Twitterific

by Elizabeth S. Craig, @elizabethscraig
Twitterific links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming)
which has over 19,000 free articles on writing related topics. It’s the search
engine for writers.
Sign up for our free newsletter for monthly writing tips and interviews with top
contributors to the WKB or like us on
Facebook.
Mike Fleming worked with author and writing coach James
Scott Bell to offer an online, interactive, writing program to help make your
next novel great. It’s called “Knockout Novel” and you can learn more
about it at
Knockout Novel.com. Plus, all the data is stored in your Hiveword account
for easy access.  The program is due to launch tomorrow…Monday, April 8. 
A tip for avoiding info dumping: http://bit.ly/Yrsp2k
@DonMcNair1 
Industry reaction to Amazon’s acquisition of Goodreads: http://bit.ly/10jCcGK @Porter_Anderson @ThadMcIlroy @leslieNYT @robspillman
Self-publishing is the future — and great for writers: http://bit.ly/ZaqJWJ
@salon @hughhowey
Authors in the B&N-S&S Crossfire: http://bit.ly/13OMq7e
@Porter_Anderson @Bookgirl96 @MJRose
Twitter tips for new users: http://bit.ly/Zftxst
@Victoria_Writes @williamblackmon
Sorry, Your Buddies Won’t Buy Your Book: http://bit.ly/Z5419b
@talkingwriting @dcbiddle
A free directory of cover
designers, formatters, freelance editors, and more: http://bit.ly/nolbXq
Use a Mood Board to Boost
Your Writing: http://bit.ly/X4KMvp @DIYMFA
Why writers should be on
Pinterest: http://bit.ly/168V0eE @DIYMFA
Breaking into International
Markets: http://bit.ly/108rC2T
Starting A Story In The
Middle: http://bit.ly/11DNJEA @mooderino
How to Revise for a
Stronger Theme: http://bit.ly/11EkMF3
@jamigold
Science Fiction Romance – A
Niche Before Its Time? http://bit.ly/14qDTqD
@amazingstories0
Author As Innovator: The
Future of Publishing is Story, Not Technology: http://bit.ly/11Ell1E
@danblank
Subtitling for
screenwriters: http://bit.ly/11EB4xx
Blogging a book–your
content plan: http://bit.ly/14qP3vm
@ninaamir
A writer reports on her
experience with an independent press: http://bit.ly/11EBp3q
@Wordstrumpet @PatrickRwrites
Screenwriting: examples of
voice-over narration and flashbacks that.. just don’t work: http://bit.ly/YRihvi @gointothestory
Just Kill Someone Already
(Upping the Stakes): http://bit.ly/YcAQi2
Gifting Your Professional
Network w/ Amazon eBooks: http://bit.ly/YcB7Bp
Why Critiquing Others Helps
You: http://bit.ly/YcEsjV @ava_jae
Writing Description in Your
Novel: http://bit.ly/YcEzvQ @jeanoram
Did Agatha Christie Have a
Formula for Success? http://bit.ly/YRruUv
@KMWeiland @becke_martin
Creative Writing Prompts:
Dig Deep into Character: http://bit.ly/YcEMiM
@howtowriteshop
4 Techniques To Mix Fantasy
With Realism: http://bit.ly/YcENTV
@write_practice
Tips for organizing a book
club: http://bit.ly/YcEWqs
Compromising with our
internal editor: http://bit.ly/YRrPGF
@YAHighway
How to Begin a Short Story:
http://bit.ly/YRrWSK @amazingstories0
@Sales_Source
Plot, Story and Tension: http://bit.ly/YcFw7E @woodwardkaren
Strong Active Verbs: Your
Writing’s Backbone: http://bit.ly/YRs8Bm
@lindasclare
The writer’s guide to
kissing: http://bit.ly/YcFQ6j
@CuriosityQuills
How Live Readings Can Help
Your Writing: http://bit.ly/YRsiZo
@LaNovakAuthor
Introduction to Online
Advertising for Authors: http://bit.ly/YcFZXa
The Trouble with In Medias
Res: http://bit.ly/YdoBlc @kristenlambtx
For the writer who means to
journal–5 online journaling tools: http://bit.ly/Ydpv17
@lifehackorg
Why Taking a Risk at a
Writer’s Conference Is a Good Thing: http://bit.ly/Ydsc2A
How @JaneFriedman Got a
6-Figure Twitter Following (and Why It Doesn’t Matter): http://bit.ly/WWjMNy
Prepositional confusion: http://bit.ly/ZVcKaC @aliciarasley
How to Write a Killer
Scene: http://bit.ly/ZEioka @jeanoram
5 Ways to Write More
