Another Update on ACX and My Thoughts so Far

 by Elizabeth S. Craig, @elizabethscraig
It’s time for another update on ACX—the audiobook
platform that distributes to Audible,  Amazon, and iTunes. I first wrote about ACX in an
April post
, so if you’re interested in getting details, take a look.
Basically, ACX is your audiobook option if you’re self-publishing.
I also wrote a
follow-up to the April post
a couple of weeks later, talking about how the
audition process had gone.
Where I am
now in the process:
  I’ve got two
titles for sale as audiobooks and 1 title in production (which should be
released in the next week or so).
What I
like:
I like that I’m opening up another venue
for sales.
I like that sales seem to be a lot
brisker than I’d thought (I’m around 177 sales for the past month and sold
copies even a day or so after the audiobook’s debut).
I like that the process was very
streamlined and that there were many FAQs if you got confused.
I like receiving a monthly statement from
Audible which includes sales figures for all three platforms (Audible.com,
Amazon.com, iTunes.) You can also check sales during the month on ACX’s site.
What takes
a bit of working through:
The audition process.  I think it’s good to take breaks.  I had quite a few auditions to work through.
Rejecting narrators (bleh).  Writers aren’t exactly naturals when it comes
to rejecting others.
Editing the finished narration (because,
honestly, all you can think about is why you chose that particular word, why
you didn’t add more conflict to the scene, what you were thinking…and this is
not the point of what you’re doing.)
The audio cover.  It’s a bizarre bit of squatty square.  Somehow I decided that I would work on making
it fit their specs myself, with PhotoShop. 
Many hours later, I finally realized that I would much rather pay
somebody to do this for me. 
What I
learned for next time:
I’ll start earlier.  When I’ve published a book, I’ll find a
narrator for the audiobook right then.
I’ll think about the narrator stipend
before I contact my narrators or open a book up for audition.  My books do seem to qualify for the $1000
incentive for my royalty-share narrators. 
What I really haven’t seen mentioned…an email to ACX where you brag a
bit about your numbers and the size of your social media platform seems to make
a good deal of difference as to whether your book has a stipend attached. I
didn’t know this until one of my narrators pointed it out. The email is
rights(at)acx(dot)com.
A nice
touch:
ACX provided me with five free downloads
for each of my audiobook titles—for giveaways and to increase awareness.  I wasn’t expecting this and I was impressed.
What I
hope ACX will soon change:
I’m hoping it will open up to non-US
residents soon.  They appear to be
working on it (their website
states
: “We hope to open up to a wider
global audience in the future.”
)
And, yes, I’ll complain a bit more about
the odd cover
requirements
.  That’s because I lost
quite a few working hours while trying to figure out what I was doing
wrong.  There must be a reason for this
cover art requirement…except I can’t for the life of me figure out what it
is.  It’s not like these are CDs we’re
talking about. These are digital downloads.
Have you taken a look at ACX for your own
books?  Do you listen to audiobooks?  Have any questions for me? (I’ll try to
answer them.)

Writing Advice and Advice to New Parents

by Elizabeth S. Craig, @elizabethscraig
This post is especially for all the newer or
more uncertain writers out there.  The
ones who are frozen while working on their manuscript because they’ve read so
many writing craft books and posts that they’re just afraid of messing up if
they work on their story.
My sister had twins last summer and
quickly found that there was something about a new mother that made experienced
moms want to give them advice…on any and all topics.  But every baby is different and every mom is
different.  I decided I’d bite my tongue
and only give advice to my sister when asked for it.  After all—what did I even know about raising twins?  I had my babies 4/ ½ years apart and they’re
getting pretty old now.  And I’m
forgetful.
When she did
ask me for advice, I tried to phrase it so it didn’t sound bossy coming out:
“Sometimes I’d try to….”
Ultimately, each parent has to try
different approaches to see what works. 
Maybe the babies need a nap schedule. 
Maybe they don’t adhere to a schedule well.  Maybe they need a late-morning nap and then
skip the afternoon nap and then turn in for the day after an early supper.  Who knows? 
You have to experiment to find out what works.
This is what makes me nervous about
giving advice to new writers, too (which I’ve already done via email twice in
the past week. And, clearly, which I try to do on this blog.)  What do I know, when it comes down to it?  I know what’s right for me and my
books (most of the time.)  Each genre,
each writer, each book—is different.
Some books are more commercial than
others. Some books have a clear genre classification. Some books are lyrical
and different and unable to be easily categorized.
Some writers are retired. Some are
parenting challenging children. Some care for aging parents. Some work weekends
and nights.  Some face health problems.
Some are still in school.
I remember reading volumes on
writing.  I read books from the
library.  I read blogs and forums.  My mind was boggled by all the information—and
the way that so much of it appeared to be contradictory to other bits of advice
or information.
It’s not any easier now.  Should we get an agent?  Query publishers?  Self-publish? 
Should we write every day?  Write
to trends?  Outline?  Wing it? 
I know what I did.  I took it all in and tried different
approaches until I figured out what worked for me.  And even then…I’m still making adjustments,
ten years in.  What I need, what works
for me, is always changing.  I would have
never believed that I’d choose to use an outline, if you’d asked me. Even if
you’d asked me two years ago.
It’s good to be informed.  It’s good to listen to others and hear what
works for them.  But, ultimately, we have
to experiment on our own to find out what works.  And maybe we have to be open to new ideas and
new approaches if what used to work no
longer works for us now. 
We can read all the new parent books and
all the writing craft books…but at some point we have to put it all into
practice and give it a go.  Make mistakes
and learn from them and grow and improve and try and screw up.
There really are no rules. And the only
way we can really fail at writing is if we don’t write at all.

