Decluttering for Writers (and Other Writerly Chores)

by Elizabeth S. Craig, @elizabethscraig

file0001429590119It’s usually around this time of year that I decide that I’ve got to do some decluttering. I think that’s because it’s tax time and I’m rounding up documents and receipts.

The desk is a must-tackle because not only does it have most of the stuff I need for the tax return, it’s also full of a hodgepodge of writing-related papers that need to be sorted.

After that’s done, I usually start in with the computer.  It’s got to be done.  Usually my computer to-do list looks like this:

Back up.  Especially if I haven’t lately.  (I do back up my writing every day, but am not as great about backing up photos, etc.)

The blog.  What’s in my sidebar that doesn’t need to be there?  Are all the pages on my blog updated?  (No, they’re not, and I haven’t gotten to this item on my list yet, as is obvious!)  Back up the blog…it’s important.  I’ve known several people who have lost their blogs.

Google Reader.  I subscribe to 2,290 blogs, but sometimes I’ll need to unsubscribe to feeds.  The blogger might have moved to another blog or another provider.  The best way to clean up your Google Reader is to click on “trends” on the left hand column, and then click the tab that says “inactive.”  I click “top 40,” since I subscribe to so many.  Then I click the trashcan icon to clear out the blogs that haven’t been updated in ages.

My bio.  Yes, I’ve had two releases since the thing was last updated.  I updated it.

My website.  I do try to update my website monthly, but it also needed more updating (the new releases strike again.)

Email deleting and setting up filters and folders to organize incoming mail.  We all  get gobs and gobs of emails.  I set up folders for specific types of emails (“family,” “store ads/coupons,” “publisher,”) and set up filters for the emails to go directly into the folders. I unsubscribe to newsletters that no longer interest me.  I block and delete junk mail.

Change passwords.  Another important chore.  Getting hacked is no fun…no one wants to send spam or viruses to all their contacts.  I always stay pretty current with this chore.

Word files.  Delete old drafts of WIPs, create folders and add documents pertaining to a particular WIP to one folder.

Do you stay up-t0-date with this kind of stuff?  Or do you need to set up a special time to tackle it (like I usually do.)  What other kinds of writerly things do you organize?

Image: Morgue Fileearl53

Author Copies

by Elizabeth S. Craig, @elizabethscraig

knot what it seamsThis is a post that I hesitate even writing because this is one of many areas that’s rapidly changing in the industry.  But it’s still a relevant topic at this point.  I’ll look back years from now and go, “Oh, yeah.  There were still author copies in 2013….”

One reason for this change is that many writers are self-publishing these days and are using a print-on-demand service like Lightning Source or CreateSpace to create books when they need them….if they want print copies of their books at all.  Many more are electing to go digital only.  (One of my resolutions this year is to put my self-pubbed books in print, however.  I’ve had several emails from readers, scolding me about it.)

And…if you are traditionally published, the number of author copies you get probably varies wildly.  And I hear the copies are diminishing as publishers tighten their belts.  I’ve definitely got more author copies from one of my series than I have with another.

Regardless—many of us do have either print or digital copies of our books that are intended to help us promote our books in some way…whether we’ve purchased them ourselves, or whether they were given to us by our publisher.

Working with Penguin, I’ve gotten ARCs—Advance Reader Copies—of the first books in my series.  They’re not really pretty…they don’t have the finished cover on it, just a basic brown cover that has the book’s title and my name (or my pen name), and Penguin’s imprint on the front. 

ARCs I am eager to give away. I don’t give them to readers, because they’re fairly hideous, but they’ll go to reviewers (book bloggers, print reviewers at smaller newspapers or magazines, etc.)
Then there are author copies.  I always get these from Penguin, as opposed to the ARCs.  A box arrives by UPS or FedX before the book actually hits the shelves.

So….what do you do with author copies?  That’s where it gets interesting.

I tend to want to hoard my author copies.  In fact, if a reviewer contacts me after the book’s release, I’ll email Penguin’s publicist to send them a copy.  Because, really…those books are part of my pay.  When I run out, I have to buy more like everybody else (yes, usually at a discount.  Although I don’t buy as many as I used to.)