Effectively: http://bit.ly/ZVcVT3 @fcmalby
Hiring an illustrator for
your novel: http://bit.ly/YErv51 @kenebake
How do you promote your
self-published book? http://bit.ly/11NK9nK
@pattyjansen
How to get a great cover
design – when you don’t know what it should be: http://bit.ly/YErTQP
@dirtywhitecandy
Is original writing always
better? http://bit.ly/11NKqap @BufoCalvin
Use a Timeline to Develop
Your Story: http://bit.ly/YEskLb
@luannschindler
What it takes to hit the
top of your genre chart at Amazon: http://bit.ly/11NLvPt
@Bob_Mayer
13 Questions to Ask
Yourself about Your Opening Chapter: http://bit.ly/11NLElZ
@annerallen
Structuring Your Story’s
Scenes: Frequently Asked Questions: http://bit.ly/YEtpmf
@kmweiland
Tips for an inexpensive
book launch party: http://bit.ly/11NM5Nc
@aishahmacgill
What 1 writer learned from
creating a book trailer: http://bit.ly/YEtYfA
@danasitar
How 1 writer doubled her
daily word count: http://bit.ly/11NMLlI
@IndiaDrummond
How to Edit Your Novel With
Efficiency: http://bit.ly/YEuLx4 @jeanoram
10 cover design tips for
print covers: http://bit.ly/YEv7Uo
Tips for writing cover
copy: http://bit.ly/11NNIdR @JMNeyGrimm
2 Proven Ways To Write With
Confidence: http://bit.ly/10hVkmb
Tips for getting your book
reviewed: http://bit.ly/13BRY4Y
@MariaZannini
From spark to story: How
books get started: http://bit.ly/10hVvhb
5 Reasons Traditional
Authors Are Going Indie: http://bit.ly/13BS9NM
@wiseink
10 Best Chrome Extensions
for Authors: http://bit.ly/13BSiAF
@AuthorMedia
Don’t publish crap: http://bit.ly/10hVREG @annerooney
A closer look at Noir: http://bit.ly/13BSBLV @ApexBookCompany
You didn’t
“trend” … and other subtle Twitter confusions: http://bit.ly/10hWmOZ @sarah_nicolas
How writing is like
gardening: http://bit.ly/10hWAWq @danabate
5 Rules of Writing
Flashbacks: http://bit.ly/13BThB2
@melissadonovan
5 Reasons to Write A Short
Story: http://bit.ly/10hWMF1
8 Ways to Edit Suspense
& Pace into Your Finished Manuscript: http://bit.ly/13BTsfF
@JordanDane
Binge reading and
publishing: http://bit.ly/10hWUnZ
@kristinerusch
How to Get the Most Out of
a Writing Class: http://bit.ly/YyrgW4
@michelledseaton
Developing
Scenes–revisiting the plot arc: http://bit.ly/11og5Ta
@DeeWhiteauthor
The Imitation Game: The
Sincerest Form of…. Becoming a Better Writer: http://bit.ly/ZsHOen
@WyattGBessing
Tweet Not Your Query,
Author: http://bit.ly/14BHVwu
@BloomsburyPress
Studies in flashback:
“Once Upon a Time in the West”: http://bit.ly/ZsJsfT
@gointothestory
Will Write for Food: The
Digital Freelance Journalist Dilemma: http://bit.ly/14BKkqW
@10000words
All about the ampersand: http://bit.ly/ZsJyUR @sixrevisions
How to book a writer’s
conference: http://bit.ly/14BKyhE
@wherewriterswin
Enemies of the Art–Having a
Thin Skin: http://bit.ly/ZsJHI0
@kristenlambtx
To Drama or Not to Drama: http://bit.ly/14BKG0K @Julie_Gray
The Business of
Screenwriting: Everything you wanted to know about specs: http://bit.ly/ZsJKU2 @gointothestory
Avoid Flowery Language and
Kill Your Darlings: http://bit.ly/14BKOxk
@americanediting
What Facebook’s New Feed
Will Mean For Authors: http://bit.ly/14BKQoU
@authormedia
When Visibility Doesn’t
Lead To Book Sales: http://bit.ly/ZsJTHh
@davidgaughran
Best Practices for Putting
Together Your Digital Book: http://bit.ly/14BL7If
@bibliocrunch @PaulSalvette
10 Dirty Fighting Tricks to
Spice Up Your Fight Scenes: http://bit.ly/ZsK0CD
@ajackwriting
The Story Milestones… and
Beat Sheet: http://bit.ly/14BLgLZ @storyfix
The Perfectly Balanced
Story: http://bit.ly/ZsK4lU @mooderino
5 Top Legal Issues for
Authors and Self-Publishers: http://bit.ly/174ZeVP
@JFBookman @Saving4Someday
Tips from a ghostwriter for
getting more clients: http://bit.ly/XO7jYd
@byRozMorris
Calling Your Manuscript
Finished (For Now): http://bit.ly/174ZrID
@rachellegardner
