Improvisation in Life and Writing

Improv WisdomLast weekend I was heading to Anderson, SC, to visit my parents and have a radio interview with a local radio personality there. He’d told me just to contact him whenever I planned a trip to see my folks and he’d tape an interview.

My daughter was sick all last week with a fever, so I emailed him at the last minute, “Sorry for the last-minute email, but I’m going to be in Anderson this weekend. Would you like to schedule an interview?”

He emailed me back, and asked me to call him at a particular number—different from the one I had on file for him.

“Could you come to the hospital for our interview?” he asked. “I’ve been here for a week now and I don’t have next week’s show booked—actually, your visit is working out perfectly.”

“Can you even do an interview at the hospital?” I asked. I was feeling a little uncertain about the whole thing.

“Sure I can. I’ve already done one this week for the show that’s running tomorrow. If you don’t mind, it would work out great for me.”

So we did. The interview went great—we just passed the microphone back and forth between each other. I’ve never actually done a face to face radio interview before and I was pleased at how well it went. Usually when I do a radio interview, I’m on the phone and not even in the same state as the interviewer.

In some ways, the in-person radio interview was easier than the phone interviews I’ve usually done. On the phone, I’m always listening hard for any clues that I need to shush up and move on to the next subject. When you’re face to face with your radio interviewer, you get visual clues to wrap up a particular train of thought. (Hurry up motions).

At one point in the interview, I was asked about how I’d ended up writing for both Midnight Ink and Penguin Berkley. I started talking about slush piles and the interviewer held up his hands and mouthed, “Tell them what a slush pile is!” That’s something that wouldn’t have happened in a phone-in radio interview—it wouldn’t have occurred to me that I was using jargon. So I quickly interjected an explanation.

The interview wrapped up well and afterward the interviewer told me to let him know when I was back in town for a signing and he’d get some local TV coverage for it. I might have gulped a little, but told him that sounded great.

I’m not really a great spur-of-the-moment, go-with-the-flow type of person. I like to organize and plan and apply my Type A self to the process. I like everything to be very orderly.

But I’m learning to go with the flow. One thing that’s helping me is a book I downloaded on my Kindle last week. In fact, it was the book that helped me tell the interviewer we’d go ahead with the interview instead of rescheduling it for another time.

While I was reading blogs last week, I came across a post on Tribal Writer that mentioned the book Improv Wisdom by Stanford professor Patricia Ryan Madson.

The Tribal Writer post mentioned the book as a way to combat procrastination. I don’t need help with that, but I do think I need help with being a little more flexible. Madson recommends that we say “yes” more often in life and see what happens.

From the Publishers Weekly review:

If you improvise, she says, you “will make more mistakes” but you’ll also “laugh more often, and have some adventures.” Here she offers 13 maxims to guide the fledgling improviser. “Say yes” … it will open up new worlds. “Don’t prepare”: in focusing on the future, you might miss the present. “Start anywhere”: take any entry into a problem, and once you get inside you’ll have a better perspective.

I think that I’ve got a very cautious voice inside me that wants to say “no” until I have a chance to absorb what I’m facing. I’ve noticed that I’m a lot more flexible when it comes to my writing—and it always works out really well. When I let characters propel my story in surprising ways, I’m usually pleased with the results.

And I’m discovering that I’m also making new discoveries whenever I step outside my comfort zone with life, too. That might be stretching myself with promo (book tour, interviews, etc.) but it might be just growing as a writer by saying yes to a variety of new experiences and people.

I liked this approach for a variety of stumbling blocks—whether it’s procrastination or uncertainty about how to approach a difficult scene…or being more outgoing with marketing. Saying yes, focusing on the present, and jumping in to tackle our obstacles sounds like a good way to move forward. And we might end up with more opportunities along the way—opportunities to network and find inspiration with people and situations that we come across.

How often do you step outside your comfort zone? Are you more flexible in your life and writing, or a little more cautious?

Elizabeth Spann Craig

View posts by Elizabeth Spann Craig
Elizabeth writes the Memphis Barbeque series (as Riley Adams) and the Southern Quilting mysteries for Penguin and writes the Myrtle Clover series for Midnight Ink and independently. She also has a blog, which was named by Writer’s Digest as one of the 101 Best Websites for Writers. There she posts on the writing craft, finding inspiration in everyday life, and fitting writing into a busy schedule.

