Interviews–My Checklist for Skype Interviews, Podcasts, or Radio

By Elizabeth S. Craig, @elizabethscraig

Although I don’t do a ton of interviews, I probably do a live or recorded interview every few months.  I especially like the recorded ones because I figure if I say something dumb, they can edit it all out and make me look as if I know what I’m talking about. :)

I’ve learned from my mistakes in the past with these things, too.  I think of my house as being a very quiet place, but apparently, judging from my interview experiences, there is actually plenty of noise pollution there.  The pets, for one.  My corgi will bark at the cats, at the doorbell, and sometimes when she wants to go outside.  The cats are male litter-mates and fight tooth and nail with each other.  Various appliances make buzzer-like alarms when they’re done running.  My UPS guy feels the need to hit the doorbell when he drops off a package (I do appreciate this, but it makes the aforementioned barking happen).


I try to schedule interviews when no one is at home.  This has worked with 90% of my Skype interviews. But I’ve got some kind of radio-related curse.  Whenever I have a radio interview, and the ones I’ve done have unfortunately all been live, I will most certainly have a sick child or a snow day on my hands (with school canceled). This is one reason I know it’s a curse—y’all know it doesn’t snow down here in the American South all that often.

So here’s the checklist that I use before an interview, in the hopes it can help you out, too:

Where are the children?  Have I told them what I’m doing, so that they won’t accidentally disturb me? Regardless of the fact you’ve told them about the interview, put a sticky note on your door so that they’ll remember before they knock.

Put the dog in a back bedroom.

Put the cats away (in a separate room from the dog).

Put a sticky note on the door asking Fed-X, UPS, and the mailman not to ring the doorbell.

Put my cellphone away or mute it.

Have water nearby.  I will immediately have a coughing fit, guaranteed, whenever I’m supposed to be recorded. 

Skype specific:

Do a sound/video check.

Turn on lots of lights in the house and provide backlighting, too. 

Wear lots more makeup than usual. Or, in my case, wear make-up, period.

Pull out my webcam. It seems to be much better-quality than the one that came with my laptop.

Remember not to look at the computer, where I see the interviewer.  I need to look in the camera, or else I look distracted.

What’s in the background? Do I need to dust?  :) 

Books.  Have a book nearby that I can hold up…if it’s that kind of interview.  Sometimes it’s not a promo thing, it’s a craft thing and I might just have books on my dusted table in the background.

Radio and podcast specific:

Don’t use my cellphone to call in.  Use the house phone.

Turn off call waiting if you have it.

They’re fond of hearing the station’s call letters in the broadcast.

For any interview:

See if I can get the questions in advance.  It helps me give a more thoughtful answer and just provides them with better content, in general.

Be able to sum up your book in one sentence because you’ll usually be asked to tell the interviewer about your most-recent release or what you’re working on now.

Last week’s interview was with Gabriela Pereira with DIYMFA for Lit Loft writing conference and online course.  You can see a little of what we touched on at Gabriela’s site, here.

Have any tips I’ve missed about interviews?  Have you been interviewed?  How did it go?

 

Twitterific

By
Elizabeth S. Craig, @elizabethscraig

Twitterific links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 23,000 free articles on writing related topics. It’s the search engine for writers.

Sign up for our free newsletter for bimonthly writing tips and interviews with top contributors to the WKB or like us on Facebook

 

Mike Fleming and writing coach James Scott Bell are offering an online, interactive, writing program to help make your next novel great. It’s called “Knockout Novel” and you can learn more about it at Knockout Novel.com

 

My tips for handling writing and life: http://dld.bz/cQncA @DIYMFA

What’s Important in the Man Booker Debate? http://dld.bz/cQn3H /@Porter_Anderson @nicksidwell @meandmybigmouth


 

Tips for Creating an Online Community: http://dld.bz/cQde4  @annerallen @AlexJCavanaugh

 

Making Your Book Promotable – Before It’s Published: http://dld.bz/cQnYB @theprexpert