Facebook: Should We Use a
Profile or a Page? http://bit.ly/174Zy7g
@jamigold @LisaHallWilson
LGBTQ characters in SFF: http://bit.ly/XO7HGg @tordotcom @karinacooper
Setting: Using Instant
Recognition: http://bit.ly/174ZOTF
Naming schemes for fantasy
writing: http://bit.ly/XO7VNA @MorganKeyes
Improve your Dialogue by
Studying Plays: http://bit.ly/174ZXX7
Thoughts on epic fantasy: http://bit.ly/XO82sB
Crime fiction author
@Brad_Parks on introducing a sexual relationship to his popular series: http://bit.ly/1750jgl @JungleReds
How bookstore windows can
drive book sales–and fuel a digital campaign: http://bit.ly/XO8uqA
@pubperspectives
Weapons, Fighting, and
Battles in Worldbuilding: http://bit.ly/1750uZa
@juliettewade
An agent on the future of
publishing: http://bit.ly/XO8yXo
@rachellegardner
How to Build an Online
Audience: http://bit.ly/1750zfA
@manon_eileen
The importance of a sense
of play to our writing: http://bit.ly/XO8MxT
@RLLaFevers
Ebook Boxed Set Tips and
How Tos: http://bit.ly/1750V5R
@ddscottromcom
How to Get the Most Out of
a Writing Class: http://bit.ly/YyrgW4
@michelledseaton
How Busy People Can Find
More Time for Reading: http://bit.ly/11CFadq
@jodyhedlund
What Worries Publishers
Most? http://bit.ly/107HX7S @bmorrissey
5 areas you need to learn
to write better copy: http://bit.ly/10ryNVf
@ntaylor1981
Clearing the clutter from
our sentences: http://bit.ly/13JT5zB
The Art of Collaborating
and its Rewards (or Tribulations): http://bit.ly/10rAv8Z
@mariesetiawan
Plotting? Keep digging
deeper and “imagine beyond what is safe”: http://bit.ly/10rAPEM @noveleditor
5 Things Children Teach Us
About Writing: http://bit.ly/ZKsICX
@KMWeiland
Plotting – the Mamma Mia
lessons: http://bit.ly/13JUshH
@dirtywhitecandy
Why no deal is better than
a bad deal: http://bit.ly/10rBeHf
@ajackwriting
Not so freely free:
Amazon’s 20K/80% vision: http://bit.ly/13JUypI
@bufocalvin
Language and fantasy: http://bit.ly/10rBp5B @VioletteMalan
Why Not to Register
Copyright for Unpublished Work: http://bit.ly/13JURkb
@victoriastrauss
Pitch vs. query: http://bit.ly/10rBExj @atrueblood5
How to style profanity in
your prose: http://bit.ly/13JV5rE#
@PRDaily
Physical Attribute Entry:
Hair: http://bit.ly/10rBHcC @beccapuglisi
Overcoming Challenges To
Write And Publish A Book: http://bit.ly/13JVmuE
@thecreativepenn @IwinBook
Adjusting the Picture for
Clarity: http://bit.ly/10rBRka @novelrocket
Writing for Middle Grade: http://bit.ly/13JVz0Q @ToniKerr_Writer
10 Ideas for using QR Codes
to Promote Your Book: http://bit.ly/10rC4Uo
3 sites to find a critique
partner: http://bit.ly/13JVZ7A
@ThereDraftAgain
How to Know if a Contest is
Right For You: http://bit.ly/10rCiep
@CupidsLC @MissDahlELama
Grammar ‘errors’ you don’t
need to worry about: http://bit.ly/13JWAGb
@passivevoiceblg
Manuscript formatting and
prep screencasts: http://bit.ly/10rCrOY
@andrewkarre
Book Promotion — What’s
Working at Amazon in 2013? http://bit.ly/10xREOD
@goblinwriter
How To Find Out Everything
You Need To Know About Self-Publishing: http://bit.ly/YTAo82
@cathryanhoward
Great Scene: “The
Exorcist”: http://bit.ly/10xTPSc
@gointothestory
Using Plot to Reveal
Character Transformation: http://bit.ly/YTDh8Y
@mythicscribes
Don’t Make Writing About
Yourself: http://bit.ly/10xTXBe
@write_practice
Creating an Evocative Mood
in a Memoir: http://bit.ly/YTDs46
@janice_hardy
5 beliefs about Twitter: http://bit.ly/10xUaEp @AnnieNeugebauer.
Trimming costs in case book
sales drop off: http://bit.ly/YTEpt7
6 Makeover Tips: How to
Bring a Book Back from the Doldrums: http://bit.ly/10xURgT
@markcoker
The Benefits of Running a
Goodreads Ad: http://bit.ly/YTIcXe @jeanoram
How Game of Thrones
Improved a Literary Author’s Writing: http://bit.ly/10zP7lz
@magdalenaball
8 pics and videos that
describe what DRM is about: http://bit.ly/11ot4Cp
@namenick

