Empathizing With Your Character

Two senior men talking at an outdoor table at a restaurant.

by Elizabeth S. Craig, @elizabethscraig

Every once in a while, I’ll grind to a halt with my story.  I’ll either want to flesh out a subplot or develop the main plot a bit more, but I won’t be sure which direction to go in.

I always manage to muddle my way through and solve my problem, but I’d never sent a lot of time thinking about how I solve it.

I read a post by Steven-John Tait recently and one of his tips really resonated with me. Tait said, “Find empathy. If you can empathize with a character, you can get into their head. Once you’re in their head, you can fill in the blanks.”

Tait’s tip was intended to help with developing a protagonist, but it works well with all of the characters in the story.  This is one of the main methods that I use when I’m ‘muddling’ through the book to find my way.Continue reading

Plot and Character Motivation

By Elizabeth S. Craig, @elizabethscraigDeathPaysaVisit_ebook_Final (1)

Sometimes I wonder why I outline at all.  I never seem to stick to them.

In the book that I’m currently writing (already covered, right, since it’s so tricky to reserve cover designers closer to release), I decided a few days ago to change the killer.  If I’d continued on the path I was going with my outline, I thought there would be a good percentage of people who would figure out the murderer before the end of the book.  The suspect that I decided to use instead would be a real surprise and would get me that twisty ending that I wanted.

The problem was…there was no motive at all for this person to have murdered the victim—that’s why the reader was going to be so surprised.Continue reading

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