Category: Uncategorized

By Elizabeth S. Craig, @elizabethscraig

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The Alphabet in
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@mkinberg

Getting Reviews as a Self-Published
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@SpunkonaStick

#BEA13 “positions authors primarily
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@Porter_Anderson

1 writer’s editing process: http://bit.ly/1aZrFnk @authorterryo

The publishing industry is telling itself
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@Porter_Anderson

Observations on #BEA13: http://bit.ly/15zZL01 @Porter_Anderson
@jwikert @ChuckWendig

How to write a novel in three years or
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Amazon execs meet with writers and those
who report on publishing–for input: http://bit.ly/15ENqaW
@Porter_Anderson @dearauthor @JasonBoog

The 4 Best
Strategies for Savvy Self-Publishers: http://bit.ly/11lCnEX
@writersdigest

No, E-book Sales Are Not Declining: http://bit.ly/12UBnWs @nathanbransford

How To Cure Writer’s Block Using Photos: http://bit.ly/11lCznM

Beware the comma splice: http://bit.ly/12UBG3A @ScottTheWriter

Tips for writing academic papers: http://bit.ly/11lCPmF @manon_eileen

What makes a book irresistible: One
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@novelpublicity

Submission Standards: http://bit.ly/11lD1lH @EdieMelson

How to Write in the Face of Rejection: http://bit.ly/12UBUrx @writersdigest

The Importance of the Trunk Novel, and
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@marshallmaresca

Manage Your Writing Connections with
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@galleycat

Writing Epic Action Scenes: http://bit.ly/11lDlRI @MBTPonderers

A writer’s group for creative nonfiction:
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Tips for getting story ideas: http://bit.ly/11lDynG @woodwardkaren

Having a goal when entering contests and
what it takes to final: http://bit.ly/12UClCi
@jamigold

How Do We Write What We DON’T Know? http://bit.ly/11lDN2f @shewritesdotcom

Tips for daily writing: http://zenhabits.net/write-daily/
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Why and how you should backup your
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Questions to ask CPs, Betas, and
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Writing Close Point of View: http://bit.ly/18ufTSD @StacyGreen26
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5 Ways to Spring Clean your Manuscript: http://bit.ly/18ufY8W @pj_hoover

You’ve got an offer of representation.
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How Much Attention Should You Pay to Book
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@janefriedman

How Do You Keep Your Book Sales Momentum
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Who Inherits Your Copyrights? http://bit.ly/19gZBxH @susanspann

Did you write a second book first? http://bit.ly/18ugKCM

1 writer reclaims her first drafts: http://bit.ly/18ugVxY  @YAConfidential @a_shostak

How to write in your sleep: http://bit.ly/19h0cj0

The Problem With “Revealing”
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@janice_hardy

What’s the Right Tone for a Query Letter?
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4 Types of Gerunds and Gerund Phrases: http://bit.ly/1100lje @writing_tips

Being a good literary citizen: http://bit.ly/ZqIHLr @GillianMarchenk

Anne Lyle and Historical Sexuality: http://bit.ly/ZqIPui @HaralambiMarkov

Marketing is Destroying the Science
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Revisions: Knowing When You’ve Got It
Right. http://bit.ly/11011Fm @YAHighway

7 ways to build your writing routine: http://bit.ly/1101mI3 @philjourdan

Creating a catastrophe plan for our
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Tips for revising: http://bit.ly/1101Y0r @moonbridgebooks

The Top 8 Free Online File Storage Sites:
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Different types of self-publishing: http://bit.ly/ZqK6kV @amazingstories0
@author_sullivan

Motivation Too Weak? Don’t Multiply
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@cockeyedcaravan

3 Keys to Writing Memorable Fiction: http://bit.ly/1102wU2 @ruthharrisbooks

Does your picture book premise have
power?  A checklist: http://bit.ly/ZqKwI5 @jeanreidy

Writing cliffhangers: http://bit.ly/11034Jq @woodwardkaren

The Psychology of Story Physics: http://bit.ly/ZqKJes @storyfix

Digital Book Signings: A Range Of
Technologies And Services: http://bit.ly/1103gZg
@digibookworld

10 Reasons Not to Be A Writer: http://bit.ly/19lvXaJ @Booktrust

What NOT to Do When Beginning Your Novel:
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Follow submissions guidelines:  http://bit.ly/19lxP3a
@HookedOnNoir