Enjoying Spring

by Elizabeth S. Craig, @elizabethscraig

MorgueFile–Destinycole

Well, technically, spring hasn’t completely decided if it’s sprung in the southern United States.  But my children have spring break from school this week, so I’m going to take a short break from blogging until Sunday. 

Is it spring where you are?  Hope you’re enjoying it!

Don’t Be An Information Dumper! Guest Post by Don McNair

by Don McNair, @DonMcNair1
 
You
have two choices. Write in the “here and now” or dump information. I’ll
tell you right now that editors and agents want you to write in the “here
and now.”

 

Unpublished
writers often present information dumps in their first chapters. How do you
recognize one? Generally, your characters don’t do, they think.
They think as they drive a car. As they sit in their office. As they ride an
elevator. Nothing of interest happens in real time. If your critique partner
tells you your story actually starts on page seven, she’s saying that the first
six pages are an information dump. Those six pages generally include
information you think the reader needs to understand your characters.
 

Your
novel would be much more interesting if you showed instead of told.
In fact, editors who read past your manuscript’s first paragraph stop reading
when they see this problem. Unfortunately, many writers hearing the
“show-don’t-tell” advice don’t really understand what it means.

 

Use narrative summaries sparingly

When
writers tell instead of show, they’re generally writing from the author’s
POV
and not the characters’. While the technique called “narrative
summary” does have its place in a novel, it should be used sparingly.

 

Here’s
a before-and-after example. The first version, written in the author’s POV, is
a narrative summary:

 

But the site itself had been inhabited for much longer. The
previous day she and Mike had jogged along an old path which edged the Knob,
and she spotted the stark, vertical rock chimney of a burned-out cabin. It
jutted from a weathered rock foundation that was now covered with thick vines
and forest debris. The cabin had been built near the Knob’s edge, which
plummeted almost two thousand feet to the valley floor.  She realized
that, when the one-room cabin was built, its owner had probably cleared trees
away to open the valley up for a spectacular view.  

 

Notice
the author is telling about the discovery, just as one tells ghost stories
around a family campfire. He is summarizing what happened yesterday. There is
no action. There was action yesterday, but that doesn’t count as action today.

 

I
wrote that passage years ago. I thought it was fine writing until an old
writing pro pointed out the problem. I read it again, and—by gosh, she was
right. Following is the passage as I rewrote it to put the scene into a
character’s POV and show the action, instead of leaving it in the
author’s POV and tell about it:

 

Mike stepped aside and she saw a clearing. Grass, kept at
bay in the deep woods they’d passed through, covered an area the size of an
average yard.

 

She frowned. “This is it?”

 

“Yep. The original cabin site. See if you can find
it.”

 

She saw nothing but the woods and grass. Blue sky appeared
over a huge, waist-high stone outcropping at her left. She stepped to it and
peered over.

 

“Why, we’re right at the bluff’s edge!”

 

“That’s right. Jump off that rock, and you’ll fall
almost two thousand feet.”

 

And then she saw the vertical stone chimney. She’d
overlooked it before, since it resembled the surrounding tall trees. She walked
tentatively toward it. As her eyes adjusted she saw the stone foundation of a
long-gone, one-room cabin. Its chimney rose from one corner, its hearth opening
toward the center. Slanting rays filtering through the treetops brought the
chimney and foundation to life.

 

She turned to Mike. “Look at that – it’s just like a
shrine. Why, I feel like I’ve just stepped out of a time machine.”

 

The
lesson? Write in real time. Don’t tell what happened in the past, but show
it as part of the action now.

 

Bad, better, and best

As
you write fiction, think of the information you present as being at one of
three levels: Bad, better, and best. Then upgrade that information as best you
can.

 

The
“bad” level has information told from the author’s POV, as in the
first example above. The revealed events happened in the past. There is no
action today. There is little or no dialogue. Here’s an example:

 

After she ate her sandwich, Mary left the dance without
answering Brad’s questions about the Pekingese.

 

See?
No action, no dialogue. The author is telling us about something that happened
in to someone else. A scene or chapter written at this level could have a bored
editor flinging a submitted manuscript across the room.

 

The
“better” information level—and it’s not really much better—at least
presents thoughts from the POV of a live human being. Here’s an example:

 

Jane started her Mazda and pulled into the traffic. That
Mary, she thought with disgust. She ate her sandwich and simply left the dance.
She should have at least answered Brad’s questions about the Pekingese.

 

Here
at least we have human involvement. Although the information Jane’s thinking is
still dead and has no action, we do see Jane. In small, well-placed doses,
using such internal dialogue is an acceptable way to pass information.
Unfortunately, some authors use this approach for pages and pages, and the only
live action we have is the heroine doing the equivalent of driving that
car.  It’s easy to see why so many manuscripts are rejected.

 

Okay,
we’ve discussed the “bad” and the (not much) “better” ways
to present information. Let’s look at the “best.”

 

When
you start a new book, there’s certain information you want to reveal. Rather
than have the author tell us about it or have a character think about it, have
the heroine confide the information to a sidekick in real time, perhaps like
this:

 

Jane sat her Margarita on the bar and turned to Amy, who
stared at her pocket mirror as she adjusted her hair. “Did you see
that?”

 

Amy looked up. “See what?”

 

“Mary. She just ate her sandwich and left.”

 

Amy glanced at the lit ballroom exit, past entwined couples
dancing cheek to cheek on the dimly-lit dance floor. “Wow. Well, did she
answer Brad’s questions about the Pekinese before she left?”

 

“I don’t think so . . .”  
 

Jane frowned and retrieved her drink. She brought it to her
lips and tasted the bitter salt, looked about, and paused. Standing by a small
table with its flickering candle was Brad, staring at the entrance.

 

“She should have, you know?” Jane sipped again,
and set her drink down. 
 
 “After all, Brad was kind enough to have the
Pekingese fixed.”

