Success and Writing—What Keeps Us Going

by Elizabeth S. Craig, @elizabethscraig

In many ways, I’m the biggest lurker out there.  I do try to comment on friends’ blogs, but for the vast majority of the blogs I visit in a week (which is in the hundreds), I skim and share.

Some of what I see and have seen over the years makes me sad.  I’ve seen writers talk about how beaten-down they’ve been from the rejection cycle, from reader reviews, from lack of family support or publisher support. I’ve seen a lot of self-doubt and a lot of people quitting.

Interestingly, though, I’ve seen a lot of writers who blogged that they were quitting writing only to pop back on the scene months later.  They couldn’t stop.

I understand where they’re coming from.  I have over 450 customer reviews on at least two of my books.   I’d say at least one or two out of every four or five is a real stinker.  The worst are the ones that you get absolutely no helpful feedback from whatsoever—hey, at least give me something to correct, y’all. What didn’t you like?  I’m always searching for ways to improve.  Did a character seem flat to you? Ending wasn’t believable?  Protagonist was unsympathetic?  Is there some sort of takeaway, some sort of actionable tip that I can get from this wretched review?  For heaven’s sake…just let me know.

What keeps me going are the three or four out of every five reviews who enjoy the books and take the time to write a customer review to say so. I can totally understand writing a review for something you dislike (you’re angry you wasted your valuable time), but it’s a real gift when readers write a positive review.  Similar to the negative reviews, it’s also helpful if they pick out what they do like so much—so that I can provide more of it next time.

It’s human nature to feel more motivated to complain about something that bothers you than to praise something that you enjoyed or that worked well. This was brought home to me last week.  My son is in the process of researching college review websites where students and alum write in or are videoed talking about their school.  A large number of the hundreds of reviews are negative, no matter what college he looks at.  I reminded him—kids who are unhappy with their school are more likely to put it on the record than someone who’s enjoying a mostly positive experience.

We can’t only focus on our reviews and our sales stats.  Ultimately, many of us write for ourselves.  Even if all my readers abandoned me tomorrow, I’d still be writing.  Writing isn’t only a habit, it’s a way of looking at the world.  That lens is always there.  I write about the things I see, the things I don’t see, the things I wish I saw, the things I’m glad I don’t see.  I’m sure if I weren’t writing these things down, I’d end up talking to myself, spilling over with all the ideas that rattle around in my head and all the different character voices that chirp up.  Yes, writing is much better than simply being a flaky woman muttering to herself.

Although I’d write if I had no readers…the main reason I write is for my readers.  I love hearing about things I’ve done right so that I can duplicate it in future books.  I came across an interesting post (in my lurking) recently—“Dear Writers: Success Is Mattering to Somebody” by Kyran Pittman.  Her takeaway point (the whole post was inspiring, I thought):

You don’t have to be the next big thing to be a success in writing, or in anything else. You just have to make the next thing that matters to someone and go on to make the next thing after that. One thing that matters after the other, for as long as you can. That’s work anyone can be proud of.

She summed it up well.  The reader emails, the positive reviews, the encouraging notes on Facebook—those are what keep me writing in the public area (I’d never stop writing, privately).  And they also function as quality control…I hate disappointing readers.  That’s the reason I keep plowing ahead, trying to get better, sucking it up during the days when I know I’ve written some really awful passages.  I’ll fix the story, I’ll improve, I’ll deliver something for readers to enjoy…and if some don’t enjoy it, I can try to pull out the constructive criticism to build with next time.

What keeps you going?

 

Twitterific

by Elizabeth S. Craig, @elizabethscraig

Twitterific links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 23,000 free articles on writing related topics. It’s the search engine for writers.

 

November 13-14:  Get Read – Marketing Strategies for Writers: Dan Blank’s We Grow Media is a  two-day online conference for authors looking for promotion strategies–and, ultimately, readers.  Speakers include Porter Anderson, Chuck Wendig, Dan Blank, Jane Friedman, Therese Walsh, and many others.  (I’m one of the scheduled speakers and am also am serving on the advisory board.)  More information about the conference and registration information can be found here.

 

If you use the discount code elizabeth, you receive $20 off the conference price.

Check out the new resource for writers.  It’s Alex J. Cavanaugh’s Insecure Writer’s Support Group website.  There you’ll find pages of links to resources—writing tips, publishers, agents, queries, self-publishing, marketing, contests, and publications for writers.