How an e-book is like a treadmill at the
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Juicing Emotion: http://bit.ly/1ayi5aJ @kid_lit

Screenwriting software review:  Persona Character Development Software: http://bit.ly/19ly923 @scriptmag

Chart the Time You Spend Checking Email,
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@galleycat

5 things to do before accepting a guest
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YA Lit Really Screws Over Parents: http://bit.ly/1ayiERS @chihuahuazero

Writing and Researching a Time Travel
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@passivevoiceblg

Craft Chat about Fake Places: http://bit.ly/1ayj1fo @swkehoe

Things To Consider When Planning Your
Protagonist’s Death: http://huff.to/12LRc1P
@writersrelief

Thesaurus of Physical Attributes Entry:
Neck: http://bit.ly/16EYbOJ @beccapuglisi

“The Lie Most Frequently Told In
Hollywood”: http://bit.ly/10Z6SQO
@gointothestory @goodinaroom

The end game: http://bit.ly/14c1ety @JoeMoore_writer

Writers Write – Seeing the Cliché Through
New Eyes: http://bit.ly/10yhznE
@matty_gibbon

Rags to Riches plots: http://bit.ly/10Korjb @write_practice

Handling Scene Transitions With Multiple
POVs: http://bit.ly/11CYx5H @Janice_hardy

12 Most Successful Ways for Writers to
Win with Pinterest: http://bit.ly/10KoICK
@12Most @pegfitzpatrick

Screenwriting Tip: Know who you’re
writing for: http://bit.ly/10Kphwi
@gointothestory

How the ebook evolution might get started
in other places: http://bit.ly/11CZFWZ
@mikeshatzkin

Examples of modern farce: http://bit.ly/10KpNdH @the_millions

Handwritten Manuscript Pages From Classic
Novels: http://bit.ly/11D0sr5 @flavorwire

A Kobo director’s thoughts on
self-publishing: http://bit.ly/10Kq6VL
@authorterryo

The Immobilized Man in Noir Fiction: http://bit.ly/11D0YFt @write_practice

Oxymorons for writers: http://bit.ly/10KqtzJ @LShirtliffe

Time Management Tips for Writers: http://bit.ly/11D1yTw @DIYMFA

The Importance of Memoir: http://bit.ly/15laj3F @christicraig

Some creative philosophies are universal:
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Freelancers–why you shouldn’t create
your own samples (and how to get real clips, instead): http://bit.ly/15laT1h @ticewrites

Character clinic–making a character
likeable while keeping her guarded: http://bit.ly/Zz7L2R
@jeanniecampbell

Uncertainty: The Normal Writing Process: http://bit.ly/15lbfVS @fictionnotes

How to Use “Help a Reporter
Out”: http://bit.ly/15lbWhQ @karencv

Checklist questions for your manuscript: http://bit.ly/Zz8fWN @artzicarol

Creating Multi-Dimensional
Characters–Everybody Lies: http://bit.ly/15lcjsD
@kristenlambtx

The 4 Best Strategies for Savvy
Self-Publishers: http://bit.ly/Zz8qRY
@jfbookman

Stuffing too much into one sentence: http://bit.ly/15ld4lA @JordanMcCollum

12 Tips to Market Your Book at Shows: http://bit.ly/Zz99Cv @charmaineclancy

When Authors Pull an Anne Rice: http://bit.ly/15lgggX @DinaSantorelli
@ms_articulate

4 Reasons Your Book Is Not Your Baby: http://bit.ly/Zzb360 @carlywatters

Website Navigation: Make it Easy for
People to Explore Your Site: http://bit.ly/15lh0me
@hostbaby

How To Fix Convoluted Writing: http://bit.ly/ZzbzBe

Tips for persevering in writing: http://bit.ly/10RhQmV @SylviaNey

The thin-skinned writer: http://bit.ly/17fLhqg @booktrust

Improving Book Publicity in the 21st
Century: http://bit.ly/10Ri0Lh @doctorow

Naked calisthenics, air baths, head
stands, and other strange artistic habits: http://slate.me/17fLDgo
@masoncurrey @slatest