 

I’ll
admit I got carried away with that last example, but I did so with purpose.
Didn’t you feel like you were there, watching this scene play out? Didn’t you
catch the action—Alice primping, Jane sipping and tasting, dancers dancing, and
perhaps even Brad staring? Didn’t you believe this is happening now and that
you are on hand to watch the scene unfold? This give-and-take is important. It
keeps the reader engaged. If you write in this mode she’ll continue to read
your novel.

 

Don
McNair, an editor and writer for more than forty years, has written six novels
and four non-fiction books.  His latest,
titled “Editor-Proof Your Writing: 21 Steps to the Clear Prose Publishers and
Agents Crave (Quill Driver Books),” helps writers self-edit their work.  Learn more at his website,
http://DonMcNair.com .

 

 

Twitterific

by Elizabeth S. Craig, @elizabethscraig

Twitterific links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming)
which has over 19,000 free articles on writing related topics. It’s the search
engine for writers.

Sign up for our free newsletter for monthly writing tips and interviews with top
contributors to the WKB or like us on
Facebook.

Mike Fleming is working with author and writing coach
James Scott Bell to offer an online, interactive, writing program to help make
your next novel great. It’s called “Knockout Novel” and you can learn
more about it at
Knockout Novel.com. Plus, all the data is stored in your Hiveword account
for easy access.  The program is due to launch in early-April.

Happy Easter to all
who celebrate!
The effect of digital publishing on literary fiction: http://bit.ly/YcF0X8
@Porter_Anderson

Crime fiction–when secrets create problems: http://bit.ly/11Cvyz7
@
mkinberg

Agents–changing attitudes and changing their business
model?
http://bit.ly/XM0ztT

@Porter_Anderson
@DocSyntax @Melissa_Foster

The importance of continuing education for writers: http://bit.ly/YckLc0
@Allison_Brennan
Agent-Assisted Self-Publishing and the Amazon White Glove
Program:
http://bit.ly/XMGtQk @Melissa_Foster @JaneFriedman

 
Templates for self-published books that can be used with
Microsoft Word-created manuscripts: 
http://bit.ly/YcsBm7 @JFBookman
Bowker’s latest pub. data and a look at the importance of
bookstores to publishers:
http://bit.ly/YRNYot @Porter_Anderson @DouglasMcCabe
A free directory of cover designers,
formatters, freelance editors, and more: http://bit.ly/nolbXq

The Search Engine for Writers: http://hiveword.com/wkb/search

15 Questions to Help you Decide Your Next
Writing Project: http://bit.ly/WTJIu1
@fictionnotes

Agents share what they like to see in
book openings: http://bit.ly/WTK4RA
@MartinaABoone

3 Ways to Ground Readers in Your World: http://bit.ly/ZY7H7Z @Janice_hardy

How flipping elements of a flipped idea
results in new ideas: http://bit.ly/WTKnvG
@creativesomething

Freelancers: The Magic of Double-Whammy
Headlines: And How To Use Their Enormous Power: http://bit.ly/ZY8cyV

3 Types of “Not Only . . . But
Also” Errors: http://bit.ly/WTKGXg
@writing_tips

Transitioning from fanfic to original
work: http://bit.ly/ZY8xBE @JordanMcCollum

6 Historical Forensic Detectives Who
Deserve Their Own TV Shows: http://bit.ly/WTKQxS
@io9

3 ways back into the author marketing
game: http://bit.ly/162U2jY

To Be a Writer, You Only Need to Do Two
Things: http://bit.ly/11oeZHc
@write_practice

Infinitives: To split or not to split: http://bit.ly/162U77j @aliciarasley

3 Dimensions of Character – A Review of
Larry Brooks’ Character Development Technique: http://bit.ly/11ofd17
@Fictorians

1 writer’s crazy three years since
“the call”: http://bit.ly/162UdMj
@tawnafenske

Understanding Screenwriting: Zero Dark
Thirty, This is 40, Margin Call, & More: http://bit.ly/11ofBwu
@slant

Should Independent Authors Have Their
Books Translated into Foreign Languages? http://bit.ly/ZaMaK5
@goblinwriter

How to Write a Novel as a Collaborative
Team: http://bit.ly/ZKuO5O @adriennedewolfe

5 Unconventional Fantasy Relationships: http://bit.ly/ZHGCEB @rajanyk

Classic Characters Whose Flaws Make Them
Great: http://bit.ly/16dAp9N @BenClayborne

Should Writers Pay to Use Duotrope? http://bit.ly/162Uu1y @writeitsideways

Author Photos Step-By-Step:The
Comprehensive Guide: http://bit.ly/162UE9f
@CharleeVale

Keep the “Cheesiness” Out of
Your Author Website: http://bit.ly/162USgJ
@KerryLonsdale

Authors and Domain Names: Claiming Rights
to Names and Titles: http://bit.ly/11oh4CR
@SheilaJLevine

Killing the “Pay First, Read
Later” E-bookselling Model: http://bit.ly/WWjiaa
@pubperspectives

