Helpful Links for Writers

By Elizabeth S. Craig, @elizabethscraig

I wanted to share some sites that I’ve
found really helpful lately.  I’m always
looking for ways to save time using apps and, so frequently, I seem to end up
with exactly the opposite—sites that take too long to set up, are unwieldy, or
that are total time sucks.
But these sites get special recognition
from me today because they’ve helped me out. I’m in favor of anything that
saves me even a few minutes of time. These sites are all free.
I realize I might be the last kid on the
block to find out about this site. But I somehow stumbled into it recently and
it’s been very useful. Useful, as in “I’ve made more money in sales from
something that’s free.”  I’m not doing
the premium membership (yes, I’m cheap), but the free membership has had
several cool features that I’ve found helpful.

One is a link that links to a
ton of places to list your free book promo on Kindle.  I’ve never, ever used these. I hear about
Pixel of Ink and these types of sites and I nod that it’s a terrific idea. I
never use them.  This time, I pulled up
my book’s Amazon link, pulled up my website link, pasted my ISBN/ASIN onto a
Notepad doc (this is handy to have around since several sites wanted them), and
I started listing my free book on various sites.  I spent 15 minutes.  I noticed a significant increase in sales in
a short period of time, so I’m assuming these sites had something to do with
it.

There’s also a handy book widget creation
tool. I was pretty impressed.
For
organizing information:
I’ve mentioned
before
that I use the free version of Evernote
to organize information.  It’s sort of
like an online file cabinet with different notebooks inside. You can use it to
store pictures and text, or email files directly to the app. You can also sync
it to your phone if you want access to your files on the go (which I do.
Particularly at the grocery store when I can’t remember the ingredients for the
supper I’m planning.  All my favorite
recipes are on Evernote.
But somehow, I never got the hang of the Evernote web clipper.  I’d installed it once, then forgot it was
there and never used it.  Then I read
this Lifehacker article by Whitson Gordon recently on Evernote (I’ve Been Using Evernote All Wrong. Here’s Why It’s
Actually Amazing
) and how to get better use out of it.  It mentioned the web clipper.  Let’s just say that I’m a fan.  If there’s a writing-related post that’s
helpful, for instance, I just click on the little web clipper icon that’s in my
toolbar and it clips the body of the article, skipping the header, footer,
margins, etc. I can even add notes to the clipping in the pop-up window.  It’s handy and easy.  I’ve got many notebooks in my
Evernote—everything from recipes to settings to writing tips.  What I like most is the way I can search
Evernote easily for exactly what I need.
Curation:
All right, I know this won’t apply to everyone. 
But I think that Prismatic is a very cool site.  If you’re not a content curator, you could
use Prismatic to discover new blogs to follow.
I discovered the site while reading an
article by Steve Young for Social Media Examiner: How
to Find Great Content to Share on Twitter
. 
I’m actually in the position of having tons of content to share on Twitter.  I’m currently following over 2700 blogs in my
Feedly reader. 
But I’ve found that sometimes either I feel like the material I’m seeing
is a little stale—or maybe it’s just that I’m
a little stale after reading through so much content.  When SME recommended Prismatic, I decided to
give it a go.  Through them, I’ve
discovered new blogs to follow…blogs with different points of view and
different types of writing-related content. 
It’s made me a bit more interested in posting links, simply because I’m
looking at new material. This can be a
time suck because there are so many cool blogs to discover…you might want to
set yourself a timer if you head over there.
Time
Management:
And one last word…on the subject of timers,
actually.  I’ve used
Online
Stopwatch
for years (free, of
course), but recently saw an article on Lifehacker (yes, Lifehacker once again)
by
Thorin Klosowski: Use Google as a Timer with a Simple
Search Command
.  Yes, that’s all it takes.  Type in “set timer for 30 minutes”—or however
many minutes—and you’ve got an instant timer. 
Obviously handy for a phone, too.
That’s all for me today.  Have you got any cool sites or apps to share?