The Collected Wisdom of Great Writers: http://bit.ly/10RiaSQ @brainpicker

Using Anchor Text In Your Posts: http://bit.ly/17fLKIU @karencv

Don’t look a gift writer in the mouth: http://bit.ly/10Ripxh @flawritersconf

James Patterson: Prototypical Indie
Author? http://bit.ly/17fMcHc @lynnmessina
@IndieReader

Script To Screen: “Scream”: http://bit.ly/10Riwsu @gointothestory

Copyright, the Double-Edged Sword: http://bit.ly/10RiBfN

Why 1 trad. author is self-pubbing: http://bit.ly/17fMuh8 @JAKonrath @fpaulwilson
@tracylcarbone

Book beginnings and endings: http://bit.ly/17fMBta @donmaass

The Joy of Creative Ignorance: Embracing
Uncertainty In Your Day-to-Day: http://bit.ly/10RiVve
@99u

Should You Write Nonfiction or Fiction? http://bit.ly/17fMRbE @joebunting

4 Questions to Define Your Social Media
Presence: http://bit.ly/10Rj15X @diymfa

How To Create Character Empathy: http://bit.ly/17fMY78 @beccapuglisi

The importance of habits to working
writers: http://bit.ly/10RjdSF
@kristinerusch

Rejections–why they happen and dealing
with them: http://bit.ly/17fNfqt
@novelpublicity

What Novelists Should Know About Short
Fiction: http://bit.ly/10Rjkhd
@writeitsideways

5 Things to Consider When Writing
Webcopy: http://bit.ly/17fNy4O
@WendyENThomas

Why Your Novel May Not Be Historical
Fiction After All: http://bit.ly/10RjAwH
@KMWeiland

Top 10 writing craft sites on one
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@kmweiland

Health Insurance for Writers: http://bit.ly/1aRgkWs

Writers’ Neuroses: http://bit.ly/1aRgEo8

Promises and Threats: http://bit.ly/17fVZgr @LDBogart @TNBtweets

20 Rules for Writing: http://bit.ly/17fW43L

Using all the senses when writing: http://bit.ly/1aRhL7p @noveleditor

Quality and the new publishing paradigm: http://bit.ly/1aRhX6l @davidbergsland

How to Market a Book and Strengthen Your
Author Platform with Goodreads: http://bit.ly/17fWjf9
@writerplatform

3 Reasons Critiquing Will Improve Your
Writing: http://bit.ly/1aRiDZA
@write_practice

KDP Select Giveaway, a Case Study: http://bit.ly/1aRj8D2 @loriculwell

Creating Characters with Character: http://bit.ly/1aRjvgF @GPChing

When to Nudge Agents, Hiring Editors: http://bit.ly/1aRjRE9 @litreactor @breeogden

Respecting your dreams: http://bit.ly/1aRk7TH @ajackwriting

“How’s the Book Doing?”  http://bit.ly/17fXfjB
@andrewkarre

Scene interruptions: http://bit.ly/1aRkBcg @kid_lit

Plot Generators, What-If Tools, 37
Dramatic Situations, and Getting Past Writers Block : http://bit.ly/1aRkUUD @EnchantedInkpot

Lessons Learned From Bestselling Indie
Authors On Writing And Book Marketing: http://bit.ly/17fXUSd
@thecreativepenn

Stress and writers: http://bit.ly/17fY107 @jennybent

7 steps to the perfect story
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1 writer’s problems with self-publishing:
http://bit.ly/14nABzt @salon @TedHeller

Bold Storytelling Statements That Are
Almost Always True: http://bit.ly/16D7yPi
@storyfix

Book vs. Film: Jurassic Park: http://bit.ly/14nAS5d @litreactor
@chris_shultz81

5 Ways To Get More Traffic From
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@MelonieDodaro

Writing a Book Proposal: http://bit.ly/16D7LC4 @behlerpublish

Query Critiques: More Important Than You
Think: http://bit.ly/14nB8kP @ava_jae

The Secret Recipe for Writing a Perfect
Pitch: http://bit.ly/16D7PSj @kristenlambtx

by Elizabeth S. Craig, @elizabethscraig

In my post
on Monday, I took a look at the phenomenon of binge-viewing or marathon consumption in entertainment.  As I mentioned in the post, Netflix is
enjoying some success with its experiment with its original series, House of Cards, in which it released the
entire season of thirteen episodes on the same day for viewers to watch at
their own pace.

