by D.J. Williams, @djwilliams316
As an Executive Producer and Director in the TV industry, I understand the difficulty and challenge of transforming a novel into a visual experience on film. As a novelist, I’ve enjoyed the freedom of writing and storytelling without worrying about the limitations of turning those novels into a screenplay. Many of my readers have said, “Your books would make great movies.” I’m humbled each time I hear those words, but I’m also realistic about surviving in an ocean with sharks. Writing a novel and writing a screenplay are two different animals that don’t always play well together in the same body of water. So, if your dream is to write a novel in hopes you’ll get it optioned for film so a studio can spend millions of dollars producing your story, you might find yourself throwing a penny in a pond hoping to retrieve a pot of gold. Let’s just say, the odds are not in your favor. But there are techniques we can use as novelists to transform our stories that share common ground with screenwriters.
In my novels, The Disillusioned and Waking Lazarus, the chapters are written as scenes in a film as a way to keep readers engaged. Since my writing tends to be more visual, much like a screenwriter, I use this technique to keep the story moving forward at a quicker pace. I don’t want to bog readers down with pages of backstory, inner thoughts, or showcasing my writing prowess that leaves them trudging through a swamp. I’m not a literary genius like Tolstoy. I write commercial fiction, and what that means is I must use some of the same techniques as a screenwriter because we live in a visual age. Isn’t that how we want readers to respond? We want them to envision the world we’ve created, to connect with the characters, and to imagine where the story will lead. Our words on a page create a visual experience for our readers.Continue reading