Anyway, I do spend some thought about what to do with these copies.  I know that hoarding them in a closet doesn’t exactly help me out.  I have no idea why I like to know they’re there…I’m really not a packrat in any other way.

I read a post by fellow mystery writer Jeff Cohen on the Hey, There’s a Dead Guy in the Living Room blog.  His post on the subject was “Do I Ask You to Work for Free?”

Jeff has run into some problems with readers asking for free books.  He explained, pretty clearly, the reasons why he feels he can’t give away his author copies.  Financial considerations were a big reason.

For what it’s worth, here are some good things I think I’ve done with my author copies, if others are looking for ideas. 

Goodreads giveaway.  See this post.  I got the results emailed to me from Goodreads yesterday, and if you’re curious about the results, I did see that 876 people had entered the giveaway.  So I did get some eyeballs over to see that I had a new release and a bit of exposure.  I didn’t advertise or promote the giveaway, aside from a mention here.  I’m giving away three of my author copies for that giveaway.

Charity baskets.  These have been at a variety of different functions through the years—most recently, a large quilt show in Texas contacted me about giving away a signed copy of one of my books for their auction of a basket of similar items.  Feeling that was a way to possibly loop in new readers (I have a quilting mystery series), I participated in that event and similar ones throughout the years.

 Blog giveways on book blogger sites.  Given away to a blog commenter of the book blogger’s, and promoted on usually both of our Facebook sites.  These seem to go well and I’m frequently amazed at the number of comments and Facebook shares.  It might be genre-specific….cozy fans are fairly dedicated.

Other promo-related giveaways.  Places like WriterSpace where you participate in live online chats and then participants at the chats are randomly selected for winners of a giveaway.

Books as thank-yous.  I’ve given signed copies to folks who have helped me research, acted as beta readers, and offered other forms of support.

And yes, sometimes I do give books to people close to me.  I wouldn’t dream of jeopardizing a close relationship over books…although, sure, I wish it were more generally known that the best way you can help authors is to buy a copy of their book (print or digital.)

What do you do with your author copies?  How do you handle distributing copies you’ve purchased for promo?

What About the Needs of the Reader?

by Elizabeth S. Craig, @elizabethscraig

file0001531630882Although I’ve enjoyed the amazing benefits of being a writer during this digital publishing revolution, I’ve frequently felt frustrated, too.

I  do enjoy bookstores.  I also enjoy writing for my publishers (working with good editors is a rarely mentioned benefit of traditional publishing…if you’re lucky enough to get one.)  And I worry that bookstores and publishers are frequently making poor business decisions—or forgetting the reader in the process of doing business.

I remember several years ago wondering what on earth Barnes and Noble was thinking.  I like the store.  I don’t mind buying books there.  So why were they running so few promotions (or promotions only for specific blockbuster titles?)  Why did they require an annual membership (of, as I recall, about $20 a year) to receive coupons?  No wonder readers were flocking to Amazon for print and digital book purchases.  They didn’t have to drive across town to pay a higher price for the same book.  The stores lose customers. Losing customers means that stores will need to close.  If stores close, the big publishers won’t have the shelf space that they depend on to connect readers with books and to showcase them.

So the bookstores are tied to a more expensive product.  Industry analyst and insider Mike Shatzkin in his post More thoughts about the future of bookstores, triggered by Barnes & Noble’s own predictions for itself states that Publisher Lunch creator Michael Cader:

….has also made the point that the physical stores are being made the last line of defense for book pricing. It is a virtual certainty that if a book has three different prices: print in the store, print online, and ebook, the printed book in the store will cost the most. This is not a formula to assure bookstore survival.

This is an instance where a reader need—competitive pricing—is being ignored…and jeopardizing both bookstore and publisher.

Another recent instance where the needs of the readers are discounted particularly irritated me.  To be fair, the site is Publishing Perspectives, not Reader Perspectives.  It’s supposed to look at issues from a publisher’s point of view.  But looking at things from a publisher point of view can be illuminating—when they don’t consider reader needs in their conversation. 

The article was 5 Academic Publishing Trends to Watch in 2013 by George Lossius, CEO of Publishing Technology. 