I think there are some real possibilities
and perhaps a glimpse at how reader consumption might operate in the
future.  I’ve noticed that readers will
frequently email me or ask me via Facebook when my next traditionally-published
book will release (often asking me why I can’t write faster.) :)  Production for traditionally-published books
takes a year.  They don’t ask me that question for
my Myrtle Clover series, which is now self-published.   

I think there are both pros and cons to rapid book release (and, also, studying data to help us plan books or series…I touched a bit on algorithms in my Monday post). 

Pros:

New life
to old series.  Arrested
Development, which developed a cult following, was canceled by the
Fox network and picked up by Netflix. This delighted fans, who’d missed the
show.  Netflix, again, is providing the
entire new season at once.

For us, this could mean that an old
series, rejected sequels, or our backlist could enjoy new life and attract new readers with its
instant, in-full, availability. 
Naturally, we can also write new books in a discontinued series (even without
this rapid release method)…I’ve done that with my Myrtle Clover series which
Midnight Ink pulled the plug on in 2010.

It’s not
as necessary to artificially insert cliffhangers: writers can integrate a more
natural storyline:  

Jace Lacob in his article for The Daily Beast, “House of Cards—Should You Binge Watch Netflix’s
Political Drama?”:

“Not
reliant on cliffhangers at the end of each episode to compel the viewer to
return the following week, these episodes end when the internal logic of the
narrative dictates they do, rather than through traditional patterns of
serialized storytelling that hark back to Charles Dickens. Shocking moments are
scattered throughout individual episodes, rather than being reliant on a
build-up of tension in the final minutes.”

Or…alternatively, in publishing…we can stick in huge cliffhangers at the end of
our books without worry about reader irritation…because the next book is
already available for purchase.  Common
knowledge has previously been that writers run the risk of upsetting readers by
putting cliffhangers at the ends of books, knowing that they’ll have to wait
upwards of a year for the next installment of a continuing-storyline series.

In some
ways, books are better-suited to marathon consumption than television
is…because of the manner in which books are shared with friends.  In a Gwen
Ifill interview
for PBS Newshour, Ifill brings up the fact that television used to be more of a
shared/water cooler-type experience for viewers.  She asks Brian Grazer, chairman of Imagine
Entertainment (which produces Arrested
Development):  “When you’re binge-watching, Brian, you don’t have a
chance to say, did you see what happened last night? Is isn’t that a risk for
the way we communicate as a people at the water cooler the next day?”  His answer: “…I
think excitement, curiosity and the explosive nature of how conversations work
can still be applied, because you can say, I just saw five episodes of
Arrested Development. You might not be doing it
on the water cooler the next day. You’re going to be doing it on all your
social media.”

Books, obviously, aren’t shared with our
friends the same way…not as frequently in real time (although, who knows—with
the advent of social media, we could host book clubs inside of digital books in ongoing open forums.)  Yes, we do read books simultaneously with our
friends sometimes—book clubs and some Goodreads boards come to mind.  But I think just as much
excitement/word-of-mouth could be built by telling a friend that you’ve just
finished an entire series in a marathon reading session.

Downsides: 

There are some potential downsides to
both quick production/release and studying data to make creative decisions.

Jace Lacob outlined
in his article:

“By offering all 13 episodes at the same time,
Netflix risks undermining its own strategy. Few will acknowledge the time
necessary to launch the second season of House of Cards, or another go-around
of Arrested Development episodes, and
may instead express the same frustration that plagues weekly serialized dramas,
that plaintive cry of the unfulfilled when faced with the lack of instant
gratification: “Why do I have to wait so long?”

Although:

“… But one of Netflix’s greatest assets are its proprietary algorithms—which suggest, based on precise ratings and viewing
history, what else you might want to watch—and that may be just the thing to
tide over the hungry.”

Retailers like Amazon also offer the avid
reader similar alternatives to our books. 

What if
your quickly-released series is a dud?  Arrested
Development was a good bet for Netflix. 
It was a show that became a cult hit, but it was canceled by a
network.  Your formerly-successful
backlist might be considered a sure thing. 
But what if the original Netflix series, House
of Cards, hadn’t been a hit? 
Think of how much time and energy and money was invested in it.  What if you write four or five books, release
them in rapid fire or even simultaneously, and the books don’t resonate with
readers?  Do you tweak what you can (book
description, cover…even title and story) and see what happens?  Do you move on?  It’s a large investment of time. In
publishing your backlist, there’s less of a time investment to lose (although
you’ll still have the investment in covers, formatting, etc…the books had
previously been well-edited with many books that have been
traditionally-published.)