Image: MorgueFile: kamuelaboy

Character and Series Backstory and the Traditional Mystery

By Elizabeth S. Craig, @elizabethscraig
Backstory can be a real problem for
writers…if readers find it boring. Many readers won’t put their finger on
exactly what it was that made the story boring, but they’ll put it aside.  No one really enjoys an expository  dump of information—they just want an
engaging story.
In a mystery, this might seem
tricky.  A suspect’s backstory is
frequently what comprises their motive for murder.  How a suspect’s past intersects with the
victim’s past is important.
For mysteries, though, you’ve got a very
helpful element that allows you to work the backstory in fairly seamlessly: the
interview process.  Your sleuth or
detective is trying to find out information to determine a suspect’s
motive. 
My suspect
backstory
is frequently revealed through:
The sleuth’s conversation with another
character about the suspect.
Or
The sleuth’s interview with the suspect
himself.
Backstory with a traditional mystery
should, in general, tie into the mystery itself.  Unless you’re trying
to build in red herrings: for example, you could mention Tim is a teetotaler
now because of some terrible drunken episode in his past.  Maybe that doesn’t tie into the current
mystery…but it could make readers wonder if Tim and the victim had a run-in of
some kind during that period in Tim’s life. 
It provides the reader with a red herring.
Exceptions—the protagonist’s
backstory.  If your sleuth has a past
that affects his current life in some way, that’s always relevant.  Protagonist backstory can also tie into an effective
subplot when it deals with the sleuth’s family or romantic relationships.
What about series
backstory
?  What if you’re writing
book 2 or book 3 of a series and are worried that readers aren’t following
along?
I think it’s better to fill readers in,
but briefly.  Keep it really succinct.
After all, you might even need to reacquaint even your regular readers if it’s
a traditionally published series…frequently, those books release once a year
and readers might need a bit of a refresher.
Characters recurring from an earlier book
in the series could be quickly identified in a way that won’t be obvious or
irritating to the returning reader.  John, Beth’s brother, commented on….  Short tags
that act as reminders.
If you like, you could also keep some
backstory as a small mystery in itself. 
Regular readers might remember that John and Tom don’t like each
other—and they’d remember why.  But a new
reader might read some of the tension between the two characters, read the
terse dialogue, and wonder about their relationship.  Adding hints as to the source of the problem
can keep a new reader turning pages—as long as it’s ultimately addressed or if
there are more hints to the underlying issue as the story progresses.
You could also reveal backstory with
dialogue (make sure it’s not stilted), a character’s thoughts or memories, or
even flashbacks.  All of those will work
if given in small doses and done well…if it’s not done well, it can be awful.
How do you slip in character
backstory?  If you write a series, how do
you handle series backstory in your sequels? 
Image: MorgueFile: Mensatic

Twitterific

by Elizabeth S. Craig,
@elizabethscraig
 
Twitterific links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming)
which has over 20,000 free articles on writing related topics. It’s the search
engine for writers.
Sign up for our free newsletter for monthly writing tips and interviews with top
contributors to the WKB or like us on
Facebook.
Mike Fleming and writing coach James Scott Bell are
offering an online, interactive, writing program to help make your next novel
great. It’s called “Knockout Novel” and you can learn more about it
at
Knockout Novel.com.
A free directory of cover
designers, formatters, freelance editors, and more: http://bit.ly/nolbXq
Is Blogging Worth the Time
and Effort? http://bit.ly/1aWIkuH @fcmalby
6 Tips for Finding the
Courage to Write: http://bit.ly/15QUNu0
@QuipsAndTips
Placing Setting Details for
Best Effect– The Danger of Frontloading Your Story with Description: http://bit.ly/15QV2We