Jonathan Franzen takes on ebooks and Amazon: http://dld.bz/cQrUx @jenniferweiner @DennisAbrams2 @Porter_Anderson

4 Motivations of Traitors: http://dld.bz/cP6bT @mishaburnett

A poisons resource for crime fiction writers: http://dld.bz/cP6d3 @clarissadraper

5 Tips for Writing and Marketing YA: http://dld.bz/cP9pc @NatalieWright_

Tips for describing characters: http://dld.bz/cP9pf @glencstrathy

Getting Rid of the Parts Readers Skip: http://dld.bz/cP9pn @SouthrnWritrMag @DanWalshAuthor

Sell More on Amazon.com:Understanding Keywords, Categories, and Amazon’s Algorithm: http://dld.bz/cP9pt @bookgal

Down the Rabbit Hole of Research: http://dld.bz/cP9py @JustBethanne @BTMargins

Creativity in pregnancy: http://dld.bz/cP9p6 @womenwriters @EleanorFitz

Keeping your Characters Consistent: http://dld.bz/cP9pC @patbertram

5 Examples of How Hyphens Help: http://dld.bz/cP9pH @writing_tips

13 Surprising Ways to Add Depth to a Story: http://dld.bz/cP9pR @victoriamixon

Where 1 writer finds ideas for her stories: http://dld.bz/cP9pX @melissadonovan

5 Common Problems in Your YA Manuscript: http://dld.bz/cP9pZ @howtowriteshop

Musicality and Reader Emotions: http://dld.bz/cP9qg @ingridsundberg

5 Issues That Affect How You Should Price Your Book: http://dld.bz/cP9qw @tonyeldridge

A writing instructor on story arcs: http://dld.bz/cP9q7 @EdanL

Hugh Howey, Liliana Hart and Matthew Mather: How To Write And Sell Books: http://dld.bz/cP9qN @woodwardkaren

The Writing Wasteland: http://dld.bz/cP9re

What works and what doesn’t with some recent ebook covers: http://dld.bz/cP9rh @JFBookman

Don’t Split Infinitives – Fact or Myth? http://dld.bz/cP9rp @BrianKlems

Useful Writing Apps for Authors: http://dld.bz/cP9ry @wherewriterswin

What deals will publishers offer in five years’ time? http://dld.bz/cP9r9 @nailyournovel

Using Multiple Texts to Develop Your Story World: http://dld.bz/cP9rP @lisawengland

4 ways to Keep Your Story Interesting: http://dld.bz/cP9sA

Writing Fantasy Battles – A Look At Strategy: http://dld.bz/cP9tc @fantasyfaction

Tips for reaching the teen market: http://dld.bz/cP9wf @InkSlingerPR

Recording things: Emotions and thoughts: http://dld.bz/cP9xG @Le_Shack

Screenwriting by Numbers: http://dld.bz/cP9xR @scottwsmith_com

How to Have a “Productive” Blog Break: http://dld.bz/cP9yd

Creative Longevity: Always Come Out of Another Hole: http://dld.bz/cP9yn @SPressfield

15 of the most overused tropes in YA: http://dld.bz/cP9yu

Writing with Dyslexia: http://dld.bz/cPebJ @womenwriters @Dandeliongirl01

You’re Not a Real Writer Unless…:  http://dld.bz/cP9ZS @julie_glover

1 writer’s pre-writing process: http://dld.bz/cP9ZY @roniloren

Anatomy of a book proposal: http://dld.bz/cPAad @lisajjackson

What’s the Difference Between an In-Depth Edit and the Over-Enthusiasm of an Editor? http://dld.bz/cPAaw @ChilaWoychik

How to Hone in on Memory When Writing Memoir: http://dld.bz/cPAaX @LilaQWeaver @mroachsmith

Top Ten Tropes in YA: http://dld.bz/cPAb9 @StrangeChem

Neil Gaiman’s Advice to Aspiring Writers: http://dld.bz/cPAbS @brainpicker

7 simple rules for good writing: http://dld.bz/cPA3U  @MsLianneLaroya

10 Bizarre Work Habits of Famous Authors: http://dld.bz/cPA4c @JennyHansenCA

5 tips for being a better writer: http://dld.bz/cPA4m @storyfix

The Sounds of Writing – Why Some Pieces Work & Some Don’t: http://dld.bz/cPA4x @ChilaWoychik