 

20 questions to ask when creating your setting: http://dld.bz/cTcAm @daycathy @jtdutton


 

 

Believable Characters: Applying Personality Types: http://dld.bz/cTcAv @JuliaReffner

 

 

Free writing sprint/virtual retreat from @DIYMFA Nov. 16-17 offers motivation and tips for finishing your book: http://bit.ly/1hkZYv8

What Do Your Characters Falsely Believe? http://dld.bz/cTf8g @jamigold

A test of standing desks–more proof they make you productive: http://dld.bz/cTf8j

Reasons why horror is important as a genre: http://dld.bz/cTf8r @kevinlucia

Writers & Inspiration: 5 Things to Consider: http://dld.bz/cTf8z @YAmuses

The Key to an Unforgettable Opening Line: http://dld.bz/cTf85 @paperblanks

Looking at control as a theme in books: http://dld.bz/cTf8A @CuriosityQuills

The Value of Planning Your Ebook: http://dld.bz/cTf8C @ninaamir

Write Your Book: A Guide to Getting Started and Staying Productive: http://dld.bz/cTf8K @KDillabough

Writers: Break The Rules—Run With Scissors: http://dld.bz/cTf8U

The Heightened Sensitivity of Romance Readers: http://dld.bz/cTf8W @PacificStand

Middle-grade novels for girls vs boys: http://dld.bz/cTf9c @glencstrathy

Breaking Into the Comic Book Industry: http://dld.bz/cTf9h @jasonboog

A site for getting ideas: http://dld.bz/cTf92

It’s time to kill the idea that Amazon is killing independent bookstores: http://dld.bz/cTf98 @qz @passivevoiceblg

What Drives a Book Reviewer to Drink: http://dld.bz/cTf9C @stefanvucak

Are We Too Concerned That Characters Be ‘Likable’? http://dld.bz/cTf9J @mohsin_hamid

Mining Your Manuscript for Modifiers: http://dld.bz/cTf9N @AimeeLSalter

Is Pinterest Right for You? http://dld.bz/cTf9R @authormedia

Why Authors Should Believe in Their Websites: http://dld.bz/cTjRf @fictionnotes

How to handle receiving an addendum to your contract: http://dld.bz/cTjRr @kristinerusch

12 Facebook Groups for Writers: http://dld.bz/cTjRC @thewritelife

3 Ways to Find Better-Paying Freelance Writing Jobs: http://dld.bz/cTjRV @ticewrites

Writing and the Creative Life: Mind Wandering: http://dld.bz/cTjSf @gointothestory

10 Characters That Turned to the Dark Side: http://dld.bz/cTjSh @rajanyk

Anticipating Reader Wants: http://dld.bz/cTjRx @Kid_Lit

Tag the Trait: The Game of Character Description: http://dld.bz/cTcAF @WyattGBessing

5 ways to see if your novel is ready to face the world: http://dld.bz/cTkZb @rxena77

What Do You Do When Your Muse Is On Vacation? http://dld.bz/cTkZc @write_practice

The Tension (and Relationship) Between Creating and Consuming: http://dld.bz/cTkZd @thatguyKC

Dealing With Telling and Backstory in an Opening Scene: http://dld.bz/cTkZf @janice_hardy

Be sure, as a writer, to listen to yourself: http://dld.bz/cTkZg @hughhowey

Want to Be Successful? Beware of End-of-the-Rainbow Thinking: http://dld.bz/cTkZj @kristenlambtx

Story structure in Harry Potter:  How Rowling became a billionaire by following the rules: http://dld.bz/cTkZ3

World-building Tip: 15 Details to Remember: http://dld.bz/cTkZT @ava_jae

Getting Real About Writer’s Burn Out and Social Media Demands: http://dld.bz/cTkZV @cateartios

Write More Easily: Understanding, Embracing and Moving Beyond Resistance: http://dld.bz/cTmab @aliventures

Why Don’t Publishers Believe in Author Websites? http://dld.bz/cTmaR @janefriedman

Exploiting Your Rights: http://dld.bz/cTmaY @susankayequinn

Emotional Barrier in Fiction: Why is it so important for you to learn how to cross it? http://dld.bz/cTmba @NakedEditor

Branding 101: What Is Your Brand? http://dld.bz/cTmbw @jamigold

A Warp Speed Analysis on the Influence of SF: http://dld.bz/cTmb4 @SmartBear

Writing the Opening Scene: http://dld.bz/cTmb6 @janice_hardy

Rowling’s outline and The Book Architecture Method: How they both can push your writing to a new level: http://dld.bz/cTmbA