How Much Can an Editor Edit a Writer’s
Work? http://bit.ly/107KvnO @BrianKlems

Scrivener for plotters: http://bit.ly/107KArB @Gwen_Hernandez

How @JaneFriedman Got a 6-Figure Twitter
Following (and Why It Doesn’t Matter): http://bit.ly/WWjMNy

Types of act-outs for screenwriters and
other writers: http://bit.ly/107L2Gu
@lillazuck

Filling the creative well with a rest
break: http://bit.ly/WWkWbI

Do You Have a Purpose? The Absurd in
Literature: http://bit.ly/107LQuT
@write_practice

Editors and Their Roles: http://bit.ly/WWlsGI @amazingstories0

Author Solutions: One Racket To Rule Them
All: http://bit.ly/107M7hf @EmilySuess

5 Blogging Tips for Indie Authors: http://bit.ly/WWlO09

Dialect in Dialogue: A Little Goes a Long
Way: http://bit.ly/107MqZr @PamelotH

How to Know When to Quit Pursuing
Publication: http://bit.ly/WWmbYt
@jodyhedlund

1 writer advises writers to pick a genre
and stick with it: http://bit.ly/107MFUq
@jimrubart

Defining your characters’ dreams: http://bit.ly/WWmB11

Leaving Room for Inspiration/Creativity
Within an Outline: http://bit.ly/WWmVNl
@martinaaboone @AnnaCollomore

5 Essential Qualities of Irresistible
Product Descriptions: http://bit.ly/WWnC9f
@KathrynAragon @buddhapuss

The Five Best Questions To Ask A Panel of
Writers: http://bit.ly/107NBIt @CarrieCuinn

How Writing a Short Story Differs From
Writing a Novel: http://bit.ly/WWouLf
@susanjmorris

What Makes An Idea Worthwhile? http://bit.ly/107Od0O @mooderino

5 Facebook Marketing Tips for Authors: http://bit.ly/W85NTf @goblinwriter

An agent explains when to revise your
manuscript and when to keep submitting: http://bit.ly/16EYbvK
@carlywatters

Build Your Writing Community: In-Person
Events: http://bit.ly/XzjJmN @DIYMFA

Build Your Community–Writing Classes and
Workshops: http://bit.ly/X4KggX @DIYMFA

Build Your Online Writing Community: http://bit.ly/XzjWpZ @DIYMFA

Q&A With An Editor: The Acquisitions
Process: http://bit.ly/X4Krso @DIYMFA

The Author-Editor Relationship: http://bit.ly/Xzk2Ov @DIYMFA

Being Your Own Muse: http://bit.ly/X4KAMB @DIYMFA

What Writers Can Learn from Children’s
Books: http://bit.ly/Xzk7Si @DIYMFA

Making Your Writing Real: http://bit.ly/WTJROh @NaAlleyBlog

Using Flow Charts to Plot: http://bit.ly/XzkxrU @jillkemerer

Introducing Your Novel: Why the First Few
Pages are the Most Important: http://bit.ly/X4LmJi
@americanediting

What fiction trends are coming and going?
http://bit.ly/XzkD2I @MacGregorLit

Nail a Better Concept To Empower Your
Story: http://bit.ly/X4Lt7O @storyfix

5 Answers to Questions About Direct
Address: http://bit.ly/XzkFYl @writing_tips

Never again hate self-promo: http://bit.ly/X4LyZ3 @rachellegardner

Worst exposition ever? http://bit.ly/XzkOuI @gointothestory

How do we discover what we want to read? http://bit.ly/XzkQ5Z @byrozmorris

Getting to know readers: the new
accessibility: http://bit.ly/X4LOHw
@tobywneal

5 Tips to Effective Dialogue: http://bit.ly/XzkXON @MaloneEditorial

10 Steps To Write And Publish Your
Non-Fiction Book: http://bit.ly/X4M21x
@thecreativepenn

Developing Scenes–revisiting the plot
arc: http://bit.ly/11og5Ta @DeeWhiteauthor

Think Like a Publisher: Sales Plans: http://bit.ly/107N5Kt @deanwesleysmith

When is it overwritten? http://bit.ly/X4MnRT @juliettewade

Respect Yourself and Take Back Control of
Your Calendar: http://bit.ly/XzliAY
@reallifee

The Best Characters Are Broken: http://bit.ly/X4Mvkb @fcmalby

Pros and Cons of Indie Publishing: http://bit.ly/XzlmRx

The First Step to a Quality Book: http://bit.ly/X4MLQj @JeFishman

Is Scrivener Right For You? http://bit.ly/ZW3jGu @NMusch

What Makes Good Horror? http://bit.ly/YyoTCK @craigdilouie

Journaling for writers: http://bit.ly/ZNb42D @getpulled

6 self-editing tips: http://bit.ly/YypdkS @adriennedewolfe

Focusing your fiction: http://bit.ly/ZNbwho @JordanMcCollum

How your characters might be betraying
readers: http://bit.ly/YyphkG @kmweiland

Winning Battles for Writers: National
Writers Union: http://bit.ly/ZNbSEQ

Many memorable characters are broken
ones: http://bit.ly/ZNbZQQ

Stuck? Five Ways to Write Forward: http://bit.ly/Yypww0

2 Dialogue Tips from Studying SitComs:
Just Spit it Out: http://bit.ly/ZNccmU
@fictionnotes

7 Ways To Improve Your Outlines: http://bit.ly/YypCE0 @goodinaroom

6 Ways To Get Rid Of Infodumps At The
Beginning Of A Story: http://bit.ly/YyqR6g
@woodwardkaren

One key to handling exposition: http://bit.ly/ZNebYr @gointothestory

Write first thing in the morning? Are you
crazy? http://bit.ly/YyqXuG @JennaAvery