Publishers are fully aware of the benefits of e-textbooks; the ability to easily refresh out-of-date content, functionality that allows books to be dissected, more interactive content, metrics that can measure the usefulness and popularity of resources, and of course pricing. All of this technology is available yet end user adoption levels are relatively low. Is it merely a question of students having the right technology at their fingertips and institutions buying into this method of working, which is surely just a matter of time? Or is there a wider issue preventing adoption?

The issue was further discussed in a follow-up post on Publisher Perspectives, What is Delaying Widespread Adoption of Digital Textbooks?

Of course, the benefits that were listed in the article pertained to publishers.

And admittedly, I don’t know the industry the commenters on the post were in.  I’d imagine at least some of them are working with a publishing house.  The comments were all focused on the inability of kids to flip back and forth with a digital textbook, with the cost of the digital books and the value received, and the fact that the students end up with a non-interactive PDF instead of a real transmedia tool.

As a parent, I know the main reasons why kids want digital textbooks.  I know this because I drive kids around half the day, 5 days a week.  What they bring up in carpool is the fact that the schools don’t have the money (as they did in the past) for the students to keep one copy of a textbook at home for homework and one copy for classroom use.  Lugging a tremendous textbook back and forth (times 4 for their core classes) isn’t a lot of fun.   There isn’t even room in their huge backpacks for all the books, so they carry one book in their arms and the rest on their backs. 

Point number two that kids bring up is that when they inevitably forget their book in their locker, they’re stuck.  They can’t do homework because they don’t have their book.  If there was an online version, they’d have complete accessibility—on their home desktop, a homework laptop….heck, even on their phone.

It’s not all about the apps.  The kids don’t miss what they’ve never had.  It’s not the fancy stuff that the books could do. It’s more basic than that.

For adult readers, it’s more basic, too.  It’s convenience.  It’s price. It’s finding yourself in a full doctor’s office waiting room and pulling out your phone to read your book.  Sheer convenience is a huge reason why ebooks are so popular.  People are busy.  It’s quick and easy to download a book and it’s readily accessible.

DRM and retailer-specific formatting is another area where publishers aren’t considering their average reader.  The average reader would like to share their book among various devices in their home—on a iPad and a Kindle.  They’re not wanting to pirate their digital copy or share it with all 300 of their Facebook friends.

As Cory Doctorow put it in The Guardian ‘s article, Why the death of DRM would be good news for readers, writers and publishers:

(Dedicated readers) are the customers who amass large libraries from lots of suppliers, and who value their books as long-term assets that they expect to access until they die. They may have the chance to change their ebook reading platform every year or two (the most common platform being a mobile phone, and many people get a new phone with each contract renewal). They want to be sure that their books travel with them. When their books don’t, they’ll be alienated, frustrated and will likely seek out unauthorised ways to get books in future. No one wants to be punished for their honesty.

This DRM policy may hurt the publishers more than the readers. As writer Charlie Stross put it in his post What Amazon’s ebook strategy means:

By foolishly insisting on DRM, and then selling to Amazon on a wholesale basis, the publishers handed Amazon a monopoly on their customers—and thereby empowered a predatory monopsony.

I’d love it if bookstores and major publishers could survive and thrive, despite all the industry changes and challenges.  I think they may have to change their focus to do it, however. And they need to adjust their mindset quickly.

So now I’ve aired some of my frustrations with the current state of affairs for bookstores and publishers. :)  What are some of yours?  DRM? The slow pace of publishers to respond to change? Ideas for how they can learn to adapt?  What’s your prognosis for the future (I think we’ll agree it’s going to be a bright one for writers, at any rate.)

Image: Morgue File: chrisof4

Twitterific

by Elizabeth S. Craig,
@elizabethscraig

Twitterific is a compilation of all the writing links I
shared the previous week. The links are fed into the
Writer’s Knowledge Base
search engine (developed by writer and software engineer Mike Fleming) which
has over 19,000 free articles on writing-related topics. It’s the search engine
for writers.

Sign up for our free newsletter for monthly writing tips and interviews with top
contributors to the WKB or like us on
Facebook.

