How to Promote Books and Win Fans

by Jason Kong, @storyrally
 

Most fiction writers hate marketing their books.

You have to tread the line between awareness and overhyping. Because you have a vested interest in selling your work, others sometimes assume you’re just out to make a buck.

Book promotion doesn’t always have to be so unpleasant.

If you have published books and an online platform, then you also have a following. You have readers paying attention because they value your storytelling.

Instead of plugging your books all the time, why not recommend those of your fellow authors? It’s a promotion opportunity you can feel good about.

The genuine endorsement

You know what this is like.


Remember the last time you read a novel that really grabbed you. You had to tell a friend, right? It’s about finding that person who would enjoy the book as much as you did.

You weren’t driven by a commission or reciprocation. The intention was to spread the joy, to make someone else’s life a little better.

A book recommendation without expectation is a special kind of promotion. It had nothing to do with who wrote the book, and everything to do with whether the recipient would benefit.

So how does that translate into a professional setting?

Good feelings all around

Other authors are not your competitors. Maybe that was true once upon a time, but not anymore.

You’re no longer fighting writers for a spot on the shelf. Digital media and self-publishing means the available space for books is now stretched to infinity.

Touting that you’re the only author worth following is self-serving, but hardly true. Fiction isn’t a commodity. Everyone has room to like more than one story or more than one author.

Writing, especially good writing, takes a lot of time. If you have a communication channel with your audience, then how are you rewarding their attention between projects?

When you come across a good story in your genre, use social media to share a good word. Make recommendations because you’re confident enough in your ability and generous enough in your motivation.

With that mindset, you won’t have less fans. You’ll have more.

Jason Kong helps fiction writers with their online marketing. Subscribe to get free insights here.

Twitterific

by Elizabeth S. Craig, @elizabethscraig
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Giving Villains More Depth

by Elizabeth S. Craig, @elizabethscraig
Image by Daniel Gies
Most people aren’t 100% good or 100%
bad.  There are bits of goodness and
badness in all of us…including villains. 
Flat villains with no dimension to them
are just as uninteresting as Pollyanna protagonists. As a reader, my interest
is always piqued when I get to see another side of a bad guy…if he does
something unexpectedly kind, for example. 
I usually wonder if there’s an ulterior motive—and wondering is good for
readers. It helps keep them engaged in the story.  Even if there isn’t
an ulterior motive, it’s interesting because it offers another side to the
character.
In mysteries, this is especially
important because we don’t know who the bad guy is until the end of the
book….or we shouldn’t, if it’s a traditional mystery (thrillers operate under
different rules.)  
In one of my books for Penguin, I’d
turned in the manuscript for editing.  My
editor emailed me back and told me that this time she’d been able to figure out
who’d done it.  She pointed out that the
murderer was also the most unpleasant character—that it was too obvious for
readers…that they’d want that person
to be the murderer, anyway, and the element of surprise would be gone.  My choices were to make the killer more
likeable or to change the murderer altogether.
I decided to make the murderer more
likeable (although I frequently do change the killer for my editor…in fact, I’d
already changed the killer once for that very book.)  This was easier than it might sound.  I changed dialogue where the killer came off
sounding snarky and made the statements sound more genuine.  I showed the killer being a good citizen. I
showed the murderer helping the sleuth. 
I made the killer reluctant to gossip about the other suspects. I nice-d
the killer up.  Reader response later
indicated that the murderer’s identity remained a secret until the end (well,
some readers always guess the right suspect. Sigh.)
For non-mystery writers, showing your
villain’s good side has other advantages—mainly to add complexity to the
character and make them more believable. 
And keeping the reader…and your protagonist…guessing is also a nice side
effect.  Maybe it even gives your
protagonist second thoughts about the bad guy. 
It could also make the protagonist trust the antagonist again…which
could make the protagonist’s life more complicated.  Confusing the protagonist could be another
strategy to throw a bit of conflict in there.
Do you have any favorite multidimensional villains?  How do you
like to display other sides of your antagonist?