The Slow Release—Not the End of the World: http://dld.bz/cTpFM

Punctuation with Conjunctions: http://dld.bz/cTpFS @writing_tips

5 Ways to Pace Your Story: http://dld.bz/cTpFY

Writing the High ROI Screenplay: http://dld.bz/cTpGp @joeteevee

Write What You Love: http://dld.bz/cTpGr @jamesscottbell

Handling showing vs. telling: http://dld.bz/cTpGQ @Margo_L_Dill

How long should it take to write a novel? http://dld.bz/cTpKr

Write YA When You Don’t Read YA? http://dld.bz/cTpK7 @KaitGetsLit @womenwriters

4 Reasons Your Concept Counts Above All Else: http://dld.bz/cTpKT @Bang2write

The Ultimate Story Checklist: http://dld.bz/cTpMc @cockeyedcaravan

Are you an author or a publisher? How indies are making their own rules: http://dld.bz/cTpMK @nailyournovel

Your Non-Fiction Self-Publishing To Do List: http://dld.bz/cTpMQ @theprexpert

Why Your Book Pitch Matters (Even If You’re Self-Published): http://dld.bz/cTqVy @JFBookman

4 Ways To Reach The Right Audience For Your Book: http://dld.bz/cTqVD @ebooksandkids

20 Literary Tumblrs: http://dld.bz/cTqVP @BuzzFeeders

How to Use Free Public Domain Art: http://dld.bz/cTrPD @Louise_Myers

17 Problems Only Book Lovers Will Understand: http://dld.bz/cTrQh @BuzzFeeders

10 Ways to Use Audio to Sell More Books: http://dld.bz/cTrQj @bookgal

4 Ways to Sell eBooks Directly to Readers: http://dld.bz/cTrRS @PaulaatAME

Discovery: Another Buzzword We’re Wrestling to Understand: http://dld.bz/cTrSg @bookgal

How to Get Your Book Reviewed On Amazon: http://dld.bz/cTrSy @CathyStucker

5 Profitable Places To Sell Your Books: http://dld.bz/cTrS4 @FutureofInk

Authors and book clubs: http://dld.bz/cTrSQ

How to Choose Keywords and Categories for Your Kindle eBook: http://dld.bz/cTrTe @FreelanceSw

Video Marketing – Trick or Treat? http://dld.bz/cTrUz

12 novelists tell their scariest bite-size stories: http://dld.bz/cTtYY @salon

Why You Should Be Blogging Your Origin Story: http://dld.bz/cTum8 @JFBookman

Expose the inner thoughts of your protagonist: http://dld.bz/cTumF

What Terrifies Teens In Today’s Young Adult Novels? The Economy: http://dld.bz/cTuqh @valdesmarcela @nprbooks

Writing Secrets from Cheesy Halloween Movies: http://dld.bz/cTu8R @jeffgoins

Writers’ Halloween Fear List: http://dld.bz/cTu9n @RMFWriters

NaNoWriMo: Should You Participate?Plus NaNoWriMo Comics, Musicals and Songs: http://dld.bz/cTvv5 @inkyelbows

Literature’s haunted houses: http://dld.bz/cTweQ @guardianbooks

Don’t rush to publish: http://dld.bz/cTwj2 @Porter_Anderson

Using Villains to Shape Your Hero: http://dld.bz/cTwNa

Killing the Top 10 Sacred Cows of Publishing:Book as Event: http://dld.bz/cRE6D @deanwesleysmith

The View From Book Six: http://dld.bz/cTwNA @megrosoff

Tips on Upping The Stakes: http://dld.bz/cTwNS @JHBogran @angelaackerman

7 fulfilling writing careers: http://dld.bz/cTwPj @thewritelife

50 Cliched Dialogues to Ban From Your Script: http://dld.bz/cTwPG @Mentorless

17 Struggles Of Getting Ready For NaNoWriMo: http://dld.bz/cTwt9

7 Haunted Libraries From Around the World: http://dld.bz/cTund @paperblanks

How to Avoid the Self-Published Look: http://dld.bz/cTum6 @PaulaatAME

5 Tips for Creating an Urban Fantasy World: http://dld.bz/cQGnW @cairnswrites

The 7 Most Common Misconceptions About Science Fiction Publishing: http://dld.bz/cN5FJ @io9