The PERFECT Hook: How to
draw your reader and make him swallow the bait: http://bit.ly/1aWIO3L
What Makes Iconic or
Popular Characters Unforgettable? http://bit.ly/15QVkwe
@melissadonovan
10 Authors Whose Novels
Took Over 5 Years to Write and Publish: http://bit.ly/1aWIWAy
@LauraMarcella
Don’t write everyday: http://bit.ly/15QVALx @ElanaJ
The importance of saying
no: http://bit.ly/1aWK0nO
“Writers are atlas
makers”: http://bit.ly/15QX0G0
Podcast on subtext: http://bit.ly/1aWK7Qp @cockeyedcaravan
Pacing tips: http://bit.ly/15QXewL @lisagailgreen
High-stakes plotting: http://bit.ly/1aWKjPF @ellecosimano
Why Does “I” Take
Plural Verbs? http://bit.ly/15QXoEs
@grammargirl
How To Come Back Up From
The Writing Downs: http://bit.ly/1aWKryw
@chgriffinauthor
How to make a scene in your
book or screenplay come alive (Prof. Chekhov): http://bit.ly/15QXKe8
A Must Have App For
Writers: Index Card: http://bit.ly/1aWKD0M
@woodwardkaren
Rules for writing: block
that metaphor: http://bit.ly/15QYjES
@guardianbooks
Tips for school visits: http://bit.ly/1aWLcYj
Shift Syntax to Strengthen
Sentences: http://bit.ly/15QYEr2
@writing_tips
(Re)tell Me a Story: http://bit.ly/1aWM1jY @MissDahlELama
So You Want to Write a
Sequel to Your Novel: http://bit.ly/15QZMLu
@amazingstories0
5 dialogue tips: http://bit.ly/1aWMbrC @juliegray
How to Hook Your Reader and
Deliver: http://bit.ly/15QZXGF
@amazingstories0
What are your novel’s or
screenplay’s 3 magic words? http://bit.ly/1aWMjax
How To Write A Query
Letter: http://bit.ly/15R0aJL
@chgriffinauthor
What’s the Visual? Adding
Power To Your Writing: http://bit.ly/1aWMtPl
@MargieLawson
Editing ‘As’ and ‘ing’
Phrases: http://bit.ly/15R0wAe
@gemma_cooper
Letting Your Characters
Lead: http://bit.ly/1aWMGC0
What Parenting Books Can
Teach Us About Critiquing: http://bit.ly/15R11tT
Resonance: The Core of the
Verse Novel: http://bit.ly/1aWMYZD
4 Tips for Beta Reading in
Other Genres: http://bit.ly/15R1fBv
@jamigold
There are two sides to
every story: http://bit.ly/1aWNs1K
@AJHumpage
If This Is What I Want As A
Reader. . .http://bit.ly/15R1Q65
The Reality of Freelance
Writing: http://bit.ly/1aWNzum
@writing_tips
What Writers Can Learn From
Dan Brown’s Inferno: http://bit.ly/15R1YCA
@thecreativepenn
The 7 Basic Plots: Rebirth:
http://bit.ly/1aWNCq4 @write_practice
Things that change in First
Pass Pages: http://bit.ly/15R2aSj
@jodimeadows
Saying no to an editor: http://bit.ly/16g73X5 @fictionnotes
Plot points for fantasies: http://bit.ly/16g6H2Q @ThereDraftAgain
@EMCastellan
Bring characters to life
through their families: http://bit.ly/158ugvv
@MorganMandel
An author’s guide to using
Goodreads: http://bit.ly/16IilUi
@SarahPinneo
How to Serve and Swallow
Criticism: http://bit.ly/16Iiozw
@KristanHoffman
A Rare Interview with
Storyteller Stephen King: http://bit.ly/158vtTr
What is the bigger factor
for author success? Marketing or luck? 1 writer’s experience: http://bit.ly/16Ij0VR
How to Decide on the Best
Possible Movie Ideas to Develop Into Screenplays: http://bit.ly/158w6wd @scriptmag
Why ‘the worst idea ever’
can be useful: http://bit.ly/16IjmvM
@AwfullyBigBlog
What to Include in Your
Ebook Besides The Story: http://bit.ly/158wsTy
@ddscottromcom
7 things I writer has
learned so far: http://bit.ly/16IjLhx
@Pamela_Sherwood
A critique of several
loglines: http://bit.ly/158x7EK
@thestorydepartment
First page critique: http://bit.ly/16Ik24i @JordanDane
Don’t overdescribe: http://bit.ly/1cEk2DP @authorterryo
Crime
fiction–people-watching as a tool for fictional sleuths: http://bit.ly/11Sp12d @mkinberg
How to Style Alphabetical
Letters: http://bit.ly/15dyMss
@writing_tips
The definition of
“story physics”: http://bit.ly/14o8P8A
@storyfix
Tips for writing in public:
http://bit.ly/15dz5nf @YAHighway
Women’s Fiction—A
Publishing Perspective: http://bit.ly/14o90AK
@BenisonAnne
Free eBook Formatting &
Marketing Guides for Writers: http://bit.ly/15dzk1A
@jasonboog
7 stages of blogging: http://bit.ly/14o983r @grubwriters
Working With Your Inner
Reader: http://bit.ly/15dzrKx @tordotcom
How Many Self-Published
Authors Are Making a Living? http://bit.ly/14o9lU5
@PassiveVoiceBlg
How to Start Your Stories: http://bit.ly/15dGhjk @shalvatzis
The Unexpected Exotic:
Settings in Science Fiction and Fantasy: http://bit.ly/14oeUlm
@tordotcom
Beginner’s Mind: http://bit.ly/14of8sQ
Indie earnings survey and
results: http://bit.ly/15dGEu3
@Brenda_Hiatt
Earn Readers With
Well-Crafted Sentences: http://bit.ly/15dGJ14