3 Useful Additions For Your Mystery

by Elizabeth S. Craig, @elizabethscraig

Today I’m over at Linda Clare’s Writer’s Tips blog, with a post especially for mystery writers.  There I’ll list the three elements that I’ve found most helpful to me when writing mysteries.  I’d love to hear from other writers what they’ve found useful for their mysteries and am happy to answer any general questions about writing mysteries there, too.

Thanks for coming by!

Promoting or Re-releasing an Older Book

 by Elizabeth S. Craig, @elizabethscraig
I recently received an email from someone
asking what angle he should take in promoting an older release.  It was one of those situations where he’d
sold the first book to a big publisher and a year later, sales were
lagging…right as he was wanting to pitch
books two and three to the publisher.
Unfortunately, this is a drawback with
traditional publishing—if the sales aren’t great, then they’re not going to be
keen on buying book two and launching it. 
Even though…launching book two can bring book one back to life
again. 
What do
you do if they
don’t buy book two (you’ve probably got a “right of
refusal” clause in your contract that will tell you how long it will be before
they make that decision.)  You have,
actually, a couple of options to get your other books in front of readers.
You could pitch another traditional
publisher with book two.  This pitch
would probably be more successful with a bump in sales for book one (and I’ll
touch on promo ideas below).
You could ask for the rights to your
characters back and then self-publish the remaining books in your series.  Incidentally, this has been my approach and
the sales for the first book in the series have remained strong for a year
now.  This, as a matter of fact, might be
the better option (i.e…this is what I would do.)
Let’s say that you’ve chosen one of those
two options above.  Exactly how do you promote an older book? 
Don’t even
mention that it’s not a recent launch. 
As
far as I can tell…it just doesn’t matter. 
Back before digital books, shelf space at bookstores was fairly
ephemeral. You needed to promote your
book directly after it released…otherwise, they’d send the books back to the
publisher (the dreaded ‘returns’) and free up shelf space for other, newer
titles.  Now the books stay up on a
retail cloud as long as you want them to. 
Why not promote them a year or
two years later?  I see older releases
promoted every day.  Yeah, your title
might not be as exciting for book bloggers as the hottest new release, but it
shouldn’t ultimately matter.  A good book
is a good book.  If it’s undiscovered,
it’s not old news. Consider a blog tour or a Goodreads giveaway.  A spike in sales and reviews for the title is
never a bad thing.
Write more
books in the series (if you have the rights and if you’re choosing the self-pub
option).
  This results in higher
visibility for your name and your titles on retailers like Amazon.  Then your previous title comes along for the
ride.
Create a
platform where you interact in readers without being strident. 
Learn which are your favorite social
media sites…are you more of a Twitter person or a Facebook person?  What about Pinterest?  Would you enjoy blogging?  You don’t have to go crazy with it…just have
some sort of consistent online presence in a form that doesn’t drive you
nuts.  Interact with others, share things
your followers have shared, make friends, and build a name for yourself.
My favorite?  Definitely continuing a series by
self-publishing it.  You have more
control and have the opportunity to have Amazon’s “customers who bought this,
also bought this” algorithm to work in your favor.  It’s all a matter of visibility in a very
crowded virtual bookstore.
How about
a
much older book? 
What about a book that came out in the 70s or 80s?  If you’ve got the rights to those books, they
might as well be available for sale…they have the potential to bring in additional
income.  You’ll need some new, updated
cover art (usually the cover art doesn’t revert to the author anyway…at least,
it didn’t in my case for my 2009 book.) You’ll need to hire someone to format
the book for digital release and/or print on demand (unless you want to learn
how to do it yourself…I didn’t.) 
Hopefully, the editing was good the first time around at your
traditional publisher.  You have the
option of updating the book’s text—or not. 
It could be a charming snapshot of life in a different decade.  Or you could tweak it to make it appear to
have been set in the modern day.  As
author and publisher—it’s all up to you. 
You’ve got total creative control.
Have you had any success re-launching an
older book?
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