Writing for trends: http://bit.ly/ZNctXa @TaliaVance

“Sorry, the short story boom is
bogus”: http://bit.ly/ZNeDWN @salon

How to Get the Most Out of a Writing
Class: http://bit.ly/YyrgW4 @michelledseaton

Famous Authors’ Fan Letters to Other
Authors: http://bit.ly/ZNfdDN @flavorpill
@theatlantic

8 Tips From @ChuckWendig On How To Read
Like A Writer: http://bit.ly/YyryMR
@woodwardkaren

10 Books that Changed America: http://bit.ly/ZNg1sn @listverse

The Dangers of Reading About Writers: http://bit.ly/Yys6SZ @PeterDamien

A look at the award-winning movie
Lincoln…from a screenwriter’s perspective: http://bit.ly/ZNglHE
@cockeyedcaravan

3 Things to Do When You Have to Start
Writing (That Aren’t “Start Writing”): http://bit.ly/YysikW
@GeoffreyCubbage

Immaturity in Writing: http://bit.ly/Yysv7M @bluemaven

10 tips for creating great plots: http://bit.ly/107t6dR @plotwhisperer

Point Of View: Enhancing Your Narrative
Voice: http://huff.to/11CdtRZ

Self-editing tips: http://bit.ly/11CdHbJ

Journaling for the Chronic Journal
Abandoner: http://bit.ly/107tjgW @roniloren

For a long writing career, fight for
yourself: http://bit.ly/11Ce1ah
@kristinerusch

Why Being a Ghostwriter isn’t as
Soul-Sucking as You Think: http://bit.ly/107tyZs
@BeingTheWriter

How To Be Creative When Your Brain
Doesn’t Want To Play: http://bit.ly/107wTrx
@RebootAuthentic

Some thoughts on Authority and
Credibility: http://bit.ly/107wYva
@VeronicaSicoe

Rules of writing fan fiction: http://bit.ly/11ClkPe @charmaineclancy

What 1 writer has learned from her cat: http://bit.ly/11ClmXv @JordanDane

How Busy People Can Find More Time for
Reading: http://bit.ly/11CFadq @jodyhedlund

Worldbuilding–Making the Most of
Holidays in Your World: http://bit.ly/11CFjxi
@juliettewade

Make the Reader Weep or Laugh: http://bit.ly/107HUJj @fictionnotes

What Worries Publishers Most? http://bit.ly/107HX7S @bmorrissey

Facing Failure: The Art of Eating Live
Frogs: http://bit.ly/107Ihnb @jeffgoins

11 Ways to Solve Your Writing
Procrastination Problem: http://bit.ly/107Ik2e

The Future of Publishing for Authors and
Professional Writers: http://bit.ly/107Io28
@wherewriterswin

Blogging Help: 7 Tools For Success: http://bit.ly/11CGEnT @heidicohen

The Basics of DIY E-Book Publishing: http://bit.ly/11CGJYA @writersdigest

How to Get In Touch With Your Characters
(Especially When You Have Writer’s Block): http://bit.ly/107IuXt
@write_practice

Flog a Pro: Safe Haven by Nicholas
Sparks: http://bit.ly/11CH4e7 @RayRhamey

10 Important Questions You Should Ask A
Website Company Before Buying A New Website: http://bit.ly/107IHdf
@authormedia

5 Reasons Agents Don’t Explain their
Rejections: http://bit.ly/11CHilq
@rachellegardner

A trad. published author tries
self-pubbing. Her one regret: http://bit.ly/11DJdpR
@annvosspeterson

Dialogue Involving Multiple Characters: http://bit.ly/11DJAAG

The Benefits of Talking Through Your
Scenes: http://bit.ly/108ounA @Janice_Hardy

Snip Skimming in the Bud: How to be
Eloquent and Snappy: http://bit.ly/11DJTeK

Judging Young Fiction By Their Covers: http://bit.ly/108oSTb

How To Make A Professional Standard Print
Book Interior: http://bit.ly/108p0lC
@JFBookman @thecreativepenn

A look at the new hybrids in creative
nonfiction: http://bit.ly/11DKywV

5 “Not This . . . But That”
Parallelism Problems: http://bit.ly/108p84s
@writing_tips

Memoir Writing Tips: How To Get Your
Story On The Page: http://bit.ly/11DKLAd
@thewritermama

Discoverability not a problem for
readers…1 reader bribed a librarian to put books in her hold queue: http://bit.ly/108pGau @kimthedork