Quality
control.  If you turn off readers
with one book, they’re unlikely to keep buying the next in the series.  Quality control—attention to detail in
editing…but really in all aspects of the book from cover design to interior
formatting—is always important. But it’s even more so if you’re trying to lure
readers to read the other three or four books in your series.

Stress and
working with tough self-imposed deadlines. The need for real discipline.  Deadlines are tough enough when we get them
from a publisher.  We have to really have
some discipline and focus when we’re meeting our own deadlines and trying to
write a string of books…whether we’re releasing them in rapid succession or
not.

How
calculating and how completely bottom-line-focused can we be and retain a
creative edge (and enjoyment in our process and writing)?  Writers, clearly, have got to think
like small business owners in the digital age. 
But at what point are we sacrificing our own need for creative
originality if we’re studying algorithms/data/sales, and writing/producing for
a demanding consumer market?

What are your thoughts on this
marathon-style consumption and what it might mean for books and other forms of
entertainment in the future?  Do you see
it catching on in publishing (traditionally a very slow-paced industry?)

by Emily Wenstrom, @EmilyWenstrom

It’s often said that
writing a novel is akin to running a marathon, not a sprint. For me, it’s felt
more like the long, painful, drawn-out process of training
for a marathon.

I am two and a half
years into the process of writing my fantasy novel, and even though I write for
about an hour every day, I’m only starting to see the light at the end of the
tunnel. Along the way, I’ve learned a lot of lessons about how I could have made
this easier on myself … and become an expert in the many ways to make this
process take as long as possible.

So allow me to share
my wisdom—you too can write a novel in three years or more!

Make your introduction perfect before moving forward.

Since this was my
first novel, I wasn’t sure what my voice was yet. I didn’t even have much
confidence that I could write anything worthwhile. So instead of ripping
through the first draft and getting my ideas on the page, I obsessed over my
opening. I reworked it over and over and over until it was perfect. THEN I
moved forward. I wasted a few months doing this. Months.

Don’t worry about worldbuilding.

I knew my main
character when I started writing, and the general trajectory the plot would go
in.  And … that’s it.  So as my character moved through each scene,
I had to figure out where he was, what the rules were there, and why. What was
the world’s history? Myths and beliefs? Social structure? This meant a lot of
stopping and thinking during my precious one hour in the morning. Time that
could have been spent writing. This is more intense for a fantasy novel, but
every story has a setting that the writer must know intimately.

Plot threads what?

As stated, when I
started writing I had only a general sense of my main plot line. My first draft
helped me find the path and conclusion for that trajectory. But when my first
draft’s word count hit only 45,000 words, I realized I hadn’t thought a dot about
any other plot threads—I’d been too consumed with coming up with my primary
arc.  My last eight months of writing
have been dedicated to creating and untangling these supporting plot threads.

Update changes as you go.

Because I made such
a mess of my plotting, there’s been many significant changes to my story’s
details as it has developed. At first, I wanted to keep everything nice and
clean, and went back and corrected inconsistencies right away. Then I realized
it didn’t matter how much cleaning I did in the rough draft phase, because soon
as I cleaned up one mess, I was sure to find another. Much better to finish the
draft, then go back and address all the changes together.

Spread yourself thin and overcommit.

I like to tell
myself that my novel is my top priority. But if I’m really honest, I’ve spread
myself too thin. My family is a priority, and my full-time career has to be a
priority too. On top of that, I run my own blog, with posts three times a week.
And just because I’m a special brand of crazy, I also launched a short story
zine last January. I have my reasons for holding on to these other pet
projects. But let’s get real—they’re getting in the way of finishing my novel.

How much does it
really matter how quickly you finish your manuscript? Well, that depends on you
and your goals. We all write at our own pace. Taking your time is not
necessarily a bad thing—after all, it took J.K. Rowling six years to write the
first Harry Potter book, and literary history is littered with other greats who
take their time with their works. I’ve learned invaluable lessons from my
sluggish process.

