by Joe Benevento
Anyone familiar with mystery knows the “femme fatale,” a character who can prove literally lethal to the man she seduces away from clear thinking. Bridget O’Shaughnessy in Hammett’s The Maltese Falcon is an example, presenting herself as a “damsel in distress” in need of Sam Spade’s help and protection, but ending up his ultimate distraction and potential demise (see the character played by Jane Greer in the 1947 noir film, Out of the Past for another classic rendition of the type.) In spite of our familiarity with the function of a femme fatale, not all readers or writers of fiction realize how far-reaching the concept is, how flexible, and how ultimately crucial it can be to any plot involving the kind of thinking needed to unravel a complex crime.Continue reading