De-rotica – the Sad New Literary Genre: http://dld.bz/cPA4y @gregmischio

Tips for First-Time Horror Writers: http://dld.bz/cPA42 @WriterlyTweets @kculpepper1

7 Ways to Write to the Future: http://dld.bz/cPA4G @Orion_Magazine

Twitter’s effect on writers and writing: http://dld.bz/cPPnM @walkthelinesldn @lucyinglis

Tips for approaching authors for guest posts or interviews: http://dld.bz/cPPpn @jodimeadows

Summer Lessons from an Unpublished Essay: http://dld.bz/cPPp4 @BTMargins @andrealvolpe

Why Fan Fiction? http://dld.bz/cPPp8 @CarrieMesrobian

Becoming Shakespeare: http://dld.bz/cPPpC @TheEconomist

“Why I’m Not Writing YA (though I often wish I was)”: http://dld.bz/cPPqd @KameronHurley

Gothic Intersections: Between the Creative and the Critical: http://dld.bz/cPPqq @GothImagination

You don’t write books alone: http://dld.bz/cPPqy @AlissaLukara

Productivity for Writers: http://dld.bz/cPPq2 @KOMcLaughlin

How to win a Pulitzer Prize: http://dld.bz/cPPq9 @TheWriterMag

Tools to Organize Your Book Manuscript: http://dld.bz/cPPqE @grubwriters

10 Things 1 Writer Has Learned about Crowdfunding (and why writers should try it): http://dld.bz/cPPqP @MaryDeMuth

The Hidden World of the Typewriter: http://dld.bz/cPYVx @jjamesjoiner

The 5 Rookie Mistakes Writers Make When Negotiating A Contract: http://dld.bz/cPYV6 @WritersRelief

5 Steps To Develop A Terrific Writing Style: http://dld.bz/cPYWa

How Not To Treat Your Editor: http://dld.bz/cPYW4 @edsikov

Pet words: http://dld.bz/cPYWA @pageturner @newyorker

2 tips for finding your writing voice: http://dld.bz/cPYWK @KatieAxelson

Freelancers: What to Put On Your Writer Website if You’re a Newbie: http://dld.bz/cPYWZ @ticewrites

A Genealogy of Speculative Fiction: http://dld.bz/cPYXh @kaath09

6 ways to be more like Hemingway: http://dld.bz/cPYXs @fastcompany

1 writer’s journey to publication and her advice for writers: http://dld.bz/cPYXE @KatZhang

Even if you don’t live great stories, you can write them: http://dld.bz/cPYXT @ventgalleries

9 Epic Literary Burns: http://dld.bz/cPYYb @mental_floss

‘Think About Characters Like a Sphere’: http://dld.bz/cPYYg @joefassler

Poetry Isn’t as Useless as a Lot of Poets Say It Is: http://dld.bz/cPYYh @theatlantic

4 Ways To Create A Strong Antagonist: http://dld.bz/cPnaw @woodwardkaren

4 Ways to Improve Your Writing: http://dld.bz/cPz2m @ava_jae

What you should work on now: http://dld.bz/cPz8q @tannerc

7 Craft Lessons Every Writer Must Learn: http://dld.bz/cQdrH @Readwritestory

Steps to deal with writer’s block: http://dld.bz/cQdsa @LeahMcClellan

5 Reasons Every Writer Should Journal: http://dld.bz/cQd6z @shewritesdotcom

The Power of Understatement in Fiction Writing: http://dld.bz/cQd6D @JaneFriedman @carmelbird

Do you need an agent to sell your book? http://dld.bz/cQd6M @deanwesleysmith

How Not to Be a Writer: 15 Signs You’re Doing It Wrong: http://dld.bz/cQd6V @KMWeiland

