you could win a paperback copy, see the end of this post.

And now let’s get to today’s tips (served a la mode or not, your choice*)…Continue reading

Your “Easy As Pie” Guide to Subplots + Giveaway (Part 2 of 3)

by H.R. D’Costa, @scribesworld

Ah, subplots.

Once you get a handle on them, you’ll solve a huge problem.

You’ll be able to get your novel to the right length—without stretching your main plot too thin.

And while that’s a big benefit, it’s not the only one. Subplots can jazz up your story in multiple ways. We talked about that in Part 1 of this series.

Speaking of…

…here’s a quick overview of each part in this “easy as pie” guide to subplots.

  • In Part 1, we covered 5 uses for subplots.
  • In Part 2, we’ll cover how to structure your subplot—plus the golden rule to follow regarding subplots. (You’re reading Part 2 right now.)
  • In Part 3, we’ll cover how to weave subplots into your story as well as conduct a subplot “safety check.”

Note: These subplot tips have been adapted from my writing guide Sparkling Story Drafts , which will help you write cleaner rough drafts, reduce your revision time, and get a crazy-good story onto the marketplace—faster. To learn how you could win a paperback copy, see the end of this post.

And now—fresh from the oven; mmmm!—today’s batch of tips…Continue reading

Your “Easy As Pie” Guide to Subplots + Giveaway (Part 1 of 3)

by H.R. D’Costa, @scribesworld

Have you ever tried to make a pie crust from scratch?

In my experience, when you press the dough into the pie pan, there’ll be areas where the dough is thick and knobby, almost like the hills of a tea plantation…

…and there’ll be areas where the dough is thin.

So, so thin.

Working with the main plot of your novel can be like that.

There’s only so much of it to go around.

After a certain point, if you try to extract more out of it, you’ll stretch it too thin. You’ll end up with plot points that are bland and repetitious.

Savvy writers recognize this.

They don’t try to extract more than their main plot can give.

Instead, they take a break from the main plot. Like bakers who take scraps of dough to fill in holes in a pie crust, these writers fill their pages with other material.

This is where subplots—secondary stories that are subordinate to the main plot—come in. (Sometimes, a subplot is referred to as the B-story, while the main plot is referred to as the A-story.)

Subplots are one of the best ways to get your novel to the right length, without stretching your main plot too thin.Continue reading

Creating Distractions for A Protagonist

Siamese kitten looking distracted

by Elizabeth S. Craig, @elizabethscraig

Larry Brooks of StoryFix frequently offers helpful posts for writers. He wrote a post recently for the Kill Zone blog called “Three Quick and Easy Tips that Will Make Your Novel Better.”  One of the tips he listed was to “give your hero a distracting personal relationship.”

This is one element that can be used in a lot of different helpful ways in your story. It helps make your protagonist seem real and helps create reader empathy for the protagonist. It also can make for a nice subplot to weave through the course of the story to help keep readers reading to see how it will resolve (sometimes as a reader, I’ve found myself more interested in the subplot of a book than the main plot).

It’s especially helpful as a continuing arc in your series, if your series is to be read in order. It can be one thing that remains a constant in the series as crises and supporting characters and settings change.Continue reading

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