But if you dream of
supporting yourself from your writing, you can’t afford to take three years for
each book—even J.K. Rowling picked up her pace, releasing all seven books in
the Harry Potter series in 10 years. It’s a fast-paced world, and the more you
can organize your process for efficiency (without losing your creativity or
quality of writing, of course), the greater your career potential. More
finished works means more opportunities for success. 

Emily Wenstrom is the editor of wordhaus, a weekly short story ezine. She also blogs about
creativity for writers, artists and professionals at Creative
Juicer. Follow her on Twitter @emilywenstrom.

 by Elizabeth S. Craig, @elizabethscraig

I don’t usually watch a lot of television.
One of the reasons is that I’m so short on time and jealously guard the free
time I do have.  I don’t want to waste it
on bad TV.

Then, by the time it finally trickles
down into my consciousness that something is a good
show, it’s probably two or three seasons in…I’m just that out of the loop. By
that point, it seems useless to even try to catch up. 

But at some point, networks started
realizing that if they aired old episodes online, they could snag new
viewers.  My sister-in-law assured me
that I’d enjoy Lost which was airing
on ABC. At the time, the show’s last season was about to air.  I started watching episode one on my laptop
during my lunch one day.  I continued
watching an episode or even more each day after that until I was finished
catching up by the time the final season aired. 
What’s more, I felt like I’d really followed the fairly convoluted plot
because of the way I’d chosen to consume the show.  It had been a self-paced marathon.

 I’ve been fascinated by the way Netflix
is approaching television with their February 1 release of House
of Cards. They left the pacing up to the viewers by releasing all thirteen episodes of the season at once.  I’ve watched the series and it’s a strangely
addicting process to view a show knowing you can just keep going once the
credits start rolling. You want to keep watching and see what happens next.  What’s more—the show is available for you
when you’re available for it.   If
you’ve got a block of free time, you can watch more than the usual weekly new
episode that’s allotted to viewers by the networks.

I’ve also noted, with interest, the
success some self-published authors have had
with putting up large numbers of books at once, or releasing books in
rapid succession.  I believe this has
been a contributing factor in some authors’ success…resulting in increased
visibility at online retailers (specifically Amazon.) Romance writer, Barbara Freethy, released a
substantial backlist very quickly.  Amanda Hocking wrote quite a
few books before releasing any (she was trying to break into traditional
publishing and wrote other books as she submitted, as she outlined in her post:
“An
Epic Tale of How it all Started.”  
Hugh Howey began seeing success with his first installment of Wool and was encouraged to outline the rest of
the story and accelerate his output…forgoing NaNoWriMo
to focus on working on Wool, as he
explains in his post “The Story of
My Middling Success.”   It’s also,
obviously, very important to have some quality control for what you’re
releasing…these books weren’t written and published in haste, but over a period
of time.

Back to the television, Netflix
is also being innovative by using data as part
of their creative process. Greg
Satall writes in “What
Netflix’s House of Cards Means for the Future of TV” for Forbes: “Finally,
it’s the first time that programming has been developed with the aid of big data algorithms.”  Jessica Leber
for the MIT Technology Review stated in
her article, “House of Cards and Our Future of Algorithmic
Programming”: “(Netflix) bought House of Cards based on what it knows about
the viewing habits of its 33 million users—it knew which and how many users
watch movies starring Kevin Spacey and the director David Fincher, and, through
its tagging and recommendation system, how many sat through other similar
political dramas. It has shown different trailers to people depending on their
particular viewing habits, too.”

As authors, we don’t have as much data
available to us as media providers like Netflix and retailers like Amazon…but
we do have some, and we can make educated guesses as to other data.  We can measure reader response to titles, covers,
and stories by tracking sales. We can review the highlighted sections on the
bottom of our book’s sale page to see what resonates with readers.  We can study our reviews on retail sites like
Amazon, and book sharing sites like Goodreads (now owned by Amazon), even if
that’s painful for us (and it’s sure a lot easier if we can adopt an analytical
approach to the reviews.)

As I mentioned, I’m fascinated by these
developments.  I see exciting
possibilities for writers…but I also see some potential pitfalls.  I’m going to post part two of this post
(since this first is becoming a bit longwinded) on Friday…and I’d love to hear
your thoughts, too.

What excites or concerns you about the a
possible change in viewing/reading/consumer habits for entertainment?  Do you see a place for algorithms in
publishing?  In the creative process,
itself?

by Elizabeth S. Craig, @elizabethscraig

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