Thoughts on Teaser Chapters

By Elizabeth S. Craig, @elizabethscraig

I had a deadline Sunday that I met just
in the nick of time. :)  It was a
deadline for a teaser chapter—the first chapter in my current WIP that will go
into the back of the December Penguin release.
I realized that I treat teaser chapters
differently, depending on the situation. 
I actually sweated a bit over this one, which was probably why I ran so
close to deadline.  That’s because my
editor asked for this chapter (with a September 1 deadline) before I actually started writing the book or
even the outline.  That means that I
wrote the chapter with an eye for marketing.
I was particularly conscious of the
opening hook and the chapter ending. Ordinarily…I really don’t think too much
about them.  I always open with dialogue,
even though I keep reading that this is a “bad thing.” It’s worked out all
right for me.
It’s certainly easier on me when I get the request for a teaser chapter and I can lift the chapter out of an
already-completed first draft.
My publisher tells me that they want the
first chapter “fairly firm”—in other words, they don’t want any major
changes.  Minor word changes would be all
right.  Changing the characters’
names—not so great.
My editor will always say that if I don’t
have a solid first chapter for the teaser that they’ll use the first chapter
for the first book in the series.  My gut
tells me that’s a less-successful marketing technique so I always make sure
that I’ve got the first chapter for the new book ready (even if I’ve not
written the rest of it).
On the other hand—it occurred to me that
cliffhangers in trad-published teasers aren’t necessarily a great thing. Yes, it can pique
reader interest in the next book.  But,
if the next book isn’t being released for nearly a year (as in this case), then
it might prompt some reader frustration, too.
But if you’re self-publishing, this might be exactly the effect you’re looking
for.  Maybe you’ve even got the next
release in your series ready to go.  Perhaps these are even backlist books. In
that case, a cliffhanger of a teaser chapter would be smart marketing. 
And then…part of me wonders if teaser
chapters make a huge difference to readers at all. For me, I’m already committed to
reading the next book in a series, if I’ve enjoyed the series so far.  What I have
done, as a reader, is buy someone else’s
book when a book has been cross-promoted by a publisher with a teaser
chapter.  This makes me think the
self-publishing practice of trading teasers with other authors is a
smart move.
As a writer, do you use teaser
chapters?  As a reader, do they have an
impact on your buying habits?

Help With Dialogue Tags

Guest Post by Jack Smith
Dialogue
Tags
What about “he said”/”she said”—do you
need them?  Or perhaps the character’s
name instead of the pronoun?  How much of
either is needed?  How much is too
much?  Like everything else in creative
writing, no rules here.  Only what
works.  And you can think of this matter
in at least two ways: clarity and style—or both.
Take a look at this passage from Raymond
Carver’s “What’s in Alaska?”  Do we need
the dialogue tags?
“I don’t know.  Something Mary said,” Helen said.
“What did I say?” Mary
said.
“I can’t remember,”
Helen said.
“We have to go,” Jack
said.
“So long,” Carl
said.  “Take it easy.”

We could probably use some help here,
clarity-wise, since we’ve got four characters speaking, but notice too that
Carver creates an interesting cadence by the repetition of “said.”  Really! 
Nice, isn’t it?  What if he went
by some silly hard-and-fast rule about cutting down your use of “said.”  We would miss the lyrical quality of his
prose. Wouldn’t we?
Is clarity a matter in this passage from
Carver’s “The Compartment”?
They love you, I said.
No, they don’t, he
said.
I said, Someday,
they’ll understand things.
Maybe Wes, said.  But it won’t matter then.
You don’t know, I
said.
I know a few things,
Wes said, and he looked at me.
Clarity is much less an issue here.  But again—notice how the repetitive use of
“said” builds an interesting cadence. The texture of the prose draws us in—or
at least it draws me in. 
Notice now this passage from Hemingway’s The Sun Also Rises.  No dialogue tags:
“He must drink a lot
of wine.”
“Or wear purple
undershirts.”
“Let’s ask him.”
“No.  He’s too tired.”
There’s plenty of this bare-bones
dialogue in this novel.  And by now, this
stripped-down dialogue is pretty familiar to many readers—readers, for
instance, of Cormac McCarthy.  It creates
an impact.  We hear conversation spoken,
and that’s it—like an audio tape.
 But there’s a middle road—a “he said,” a “she
said,” or “Norm said,” or “Mary said,” now and then—and then an action line
that establishes who’s talking.  For
instance, also from The Sun Also Rises:
“Poor old
darling.”  She stroked my head.
You could avoid the tags by action lines
like this.  We know who’s talking.
So what are your options?
1. 
Ramp up the dialogue tags.
2. Eliminate them altogether and go with
the bare-bones back and forth exchange.
3. Insert action lines now and then to
find ways to avoid tags.
But don’t get the idea that it’s best to
go for the Aristotelian Mean and take a middle path.  Think clarity, but also think style.
What sound do you want to create?  What tone? 
Write and Revise for Publication
, Writer’s Digest, 2013, and
Hog to Hog, winner of the George
Garrett Fiction Prize, Texas Review Press, 2008

