Twitterific Writing Links

Bluebird with beak open and 'Twitterific Writing Links' by ElizabethSCraig superimposed on the image

by Elizabeth S. Craig, @elizabethscraig

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 50,000 free articles on writing related topics. It’s the search engine for writers.

Have you visited the WKB lately?  Check out the new redesign where you can browse by category, and sign up for free writing articles, on topics you choose, delivered to your email inbox!  Sign up for the Hiveword newsletter here.

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Intermittent Journaling: How I Lost the Guilt and Acquired a Helpful Writing Strategy.

by Heather Wright, @hwrightwriter

Ever since I got a pink diary with a lock and key for Christmas when I was eleven, I have tried to keep a daily journal—I really have. But, no matter what my intentions, I have never managed to succeed. And once I became a writer, it seemed even more important that I keep a daily journal. I mean, it’s what writers do, right?

Finally, I stopped trying. More importantly, I stopped feeling less than a ‘real writer’ or guilty because I didn’t write in my journal every day. Journaling has a definite place in my writing life, and when I need to, I approach my journal with a purpose and enjoy the benefits that journaling brings.

Here are the times when I turn to my journal—sometimes daily, sometimes not.  These journaling times are short-term, focused, and reap rewards.

Journal when the creative well needs filling.

I have writer friends who always have an abundance of story ideas. They bemoan the fact that there will never be enough time to write them down. Sadly, I’m not like that. When I search my brain for inspiration and get crickets, that’s when the journal comes out. I commit to a week of daily journaling, and if I’m still looking for inspiration at the end of the week, I’ll try another week.

My best time to access random story ideas is before bed. I quickly jot down my to-do list for the next day, so those I-must-remembers are cleared out of my head, and then, because I’m a bit tired and dozy, I just let my brain wander. I let characters walk in and talk or move around, and I write it down. I’m under no pressure to make a story out of these ramblings right now. I just let them be. If you’re not a lark like I am, then mornings may be the best time for you to welcome that half-dreamy state where stories can happen.

Yes, some dross lands on the page, but there’s gold, too, and I’ve found many stories and book ideas using this process.Continue reading

Twitterific Writing Links

Bluebird with beak open and 'Twitterific Writing Links' by ElizabethSCraig superimposed on the image

by Elizabeth S. Craig, @elizabethscraig

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 50,000 free articles on writing related topics. It’s the search engine for writers.

Have you visited the WKB lately?  Check out the new redesign where you can browse by category, and sign up for free writing articles, on topics you choose, delivered to your email inbox!  Sign up for the Hiveword newsletter here.

New Stuff

Just a note that one of my blog readers, who is a fellow mystery writer and website designer, is running an author website special.  Click here to check out the details for the $300 offer.

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How To Decide The Voice And Tone Of Your Novel

by Kristina Adams, @KristinaAuthor 

The voice and tone of your novel will affect who connects with your characters and what genre it fits into. It can even be the difference between someone finishing your book an avid fan or putting it down after the first page.

Yes, it really is that important.

Tone is the overall mood of your novel. The voice, meanwhile, is how you and your characters communicate with your reader. It’s how you get across the personality of your characters, as well as draw in your target audience from the first words on the page.

If your book is written in third person, you can channel a little bit of yourself into your narration. If it’s written in first, your character(s) should speak through you.

When it comes to dialogue, the voice will vary from character to character. It’s the main way we show their different personalities. Your reader should be able to tell who’s saying what even without dialogue tags.

Here are some of the factors you need to consider when deciding on the voice and tone of your novel:Continue reading

7 Thoughts About Collaborating Successfully on a Novel

By Dan Brotzel, @brotzel_fiction

I met my two collaborators, Martin and Alex, at my local writing group. By coincidence, it turned out that we all lived in the same road.

As we got to know each other, I decided to share an idea. It had struck me that a writer’s group is itself quite a promising set-up for a story: all those fragile egos, all those different personalities hungry for publication, all the different sorts of writers and writing — from epic verse to steampunk, in our case.

Originally I’d thought the idea might make an interesting short story, but over time — and as my friendship with Alex and Martin grew — I started to think how much more fun it would be if we wrote something longer, together.

So I put the idea to them, and they ran with it. After a few meetings in our local pub, we had thrashed out a set of characters —  we would each run 2 or 3 — and a broad structure. We knew it was to be a novel in emails, building to some sort of explosive climax, and that was enough to get us started. And so, Kitten on a Fatberg — now to be published by Unbound — was launched.

Part of the fun of the project was the element of blind collaboration. We set up a dedicated email account for the book, and each of us began firing off messages, in character. So every few days you’d go into the inbox to read an email from one of your co-author’s characters, which talked about some terrible thing that your own character had just done at the last group meeting.

You would then fire something back from your character attempting to explain or justify their behaviour — and taking great pleasure in dropping someone else’s character in it, and so on. There are 8 main characters in the book, which means lots of scope for feuds, alliances and even romances in various combinations.

Over time, the direction of the story became clearer, and we starting meeting to shape the narrative to its conclusion in a more conscious way.

The whole thing took about two years. The experience was hard work, complicated at times, but always great fun.

Here are a few things I learned along the way about how to collaborate successfully on a long-haul writing project such as a novel…Continue reading

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