Mike Fleming is working with author and writing coach
James Scott Bell to offer an online, interactive, writing program to help make
your next novel great. It’s called “Knockout Novel” and you can learn
more about it at
KnockoutNovel.com. Plus, all the data is stored in your Hiveword account for
easy access.

A free directory of cover designers, formatters,
freelance editors, and more:
http://bit.ly/nolbXq

Kindle Select – What Works, and What Doesn’t: http://bit.ly/1170Okj
@magdalenaball

State Of Self-Publishing And 5 Things To Get Sorted For
2013:
http://bit.ly/YBy6fD @thecreativepenn

How to Use Your Kindle to Edit Your Self-Pubbed Book: http://bit.ly/1171UN0
@LauraPepWu

So You’ve Got an Agent… Now What? http://bit.ly/YBysTo
@writerashley

100 Common-Sense Ways to Write Better: http://bit.ly/1172mL5

Self-Publishing: For Genre Writers Only? http://bit.ly/YByEC8
@selfpubreview

Publishing with Createspace: http://bit.ly/1179rLI

Writing 20 minutes a day, 365 Days A Year. Are You In? http://bit.ly/1179M12
@write_despite

Achieving your goals on autopilot: http://bit.ly/YBCefu
@JordanMcCollum

5 Errors in Treating Quotations: http://bit.ly/117alYP
@writing_tips

The worst publisher of all time: http://bit.ly/117aVFM
@salon

The Importance of Being Edited: http://bit.ly/YBCJWV
@selfpubreview

How Many Rounds of Edits Should I Go Though, and What
Should I Focus on?
http://bit.ly/117bfEx @AmericanEditing

Estate planning: fearless inventories: http://bit.ly/YBCYRV
@kristinerusch

The state of bookstores now and reinventing them for the
future:
http://bit.ly/XTSfGW @Porter_Anderson @richfahle @eoinpurcell

The difference between audience and market: http://bit.ly/117bHCD

10 Works of Literary Fantasy to Jump Start Your
Imagination:
http://bit.ly/YBDj6Y @flavorwire

A S.M.A.R.T. Goal Refresher (or Primer): http://bit.ly/117c8wT
@lifehack

Should You Write That Potentially Controversial Scene? http://bit.ly/YBDsYf
@roniloren

5 Plot Devices That Hurt Your Writing: http://bit.ly/117cvr6
@litreactor

The First 15 Minutes Project: Max Fischer in Rushmore: http://bit.ly/YBDHm6
@cockeyed_caravan

How @ChuckWendig writes a novel: http://bit.ly/117cV0S
@woodwardkaren

The Trifecta of Storytelling Power: http://bit.ly/1179vLu
@storyfix

Writing – Imagery and Your Story: http://bit.ly/117dc3P
@karencv

Understanding Your Agent: http://bit.ly/YBDYW4
@rachellegardner

5 Trade Publishing Trends to Watch For in 2013: http://bit.ly/YBE9km
@publishingtech

10 Tips to Get Blog Tours and Guest Posts Right: http://bit.ly/117dNCG
@LyndaRYoung

F. Scott Fitzgerald on the Secret of Great Writing: http://bit.ly/YBEhQA
@brainpicker

What Makes a Strong Author’s Visit—a Teacher’s
Perspective:
http://bit.ly/WwDhKr @angelaackerman

Rewriting your script: themes: http://bit.ly/14rOnD7
@gointothestory

What Writing Step Are You Afraid Of? http://bit.ly/WwTzTx
@jamigold

15 Common Twitter Questions Authors Ask: http://bit.ly/14rOq1R
@authormedia

The zero clutter method for the disorganized writer: http://zenhabits.net/zero/ @leobabauta

An Agent on “Do I REALLY Need an Agent?”: http://bit.ly/14rOChz
@literaticat

An editor on eliminating “that” in your story: http://bit.ly/WwUeo0
@theresastevens

Writing a Believable Male Character: http://bit.ly/WwUnba
@ABoredAuthor

Writing Characters That Stand Out To Readers: http://bit.ly/WwUAes
@angelaackerman