Guy Kawasaki’s 10 Social Media Tips for
Authors: http://to.pbs.org/11DLNMv
@mediatwit

The Business of Screenwriting: Everything
you wanted to know about specs: http://bit.ly/108q5K1
@gointothestory

When it’s time to stop blogging: http://bit.ly/11DLYYe @yeomanis

Writing with an “authentic”
voice: http://bit.ly/108r8JZ
@TheHeraldRyanG

Down to Earth Structure: http://bit.ly/11DNkSM @Julie_Gray

Platonic Male-Female Relationships in
Fiction (a.k.a. “The Glue”): http://bit.ly/108rqAz
@fictiorians

Story Structure Provides A Framework For
Meaning: http://bit.ly/11DNwkP
@woodwardkaren

How Ebook Sales Affect Traditional Sales

by Elizabeth S. Craig, @elizabethscraig

The series that I’m self-publishing had its start as a traditionally published product.

“Pretty is as Pretty Dies” was published by Midnight Ink in 2009.  The book earned out, but apparently wasn’t considered a huge financial success by Midnight Ink, who indicated to me in 2010 that they’d rather not publish a sequel. I’ve never had hard feelings–publishing is a business. They need to make good business decisions or else they won’t stay afloat. I was definitely disappointed, since I loved the characters, but I was too busy to be crushed.  I was already, at that point, working on the Memphis Barbeque series and was hearing that I might be considered for a second series with Penguin.

In both 2010 and 2011, I continued hearing from readers, asking when the next Myrtle Clover book was coming out.  I was buried in work at the time with the other series, but I hated telling them there wouldn’t be more books in the series.  I did tell a couple of readers that…then I started telling them that I was considering putting more Myrtles out, myself.  My agent offered to shop the series to Penguin and St. Martin’s, but I really didn’t want to go that route because I knew it would take forever and the first book had come out in 2009. 

After dragging my feet for a while, I decided to take the leap into self-publishing.  It took a while.  During that time, I kept hearing of the success other authors were having with self-publishing and was kicking myself for not getting my rights back and finding the time to find editors, artists, and formatters.  Finally, I just gave myself a deadline.  I wrote to the publisher, asking for the rights to my characters back.  They returned them.  Then I put a team together and starting releasing Myrtles–the book that Midnight Ink had turned down, a revamped version of the very first book in the series, and a new book. 

While I was releasing the books, I ran sales on the self-pubbed items, frequently making one of the books free by making it free on Smashwords, then indicating to Amazon that the price was lower there.  Sales of the other books increased, I got a large number of reviews on a couple of the titles, and began getting more visibility with the Amazon algorithm.

I noticed that sales were also increasing for the traditionally-published, “Pretty is as Pretty Dies.”  It was, after all, in the same series and introduced a main and recurring character in the series.  The sales seemed to be mainly Kindle sales and placed the book in the 25,000–35,000 Amazon bestsellers rank for many weeks…pretty good for Midnight Ink and pretty good for a 3 1/2 year old book. The book was garnering new reviews and interest…the book was enjoying a second life.

Then last September, I received an email from Midnight Ink.  I was curious, since I knew the sales for the book were suddenly strong.   Sadly, the email stated:

“As you likely know, sales of the book have slowed considerably to the point where we have decided to designate the book as out-of-print. This means we will be returning available rights to you and discarding the remaining inventory.

Prior to discarding the inventory, we are offering you the opportunity to purchase as many copies as you would like for 80% off of the original retail price plus freight. Please contact our customer service department at {redacted}to order your books. This is a one-time offer and your order must be placed by Friday, September 14, 2012. Any remaining inventory be shredded and recycled on Monday September 17, 2012. If you miss the deadline, you will be unable to purchase any copies of your book.

Midnight Ink hereby returns all international and domestic rights to you to the above named title with the following exceptions:

Ebook
English large print rights (domestic and international)
Note that this rights return does NOT include rights to the covers, interior or exterior artwork. Nor does it include typography or electronic files.”

No, I didn’t buy any books at 80% off.  :)  What on earth would I have done with them–stacked them up in a closet?  And the book is selling really well as an ebook…that seems to be the format that readers want the book in. It was just a pity I didn’t have the ebook rights to that book back. 

It was a little sad that my books were shredded and recycled.  :)

What’s my takeaway from this?  One takeaway is that Midnight Ink did me a tremendous favor by refusing a second book–I’ve certainly done well on my own and who knows when I’d have taken the self-publishing leap without an unsold book handy?  Another lesson is that ebooks are a lot more popular than print (I can’t really draw another conclusion with the data I’ve got–few wanted the print version and the ebook version is selling briskly.) Another is that we don’t have to let publishers decide when our series are over (as long as we can get the rights to the characters back.) I’ve also learned that it helps to have a series if you’re self-publishing…the individual book sales build off each other. I haven’t noticed as much of an effect on the sales of my other traditionally-published books in other series.  And I’ve learned that–now, anyway–offering books for free means increased visibility and sales for related books.

Do you prefer series, as a reader? Have you tried self-publishing?  Run any deeply discounted sales? Taken a discontinued series and re-started it, yourself?

Scroll to top