An analysis of Agatha Christie’s appeal: http://dld.bz/cQd7e @Writers_Write

The magic of the new idea: http://dld.bz/cQd8e @altait

17 writers’ quotes on writing: http://dld.bz/cQd8t

The Grief Writer: http://dld.bz/cQd8K @elephantjournal

10 Tips on How to Write Less Badly: http://dld.bz/cQd9p @chronicle

23 Writers Who Were Famous by Age 23: http://dld.bz/cQd9Q @FrugalAndrea

The 6 Habits of Highly Tormented Writers: http://dld.bz/cQdAp @gripemaster @BTMargins

On Being a Writer of Genre Fiction: http://dld.bz/cQdA3 @herebemagic

“Illegal downloading is moral squalor” (and commenters weigh in): http://dld.bz/cQgVx @passivevoiceblg

12 Famous Authors on Writer’s Block: http://dld.bz/cQgV5 @A_WritersStudio

Scene Description Spotlight: “Saving Private Ryan”: http://dld.bz/cQgV6 @gointothestory

Secrets of writing short: http://dld.bz/cQgVD @katysteinmetz @time

Two More Ways for Writers to Milk the Cash Cow: http://dld.bz/cQgVP @jamesscottbell

Vague settings: http://dld.bz/cQgVY @Ross_B_Lampert

Literary Architecture: http://dld.bz/cQgWX @parisreview @SadieStein

7 Advantages of a Verbal Pitch: http://dld.bz/cQgXd @rachellegardner

3 lessons for great storytelling: http://dld.bz/cQgXt @DrNickMorgan @Forbes

How to Create a Three-Phase Writing Ritual: http://dld.bz/cQgX2 @DebraEve @writeitsideways

Life and Death: Proofreading Your Novel: http://dld.bz/cQgXB @evmysterywriter

The Importance of Knowing Why You Write: http://dld.bz/cQnZy @LyndaRYoung’

Face It: You Wrote a Bad Book: http://dld.bz/cQpa9

Talking the Story: http://dld.bz/cQpaA @shalvatzis @TrishaNicholson

Using a graph to revise: http://dld.bz/cQpba

What Your Shelves Say About You: http://dld.bz/cQpbd @BTMargins @nicholebernier

How to Avoid Twitter-Fritter and Facebook-Fail: http://dld.bz/cQpbf @annerallen

Double trouble: two authors in the house: http://dld.bz/cQpbh @nailyournovel

A Straightforward Technique to Make Your Writing More Immediate and Effective: http://dld.bz/cQpd4  @chavelaque

How to Use KDP’s Cover Creator: http://dld.bz/cQpdM @joleene_naylor

Quick Guide: Becoming a Power User on Goodreads: http://dld.bz/cQpdU @Bookgal

Freelancing—Being a “Kept” Writer: http://dld.bz/cQpeB @Jenpens2

What Should an Author Blog About? http://dld.bz/cQpeJ @annerallen

How to Build Engagement With Story, Strategy, and Structure: http://dld.bz/cQs6u @JFBookman

42 Fiction Writing Tips for Novelists: http://dld.bz/cQs6y @melissadonovan

15 Places to Promote Your Book for Free: http://dld.bz/cQs65 @jasonboog @galleycat

Should writers branch into print instead of offering only ebooks? http://dld.bz/cQs7j @JanetKGrant

Top Six Agent Pet Peeves: http://dld.bz/cQs7n @LynnetteLabelle

The $55 Wooden Pencil: http://dld.bz/cQs7s @ChandlerWrites

4 Reasons You Procrastinate and How to Break the Cycle: http://dld.bz/cQs8c @MenwithPens

The Alphabet in Crime Fiction: Technology: http://dld.bz/cQs8g @mkinberg

How Filmmakers Build Twitter Authority On 15 Minutes A Day: http://dld.bz/cQs8m @raindance