The Art of Ideas: How To Overcome Writer’s Block: http://bit.ly/14rOPS4

Forcing Readers To Like Characters: http://bit.ly/WwUR0T
@mooderino

YA Needs to Be Better-Written Than Adult Fiction, Not
Worse:
http://bit.ly/14rOVJb @GeoffreyCubbage

All Things in Moderation-Even Writing Advice: http://bit.ly/SqDajk
@writeangleblog

Freelance Writing Rates – How To Determine & Set Your
Fee:
http://bit.ly/Yl1dQj @FreelanceCrunch

Push Your Character into Interesting: http://bit.ly/WCscru
@howtowriteshop

Agent and Editor Insights: Publisher Negotiations: http://bit.ly/WCskaA
@wherewriterswin

9 tips for an awful 1st draft: http://bit.ly/WF6v7b
@lisacron

Book Contract: What’s Negotiable and What’s Not: http://bit.ly/WCssH0
@brianklems

How (Not) to Write Like a Master: http://bit.ly/WF6Gzn
@ava_jae

When should you stop revising? http://bit.ly/WCsBud
@janice_hardy

Writing is about being brave, taking risks: http://bit.ly/WCsHBW
@rllafevers

What 1 writer told his intern about being a writer: http://bit.ly/WF6Wyq
@tobiasbuckell

Keeping out the intruder words: http://bit.ly/WFg1Hk
@BryanThomasS

The First 15 Minutes Project: Juno McGuff in Juno: http://bit.ly/WCEpMX
@cockeyed_caravan

5 surprises about self-pub: http://bit.ly/WCF7d7
@jennienash

5 Erroneously Constructed “Not Only . . . But
Also” Sentences:
http://bit.ly/WFgMAn @writing_tips

The 3 basic routes to getting published: http://bit.ly/WCFqod
@brianklems

Do Writers Need an Agent in the New Publishing Paradigm? http://bit.ly/WCFunS
@kristenlambtx

When Writers Don’t Deliver: http://bit.ly/WCFT9U
@tessgerritsen

All about book blurbs: http://bit.ly/WCG0Cp
@robertleebrewer

Plot–Conflict and Desires: http://bit.ly/11e3x13
@novelrocket

What to do during and after the first edit: http://bit.ly/XuzcEQ
@americanediting

What do tradpubs do…and can you do it? http://bit.ly/XuztaU
@bufocalvin

The wrong goodbye of Barnes and Noble: http://bit.ly/11e4qH1

The Unreliable Narrator in Romance Novels: http://bit.ly/XuAjEs
@meganf

When You Have Editorial Differences: http://bit.ly/10RUmT1
@behlerpublish

Why we’ve now got a “New Adult” genre: http://bit.ly/Y0tiw2
@jamigold

UK Speaker Scam Targets Writers: http://bit.ly/XuB7cx
@victoriastrauss

Why Writers Should Guest Post: http://bit.ly/XuBcNx
@diymfa

10 things 1 writer has learned about self-pubbing: http://bit.ly/11e5Gdc
@turndog_million

Rewriting Your Script: Structure: http://bit.ly/XuBrYJ
@gointothestory

Writing Horror: Facing the Inevitable: http://bit.ly/XuBCn8
@yahighway

Adding Tension to Hook the Reader: http://bit.ly/11e5XN3
@janice_hardy

Physical Attributes Entry: Skin: http://bit.ly/11e5Wca
@angelaackerman

The allure of the first novel: http://bit.ly/11e637s
@guardianbooks

Writing for reluctant readers: http://bit.ly/TqIxQb
@charmaineclancy

The fine art of lying (for crime writers and others): http://bit.ly/XxrbPG
@TeriTerryWrites

How to find the right title for your book: http://bit.ly/TqIUu3
@dirtywhitecandy

Using Public Domain Characters In Your Stories: http://bit.ly/XxrutJ
@woodwardkaren

Restrictive clauses and commas: http://bit.ly/TqJ5pd
@aliciarasley

5 Quick Tips For Better Dialogue In Fiction: http://bit.ly/XxrR7H
@thecreativepenn

Structuring Your Story’s Scenes: Variations on the Scene:
http://bit.ly/TqJx6V @kmweiland