10 Genres that Superheroes
Have Swallowed Up: http://bit.ly/15dGOSf
@io9
Every Writer Needs a Bio: http://bit.ly/14ofDTR @EdieMelson
Weapons while traveling
(info from a weapons expert): http://bit.ly/14ofS1f
Plot points for fantasies: http://bit.ly/16g6H2Q @ThereDraftAgain
@EMCastellan
6 tips for your own
stay-at-home writing retreat: http://bit.ly/1469R7r
@beth_barany
How Book Advances Work: http://bit.ly/180pqTU @michellerichmond
Conflict – No Pain, No
Gain: http://bit.ly/19Y6ery @kathytemean
What it Feels Like to Get
Critiqued: http://bit.ly/12dOH4U
@matty_gibbon
Creativity Takes Time And
Patience: http://bit.ly/19Y7xXq
@criticalmargins
Plotting the Middle with
the Hero’s Journey: http://bit.ly/12dP2Vl
@fictionnotes
The Risk-Taking Writer: http://bit.ly/19Y7LOg @terrywhalin
How Do You Build a Fan
Base, Anyway? http://bit.ly/12dP93g
@goblinwriter
How to Host a Buzz-Worthy
Book Launch Party: http://bit.ly/12dPpPA
@bizauthor
4 Kindle formatting
problems you can’t fix…so you might as well stop trying: http://bit.ly/19Y8YFq @BooksByEd
21 Things You Need to Know
About Self-Publishing 2.0: http://bit.ly/12dPKSw
@copyblogger
Does Great Literature Make
Us Better? http://nyti.ms/19Yao2R @nytimes
What’s the Difference
Between Problems, Flaws, and Goals? http://bit.ly/12dQIy4
@cockeyedcaravan
Piercing the Hype: The
Hybrid Author is the New Pottermore: http://bit.ly/19YcyQ3
Researching settings (that
you don’t live in or near): http://bit.ly/12dQPtv
@lifehackorg @halophoenix
Working with the Obstacles
in Your Path: http://bit.ly/19YcWhr
@leobabauta
Is Interior Book Design a
Commodity? http://bit.ly/12nJNn5 @JFBookman
Process-Focused Goals: http://bit.ly/17VrehW
Is publishing about to come
face to face with the corridor of mirrors that is Alt Lit? : http://bit.ly/12nJRmM @thefuturebook
Speculative Fiction and
Bugs: http://bit.ly/17VrkWZ @sfsignal
How Long Should a Scene Be?
http://bit.ly/17VrqxD @joebunting
6 Ways To Make Your
Submission Process Less Time-Consuming: http://bit.ly/12nK0qm
@writersrelief
An analysis of successful
ebook authors’ approaches: http://bit.ly/17VrI7S
@tferriss
Why a free chapter is a
lousy thing to give away if you want to sell a book: http://bit.ly/17VrNZ4 @andytraub
Your book is a start-up: http://bit.ly/12nKoF4 @tferriss
Submission: 6 Rules of
Thumb From an Editor-Turned-Writer: http://bit.ly/17Vs4LM
@JaneFriedman  @jniesslein
Make the Decision To Do the
Hard Work Before You Start to Write a Book: http://bit.ly/17VsSQF
@SheWrites
Writing Shop Talk: How To
Use Description: http://bit.ly/12nLocm
Confidence: the writer’s
crucial asset: http://bit.ly/12nLwIX
Tips for editing blog
posts: http://bit.ly/17Vt8PO
Game writing–In Defense of
Silent Protagonists: http://bit.ly/12nLQr4
@TheEscapistMag
Should You Move Blog
Subscribers To MailChimp? http://bit.ly/17Vtu93
@mollygreene
Why literature should be
more like art: http://bit.ly/12nMepE
@agnieszkasshoes
The 101 Best Written TV
Series: http://bit.ly/12nMsgr
Working with the Obstacles
in Your Path: http://bit.ly/12nMxk9
@leobabauta
Setpiece scenes: the
unlimited production budget: http://bit.ly/12nMEfA
Mantras for writers: http://bit.ly/18uQI2I
Does your first line hook
readers? http://bit.ly/18y51Hh
@lynnettelabelle
Writing is rewriting: http://bit.ly/18uQOHr @shalvatzis
Superfluous Words: http://bit.ly/18uQSXG @artzicarol
Back up your manuscripts
and business files: http://bit.ly/18uR1dT
@ddscottromcom
Using nature as a
weapon in crime fiction: http://bit.ly/18uWykp
@mkinberg
A wrap-up of a couple of workshops, with
craft tips for writers (subtext, strong openings, etc.): http://bit.ly/18yqMqp @authorterryo
A closer look at issues facing
agent-assisted publishing: http://bit.ly/18yvvIu
@Porter_Anderson
Faulkner Heirs Lose Lawsuit Against Sony
Pictures: http://bit.ly/161IvCJ
@Pubperspectives
Are authors on a tightrope with Author
Solutions? http://bit.ly/162Q2kM
@Porter_Anderson @DavidGaughran @molbarton
Without gatekeepers to reject them, new
sub-genres spawn: http://bit.ly/1bQPuTk
@barbaraoneal @Porter_Anderson
Why Stephen King Spends ‘Months and Even
Years’ Writing Opening Sentences: http://bit.ly/13dpg4R
@joefassler @TheAtlantic
Book Country: Opening New Territory: http://bit.ly/13dzdiX @Porter_Anderson
@molbarton @brandilarsen
Writing tips based on your Zodiac
sign–WriterScopes: http://bit.ly/13kdUSD
@janetboyer
“Hoping for Amazon to collapse or
fail is (mutually) self-destructive.” http://bit.ly/13dOfFc
@fakebaldur @Porter_Anderson