What to know about writing memoir: http://dld.bz/cTzTV @MacGregorLit

Reinventing your book: Reinventing the Length: http://dld.bz/cTzUm @TheresaStevens

Ten Things an Author Should (or Shouldn’t) Do: http://dld.bz/cTzUv @Martinthewriter

What to Expect From Working With A Book Publicist: http://dld.bz/cTzUx @theprexpert

Adding mystery into a story: http://dld.bz/cTmQ3 @PAShortt

Those who stick with print books just want to show off: http://dld.bz/cTnb4 @AndrewCouts @Porter_Anderson

Reasons to write for free: http://dld.bz/cTtcC @alexisgrant

As Amazon faces disappointment in its publishing arm, is the company really in retreat? http://dld.bz/cTpnt @Porter_Anderson

Keeping readers interested in a mystery when they know the culprit from the start: http://dld.bz/cTsBX @mkinberg

What Makes NaNoWriMoNoGo for Two Writers: http://dld.bz/cTu8J @Porter_Anderson @ChuckWendig

Character types in romantic suspense: http://dld.bz/cTxNj @camillelaguire

All about National Novel Writing Month: http://dld.bz/cTtZm @fantasyfaction

 

On Translation

 Translator Julie Rose has translated some of France’s most highly prized writers, both classical and contemporary and is best known for her critically acclaimed translation of Victor Hugo’s masterpiece, Les Misérables. Rose has always been an avid reader of crime fiction. She just translated The Greenland Breach by Bernard Besson, a cli-fi spy novel recently published in English by Le French Book.

How did you get started in translation?

For me it started when I moved to France in the 1980s, after graduating from Sydney University and scoring a doctoral scholarship from the French government. The scholarship wouldn’t have kept a gal in kirs royaux, should it have been required to, so I did what everyone else did: I taught English to French people in firms all over town and interpreted for visiting delegations of administrators and business people of all stripes.

Interpreting was a baptism of fire and it sharpened my focus. It led to a lot of related translation work, as well as a lot of lovely long lunches.

Literary translators can despise the technical, commercial and legal stuff. I like it. I like having the illusion that I know about the “real world.” And it’s stood me in good stead, particularly with Paul Virilio, France’s great critic of the modern moment who talks a lot about technological innovations and their downsides. And, even more so, with Victor Hugo.

Yes, tell us about Victor Hugo.

Les Misérables has to be the major highlight of my translating career so far. Victor Hugo’s interest in the real world was encyclopedic. He was never content to mention a thing, whether it was man-made, like lace or jet beads or sewerage systems; or whether it was a natural phenomenon. He had to know how it was made or formed and explore all its features in minute detail.

That forensic interest of Hugo’s, combined with his social awareness and spiritual and emotional depth, make his great masterpiece as potent as ever. I loved translating it, but it took three years and was horribly intense. I couldn’t have done it without my very supportive husband and our energetic dog: she and I frolicked over hill and dale every day for hours. That gave me the stamina to keep going – and the love. Les Misérables is all about love… and what happens when it’s missing or corrupted.

Why translate The Greenland Breach?

This is an action-packed thriller. It’s as fast-paced and racy as a manga comic. That’s not a putdown. Besson has an unerringly dramatic sense of structure. He shifts the action constantly from one part of Greenland to another, and from Greenland to Paris and Paris to the ship in the Arctic Ocean and back to France – Le Havre, the Morvan, Normandy. It becomes symphonic, in a military kind of way, as Besson whips up the action and the various times of the action (Paris time, Nuuk time, etc.) into a series of crescendos on all fronts. It’s spellbinding, and exhilarating. But all that swirling movement and the “dirty deeds” that propel it have a point: they stamp this as melodrama. And the thing about melodrama, as G.K. Chesterton once said, is that it’s sensational: the audience’s reward is tears… or, in this case, floods of adrenalin. We are always in the action. That makes us a vital component of the plot.

Did you face any particular challenges translating The Greenland Breach?

The biggest challenge as far as terminology goes, for me, in a way, was the boat. One strand of the action takes place on a ship that has been exploring Greenland’s icecap. I was born and bred in Sydney, Australia, a uniquely beautiful city built around water. Boating’s very big. But I’m a landlubber, or maybe a fish. I like being in the water, not on it. I kept a long list by my keyboard of perfectly banal, but to me mysterious, words like “bulkhead,” “stem,” “forecastle”/ “fo’c’sle,” and even “starboard” and “portside” – always have to think twice before I remember which is which.