13 Comments

  1. Margot KinbergMarch 22, 2011

    Elizabeth – I am so glad that you were able to do that interview, and that both you and the interview were able to “go with the flow.” I often find that I have good “spur of the moment” experiences although like you, I’m a planner. Sometimes, though, things just don’t work out the way you planned. For writers, I think it flexes our “creativity muscle” to be willing to try something new. And look where your flexibility got you – TV coverage! Tres cool!

  2. Hilary Melton-ButcherMarch 22, 2011

    Hi Elizabeth .. that must have been interesting .. great post to read – thank you.

    The book and thoughts too – it is so important to be able to step out of the constraints of life sometimes ..

    Sounds like it all worked out really well .. good post, good story and good radio interview, visit to parents, good book find .. what more could a girl want?! Cheers Hilary

  3. Maryann MillerMarch 22, 2011

    Elizabeth, I like radio interviews that are face to face for the same reason’s you mentioned. Plus, there is an energy that flows from host to guest when you are in the same room that doesn’t happen across a telephone line.

    And thanks for the tip about the book. One of the best pieces of advice I ever received was from Liz Carpenter who told me to never say no to an opportunity.

  4. Carol KilgoreMarch 22, 2011

    Husband is Mr. Improv. Because of him I’ve learned to go with flow in many things. It’s always an adventure and nearly always fun. But my natural ways are planning and scheduling. This year I finally have that organization back in my writing life after it was MIA for a while. So I have a mix.

  5. Karen WalkerMarch 22, 2011

    I have stepped out of my comfort zone so many times it seems more normal than not to me. I don’t think of it as stretching myself beyond, it is usually in search of something I want desperately. Glad you flexed yourself and allowed the interview to happen. Seems like it was a win-win.
    Karen

  6. Alex J. CavanaughMarch 22, 2011

    I’m planned and orderly, so spur of the moment is a stretch.

  7. DianeMarch 22, 2011

    Saying “yes”, staying in the “present” – agree, not easy to do, but certainly agree it gets things done in a good way. Thanks for the post.

  8. The Old SillyMarch 22, 2011

    I like face to face interviews better than long distance phone interviews. For a lot of the same reasons you cited. The body language and facial expressions are missing over the phone.

    As far as stepping out of my comfort zone – I blew that restraining circle up a long time ago. If I get to feelling too comfortable, I figure it’s time to move on …

  9. Hart JohnsonMarch 22, 2011

    Oh that sounds like it worked great! Well done! I am a little opposite from you, I’m afraid… I sort of dive in without assessing… I have learned that on SOME THINGS I should hold off, but mostly I need to learn more restraint…

  10. Terry OdellMarch 22, 2011

    Ah, improvisation. Does that mean my lack of advance plotting is now justified as a “good thing”? :-)

    Terry
    Terry’s Place
    Romance with a Twist–of Mystery

  11. Marian AllenMarch 22, 2011

    This sort of speaks to the “plotter or pantser” thing. It doesn’t matter how much I plot and plan; I can plot and plan forever; the book doesn’t start until I jump in anywhere and start writing. Only then can I see where the story should start and what the path needs to be.

    Marian Allen
    Fantasies, mysteries, comedies, recipes

  12. Elizabeth Spann Craig/Riley AdamsMarch 22, 2011

    Hilary–It did all work out really well, which makes me want to try this approach again!

    Alex–Oh, for me too. I’ve got my morning routine on notecards. Really. :)

    Margot–Exactly. It makes sense, from a creativity perspective.

    Maryann–It’s hard for me because I think I’m a little cautious when new opportunities turn up. But they always seem to turn out so well and to take me in new directions.

    Carol–A mix is probably best, I’d think. Hubby sounds like a lot of fun, though! :)

    Diane–It’s definitely not easy. I’m working on it. :)

    The Old Silly –I was surprised at what a difference it made, being in the same room with my interviewer. Good point about not wanting to feel too comfortable! You know you’re still growing if you’re not settled in.

    Karen–You’ve got a great way of looking at it. I’m going to try to take your perspective.

    Hart–I think we might be on the opposite ends of the spectrum! There’s got to be some good middle ground there.

    Marian–I’m with you on that. I’ve just got to start somewhere. The story won’t get written, otherwise.

  13. Elizabeth Spann Craig/Riley AdamsMarch 23, 2011

    Terry–You’ll never know exactly where your story is going–which can be a good thing!

Comments are closed.

Scroll to top