Doing Something Different

By Elizabeth S. Craig, @elizabethscraig

One of the reasons that I went on break
for a couple of weeks was that I was on vacation in Kenya. :)

It was a wonderful vacation.  We have family that live and work in Africa
and had encouraged us to experience Kenya. 
It was great to have guides who were so familiar with the area (and who
spoke several languages).  We saw the
bustling Nairobi, the lovely Rift Valley, went on safari, and experienced the
Kenyan coast.  It was an amazing trip. (And I’m clearly trying to still catch up, since this post is a day late!)
And y’all know that I rarely even leave
my house unless I’m running errands or shuttling children around—so this trip
was a big deal to me. 
As I’ve mentioned here before, I’m a
planner.  I’m very cautious and need an
abundance of information on something before I experience it—that’s even true
of small events I attend near my home or camps for my children.  I packed weeks before we left…and repacked.
And shifted things from bag to bag.  Yes,
I’m fairly neurotic.
When I talked with friends and family
about leaving, I’d bring up all the aspects of the trip that made me
anxious—the vaccinations we needed, organizing the flights, staying healthy,
our accommodations, etc.
People who knew me best had a particular
reaction to the news.  “Oh, Elizabeth,”
said more than one person, “that will be so good for you.”
They were right and I knew it when they
said it.  We can be too fond of the
familiar, too eager to keep away from crowds, too happy to stay at home.  As writers, it’s also good to grow a
little.  To stray from our comfort
zone.  To fire up our imaginations with
different experiences, different sights, different tastes, different people.
I don’t think we have to go to Africa to
do it, either.  We can push ourselves
into new and different situations nearer to home, too.
Have you broken out of your routine or
your comfort zone lately?  What was it
like?  How did it go?
Scroll to top