The Number One Mistake New Writers Make: http://bit.ly/TqJFTM
@annerallen

Why Some Novels Say “A Novel” on the Cover, and
If Yours Should Too:
http://bit.ly/XxseiA @AnnieNeugebauer

Genre & Marketing: http://bit.ly/TqKGLC
@SHalvatzis

Publishing and Marketing Your Crap: http://bit.ly/XxsSg0
@jamesscottbell

Numbers in Fiction: http://bit.ly/TqKQTl @thenoveleditor

Co-Authoring with Kids: http://bit.ly/Xxt8eI
@Nimpentoad

Complete list of Paris Review author interviews: http://bit.ly/YyWuhJ
@parisreview

Methods of being edited: http://bit.ly/YbtZmw
@StinaLL

Plotting by Personality: http://bit.ly/WgYmaF
@margmcalister

Resolve to Tweet Better in 2013: http://bit.ly/YMFDIo
@NinaBadzin

Formatting, The iTunes Way: http://bit.ly/WgZ33G
@susankayequinn

Find Someone Who Is a Stakeholder in Your Writing
Life,Find a Few Someones.
http://bit.ly/YMGp8c @glimmertrain @Kate_Gale

Creative Intersections: Plot and Character Development: http://bit.ly/Wh1CD9
@DavidBCoe

Write Faster and Get Organized with Scrivener: http://bit.ly/YMGusG

Are chapters even necessary with the advent of digital
publishing?
http://bit.ly/Wh1XWd @lilylefevre

Marketing Strategies: Questions to Ask Yourself: http://bit.ly/YMGBV9
@fictionnotes

5 Things 1 Writer Learned in Her 1st Year of
Self-Publishing:
http://bit.ly/Wh2jfA @livewritethrive

How to Engage Your Reader: http://bit.ly/YMGGYS
@turndog_million

A closer look at Bookish: http://bit.ly/YfQg0p
@Porter_Anderson @laurahazardowen @chadwpost

How to use subplots: http://bit.ly/Wh2K9F @margmcalister

How To Write Sex Scenes When You’re a Prude: http://bit.ly/YMGOrn
@MishaCrews

7 tips for great sentences: http://bit.ly/14KoS0X

A situation is not a plot: http://bit.ly/WKBOgS
@Kid_Lit

Writing Your Tragedy: http://bit.ly/14KplQO
@janelebak

Navigating the Guest Post Process: http://bit.ly/WKC6UV
@diymfa

Declutter your novel: http://bit.ly/WKCxi0

Write a Story Ending That Will Satisfy Readers: http://bit.ly/14KqGah
@MargMcAlister

Rewriting Your Script: Pace: http://bit.ly/14KtLqR
@gointothestory

5 Common Synopsis Mistakes: http://bit.ly/WKEGdz
@writersrelief

Taking the Scary out of Scrivener: http://bit.ly/14Ku2dm
@Gwen_Hernandez

Other Types of YA Writing You Might Be Interested In
Doing:
http://bit.ly/14Kx7dx @davey_beauchamp

Tips for writing dialogue: http://bit.ly/WKH301
@wickerkat

An author explains why he doesn’t give away his author
copies:
http://bit.ly/14KxDYU @JeffCohenwriter

3 tips for streamlining dialogue: http://bit.ly/14KxXa5
@LaurelGarver

8 things to do when you’re stuck: http://bit.ly/WKHGqs
@JordanMcCollum

Industry changes: there is no midlist: http://bit.ly/YPckF2
@Porter_Anderson

Watch out for ING. It may be weaken-ing your story. http://bit.ly/VEyucl
@juliettewade

5 Tips To Optimize Your Facebook Page: http://bit.ly/11Ie0fU
@mollygreene

How To Publish A Book 101: http://bit.ly/VEyARb
@thecreativepenn

20 Great Writers on the Art of Revision: http://bit.ly/11IeDWF
@flavorwire

Sympathetic Characters: Danger: http://bit.ly/VEyMzZ
@mooderino

4 Ways to Pre-Write Your Scenes: http://bit.ly/11IeRgr
@janice_hardy

F. Scott Fitzgerald On The Price Of Being A Great Writer:
http://bit.ly/11If0ke @woodwardkaren

5 Examples of Misplaced Modifiers: http://bit.ly/VEyRUe
@writing_tips

How to Research a Novel: 7 Tips: http://bit.ly/VEyU2t
@thomaswyoung

Why Publishers Need to Think More Like Silicon Valley: http://bit.ly/VEz0XO
@EdNawotka