Twitterific

by Elizabeth S. Craig, @elizabethscraig

Twitterific
links are fed into the
Writer’s
Knowledge Base search engine
(developed by
writer and software engineer Mike Fleming) which has over 23,000 free articles
on writing related topics. It’s the search engine for writers.
Sign up for our free newsletter for bimonthly writing tips and interviews with top
contributors to the WKB or like us on
Facebook
Mike Fleming and writing coach James Scott Bell are
offering an online, interactive, writing program to help make your next novel
great. It’s called “Knockout Novel” and you can learn more about it
at
Knockout Novel.com

 

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10 Daily Rituals Of Brilliant and
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KDP Quality Notices: http://dld.bz/cN7Y4 @marla_ann
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Mapping a writer’s brain: http://dld.bz/cN7YM @joycedyer2010 @NYTimes
A creative’s work is never done, and what
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Practice or Writing for a Purpose? http://dld.bz/cN7YW
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Writing life: Chunks vs. bites: http://dld.bz/cN7Zt @apalanca
How to Trick Yourself into Writing: http://dld.bz/cN7ZH @emarianaranjo
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Accurately Representing Your Novel: http://dld.bz/cN8b5 @tipsylit
3 short story lessons from Graham Greene:
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11 tips for editing your own writing: http://dld.bz/cN8dg @rebeccaberto
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To Blurb or Not to Blurb? http://dld.bz/cN8dR @JLDelbourgo
40 Books for Every Writer’s Library: http://dld.bz/cN8dV
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A minister attends writing classes to
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How Not to Write a Superhero Novel: http://dld.bz/cN8eH @mixerpublishing
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Method: http://dld.bz/cNADK
‘Twilight Zone’ Creator Rod Serling
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do go write something: http://dld.bz/cNF6s
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Screenwriters: http://dld.bz/cNNju
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Structure of Pulp Fiction: Method in the
Madness: http://dld.bz/cNNj2 @TheScriptLab
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A Productivity Note

By Elizabeth S. Craig, @elizabethscraig

This post will be short and sweet
because…I’ve gotten a little behind with everything this week.  :) And the odd thing is that this is back to
school week, so you’d think I’d be getting tons
of stuff done.
But no. 
And yesterday, I had to sit down and assess where I was going wrong. Why
was I scrambling to finish up writing-related tasks like promo?  Why was supper a last-minute effort? Why did
I keep forgetting milk at the store? 
What on earth was different?
Well, what was different was that the
kids were back in school.  But it’s not
quite the same as last year.
Last year…all the years, actually…I’ve
driven my son’s carpool to school and back. 
I sat in the carpool line and typed half of my word goal each day in
that line.  And now—my son is driving
himself to school. 
I’m still driving my daughter’s carpool,
but not every afternoon.  That school
lets out later than my son’s school, too. 
So my schedule changed and that
messed me up.
Another place where I went wrong—in the
afternoons, I felt so lost by not heading off to the high school to sit in the
carpool line that each day this week I asked myself, “What should I be doing
right now?”
And the answer each time was: “I have no
idea.  Maybe I should check my email.”
Wrong! 
Checking email is never the right
answer to that question.  :)  Email is a tremendous time-suck for me.
What I did instead yesterday was to make
a list of what I needed to do.  I’d made
a list in the morning, but I’d checked those things off.  What I need now, apparently, is a separate
afternoon list.  So I wrote it up.  The most pressing things were to proofread a
teaser chapter that I was on deadline for, find and schedule links for Twitter,
and then pull that laundry out of the dryer before the stuff started wrinkling
(there’s not a lot of ironing going on in my house).  Checking email was not on this list.
So, for me anyway, even small
fluctuations in a schedule have an impact. If I lose productivity, then I need
to figure out where I’m going wrong. 
And lists…one list may not be enough to
carry me through a whole day.  Because
when I finish the stuff on my morning list—heck, I might just pull up my emails
and lose an hour or more.
Do you ever have to reassess when to fit
your writing in?  And do you rely on
lists as much as I do?
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