Savvy Writing Advice from Famous Authors: http://dld.bz/cQs8t @livewritethrive

8 Places to Look for Your Characters: http://dld.bz/cQs8x @victoriamixon

7 Ways You’re Sabotaging Your Book Sales Without Even Realizing It: http://dld.bz/cQs8M @JonathanGunson

5 Reasons Why Perseverance is the Most Important Quality for a Writer: http://dld.bz/cNf35 @Woollz

Using Multiple Texts to Develop Your Story World: http://dld.bz/cP9rP @lisawengland

Neil Gaiman’s Advice to Aspiring Writers: http://dld.bz/cPAbS @brainpicker

What you should work on now: http://dld.bz/cPz8q @tannerc

7 Craft Lessons Every Writer Must Learn: http://dld.bz/cQdrH @Readwritestory

Do you need an agent to sell your book? http://dld.bz/cQd6M @deanwesleysmith

Gothic Intersections: Between the Creative and the Critical: http://dld.bz/cPPqq @GothImagination

Writing About Shock and Trauma: http://dld.bz/cP5XR by @cateartios

rtios

More Thoughts on Being a Hybrid Writer and My Self-Publishing Discoveries

by Elizabeth S. Craig, @elizabethscraig

On Monday’s post, I received a comment from Colleen…she was interested in hearing more about balancing or approaching life as a hybrid writer—someone who is both traditionally published and self-published.
She mentioned (and she’s right) that many self-pubbed/indie authors aren’t at all interested in being traditionally published.  She was curious about how I handle both worlds.
And…it’s interesting sometimes.  But for me, a job is a job. I have traditionally published series with readers who want more books, so I’m providing them more books.  I recently signed a contract with Penguin for more mysteries in the Southern Quilting series.
Continue reading

Past Imperfect

Guest Post by James Mullen
I’ve started to sketch out the plot for
my second book.  The book is a police
procedural based in Boston, and although I visit the area frequently, I haven’t
lived there in over 20 years. Computer research and phone interviews are
invaluable, you can’t beat putting your eyes on places – even if it’s just a
validation of what’s perfectly remembered. 
To be honest though, I went with the idea of visiting not the actual
places I image as crime scenes, because I know them so well, but want to
re-acquaint myself with the more peripheral areas of those scenes that could
serve as description. 
I plan to have the opening crime scene
take place at a downtown subway stop, or as we like to say in Boston, a “T”
stop.  I’ve found most subway stations
very linear and shaped like, well, the letter “T”;  ascending or descending stairs that pour out
to a waiting horizontal platform in front of the rails.  Pretty straight forward, pretty simple.  Since I was planning a murder, I needed a
place with more complication, more corners. 
I need malevolence.
I remember a stop I used back in the
mid-70s when I commuted from the Back Bay to downtown Boston.  The station always struck me as up to no
good, and on nights I worked late, felt like I was descending into a film noir
movie set.  Mack the Knife or Philip
Marlowe could pop out of the shadows and stick a shiv or a gat in my back
without warning.  The place defined grimy
and dark.  The layout was more like the
letter “Y”, but with intricate and shadowy angles.  Perfect!
So I had my hopes up when I went to
re-visit the street-level environment surrounding the stop two weeks ago. I
almost didn’t enter the stop itself since I knew the details were firmly
embedded in my memory – even 40 years later.
Boston, back then, covered both sides of
the social contract with its ridership. 
The city wanted efficient use of its system, so made the environment
extremely unpleasant; searing heat in any season; zero air exchange; squealing
breaks on subways at all times; crowd movements resembling schools of fish in a
Dixie cup; most overhead light bulbs broken – illumination being supplied by
any natural light able to crawl on its hands and knees down the stairs and make
it to the platform area on the first level. 
Yes, the city made good on its promise that no matter what slings and
arrows were suffered during a given workday by its citizens, they would take
place in an environment much more pleasant than the station.
But look what I walked into?  As you can see from the recent photo; white
tiles on the wall!  A wall, recently
cleaned!  Posters, and get this, a mural
on the back wall behind the escalators. 
Art appreciation!  And the
lights!  More than adequate ceiling
fluorescents throughout. People holding hands! 
I fully expected to see folks alight from arriving subway cars singing
show tunes and then lining up for a dance routine.  How could my memory do this to me?  Or is it the city’s fault?
The second day I took a boat trip to
another crime scene, Spectacle Island, in Boston Harbor.  Although I have never set foot on the island,
it is one of many in Boston Harbor located on a well-used flight path to and
from Logan Airport that I’ve flown numerous times.  If you look out a plane’s window enough, you
get to know the landmarks and the approach well. As a precaution, I also
checked maps on the internet prior to my trip and could see that the island’s
view of the Boston skyline would be blocked by several others in the harbor;
that fact being germane to an intended plot point of my story.  I give you Spectacle Island:
 