Tips from Downton–what we writers can learn from Downton
Abbey:
http://bit.ly/11IfS8d @junglereds

You CAN tell an eBook by its cover: http://bit.ly/VEz8Xg

Successors in Fantasy – Handing Over the Reins: http://bit.ly/11IgfQo
@fantasyfaction

Why “Genre” is Poison: http://bit.ly/VEzm0w
@davidbryher

Separate writing and rewriting: http://bit.ly/11Ih0c9
@Lindasclare

How to Surprise Your Reader in a Downton Abbey World: http://bit.ly/YPcM6i
@write_practice

9 Tips for Writing Effective Web Copy: http://bit.ly/11KHY2P
@authormedia

Giving characters distinguishing phrases to help readers
tell them apart:
http://bit.ly/VEryfo @mkinberg

Finally, an industry-related conference for writers:
Author (R)evolution Day
http://bit.ly/WRWhDy @Porter_Anderson @doctorow @robeagar

Goodreads for Writers

by Elizabeth S. Craig, @elizabethscraig

GoodreadsI’ve talked about Goodreads a little bit here before.  It hasn’t been a huge part of my online platform, but after reading a few posts in January about how important Goodreads is becoming for authors, I decided to try to become a little more involved there.

As I’ve mentioned before, Goodreads can be scary for writers.  Actually….Goodreads stresses me out.  The reviewers are tough and you’ll find the average ratings a bit lower than you’ll see on Amazon (which, actually, probably reflects a more genuine review system and reviews that are more on-the-mark.) Just be prepared and steel yourself.

I’d set up my Goodreads account in 2007 and basically forgot about it once I did.  I felt like it was enough to have a presence there….like I have a presence on LinkedIn. So I set up my blog to feed over to Goodreads, I listed all my books over there (which wasn’t particularly intuitive, I didn’t think), then I  left it.  I didn’t really want to review books, didn’t really want to share what I was reading, and I felt awkward interacting as a reader there because I’m a writer—it’s sort of like crashing a party.

I saw an infographic that Goodreads put out about their 2012 and the amount of growth the site had seen.  I’d also heard authors on several of the email loops that I’m on talk about successful giveaways they’d hosted on the site.  They boast that 40,000 people enter giveaways on their site daily and that the giveaways increase awareness of our books.

I’d never checked into the giveaways program at Goodreads because I assumed that the process would be time-consuming and require a lot of oversight on my part.

Instead—it’s easy.  It took me about three minutes to fill out the form for the giveaway.  The longest part of the process was just me remembering what my username and password were.

A note:  Goodreads requires that these be physical books, not ebooks.  I’m wondering if they’ll change that rule before long.

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The next screen looks like this:
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Then you save it:
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Goodreads randomly selects winners and after your giveaway end date, they send you the winners and their addresses.  If you don’t send the books, you’ll end up on some sort of Goodreads blacklist.  Authors can’t store the winners’ info for mailing lists, etc.

Goodreads recommends that authors give ten copies away…but I didn’t.  I’m keeping it at three and will see how it goes.  

They also recommend doing two giveaways of the same title: one several months before the sale date and one that runs for a month when the book launches. I honestly didn’t see the value in that, however.  If someone thinks they might win a copy of my book, why would they purchase it?  I’ve set my giveaway to last for a week.

The Goodreads giveaway is free, although they (naturally) encourage writers to buy ads to promote the giveaway.  I didn’t buy an ad.  The only cost is the physical copies of the books (mine were author copies), and the cost of postage (I kept the giveaway restricted to residents of the United States.)

More general information on Goodreads:

The Goodreads author program tutorial is here: http://www.goodreads.com/author/how_to 

Agent Rachelle Gardner posted tips for writers in her post How Authors Can Effectively Use Goodreads.

Are you on Goodreads?  Do you interact as a reader or writer or both?  Have you ever listed a giveaway?  How did it go?



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