Lesser men would suffer boredom from
being right all the time.  Me, I just
take it in stride.
James
Mullen currently lives in North Carolina. 
His first novel,
Ketchum and Cobb, can be purchased on Amazon.   
Website:  Grumpy Gets Better (jimamullen.blogspot.com)
– things literary and not so much.
Also on
Facebook and Goodreads.
 

When Your Work in Progress Needs Early Revisions

By
Elizabeth S. Craig, @elizabethscraig

As I mentioned last week, I recently
turned in a teaser chapter and an outline to one of my Penguin editors.  This particular editor likes to see an
outline before a book is written.
The deadline for the outline was actually
Sept. 1.  The deadline for the book
itself is January 1.  I have a self-pub
project that I stopped working on to write this book, so I decided to go ahead
and start writing the Penguin book while I waited for feedback on the outline.  There’s a bit of risk in doing so, since it
means that I might need to make big changes on a work-in-progress.
And…I did end up needing to make those
changes.  The editor liked the concept
for the book, but thought the set-up in the first chapter was a bit too similar
to the one in Knot What it Seams, which
came out in February. 

My editor’s memory is flawless and mine
is faulty.  Although that book came out
in February, I’d written it in early 2012 and had written 4.5 books since then
(including the quickly deserted self-pub I dropped to
work on this project). I re-read the start of the story in question and did
notice similarities.
My editor asked for two more suspects, or
at least one more.  She also asked for me to include subplots
involving 3 characters she really enjoys and feels that readers also enjoy.
While these weren’t radical changes, they
were fairly substantial and would definitely require a rewrite of the teaser
chapter I’d just turned in.
I was also already 38 pages into the
book.
I started out by making a list. This
keeps me from being completely overwhelmed by the task ahead.
Brainstorm
new direction: 
Who might work as
additional suspects? I came up with as many scenarios as I could, and then
picked the strongest.  How could I
connect the requested subplots in with the mystery?  With the other subplot?  How could I make those characters grow or
change in the process?  What was another
way to start out the book…could I skip the set-up altogether and go right into
the action? I picked the best ideas and dumped the rest.
Revise
teaser chapter:
  This had to be
revised first, since it was technically overdue.
Revise
outline:
  Incorporate the
additions in the outline (the additional suspects, the additional subplots).
Delete portions of the outline that no
longer fit in with the revisions.
Make notes
on manuscript:
 Obviously, I was
going to immediately rewrite chapter one because of the teaser chapter
issue.  Then I needed to replace the
original chapter one with the new one.
Make a note to myself on Word in Track
Changes that page 12ish—38 were unedited.
Keep
moving forward with story:
For me, I do major revisions after the first
draft is finished.  So I picked up on
page 38 with the changes from that point forward, following the revised outline
and the point that I was in with the story. 
Others, I know, want to fix those other pages in between, but that’s
what my second draft is for.
So I quickly revised the first chapter
and sent it back to my editor, since she needed it for the end of the December
book.  I finished the other tasks and am
now picking up with the story as if the beginning of the book were already
fixed.
So…yeah, it can be a little unnerving to
get requests from changes from an editor in midstream.  It might not even be an editor—it could be a
first reader or a critique group.  But by
breaking it down into small tasks and prioritizing them, it does make the job a
lot easier.
Have you ever made large revisions in the
early stages of a project?  How did you
organize the process?
Scroll to top