The first “adult” book I ever read as a child was a novel by Hammond Innes, set on a ship. The sulfurous, claustrophobic, isolated world of that ship has stayed with me as a locus of foul play and dirty dealing. Besson’s ship is exactly that, and more. Death is always looming, from within and without.

****

A cli-fi spy novel by prizewinning novelist and former top-level French intelligence officer

The Greenland Breach by Bernard Besson is now available. This eco-thriller has environmental catastrophe, geopolitical fallout, freelance spies and Bond-like action. The Arctic ice caps are breaking up. Europe and the East Coast of the United States brace for a tidal wave. Meanwhile, former French intelligence officer John Spencer Larivière, his karate-trained, steamy Eurasian partner Victoire, and their bisexual computer-genius sidekick Luc pick up an ordinary freelance assignment that quickly leads them into the glacial silence of the great north, where a merciless war is being waged for control of discoveries that will change the future of humanity.  Bestselling author Jon Land calls it “a spectacular thriller.” Translated by award-winning Les Misérables translator Julie Rose.

 

Who Says You Can’t Judge a Book By Its Cover?

 by Rebecca Yount

As a child I had a love affair with book covers.

Wesley Dennis’s artwork that graced Marguerite Henry’s stories drew me in like a magnet attracts metal.

So, too, Arthur Rackham’s illustrated edition of Kenneth Grahame’s The Wind in the Willows.  It was Rackham’s cover that initially attracted me to the book that would become one of the most beloved of my childhood.

To this day, I cherish memories of the “olde fashioned” illustrations from my early edition of Mother Goose.  At times I merely flipped through the pages to revel in the pictures, rather than read the nonsensical verses.

And I surrendered to shameless vapors over Beatrix Potter’s charming illustrations for Peter Rabbit and her other tales.

My point is this: these evocative covers led me to read those books and their successors.  In short, a passion for the cover preceded my love for the story.

A cover can make or break a book.  If it fails to convey the essence of the story, the buyer will move on.  This is especially true for a first-time author: the only thing readers have to go on is your book’s cover.  Does it attract them?  Does it intrigue them?  Does it speak to them?  Does it compel them to flip through the pages, attempting to divine your book’s contents?

Ideally a cover should announce to the prospective reader, “This book is going to rock your world!”

I am a new author, having had my debut crime novel, A Death in C Minor, published as an e-book in the summer of 2012. The following November, my second book in the series, The Erlking, was also published as an e-book. I released the third title, The Ravenhoe Cauldron, on June 30th.

I have been fortunate to work with Sarah Cotur, who manages to divine my thoughts.  Being a graphic designer, Sarah is visual while I am verbal.  While I am garrulous, she is a woman of few words.  However, what Sarah does say matters.

Somehow she and I have managed to override our individual quirks while having fun along the way.

“Designing book covers, particularly electronic, is a relatively new design endeavor for me,” Sarah admits.

“As a designer,” she continues, “I have learned that asking the right questions and listening well is as important as the design skills themselves.  From our first conversation, Rebecca immediately had an idea about how she’d like to visually represent her novel.  I didn’t have to ask too many questions.

“However, it can be difficult to extract exactly the image a client (author) has envisioned….  Even if the design is completely wrong, [designer and author] will be literally ‘on the same page’ and can build upon feedback from that first draft.”

As Sarah infers, our initial effort was further complicated by the book being electronic, rather than hard copy.  Does an e-book cover really matter?  Is rain wet?

Whatever early differences Sarah and I may have had regarding concept, we both knew that both covers had to knock my books out of the park.

Our initial conversation about A Death in C Minor went something like this:

Me: “The story is about a mysterious man who is murdered with his own kitchen cleaver.”

Sarah:  “Hmm.”

Me:  “So could you work up a cover with a bloody cleaver —  perhaps having it chop through the head of a musical note, since the female protagonist is a concert pianist?”

Sarah: “I think you may need an illustrator.”

Me:  “But I want you.”

Sarah:  (Pause). “Okay, I’ll take a crack at it.  ‘Talk to you in a week.”

A week later Sarah e-mailed her draft cover: a bloody cleaver impaling the head of an equally bloody musical note.  She had created exactly what I had asked her to do.

And it was all wrong — which was entirely my fault.

So it was back to the drawing board.

Our second conversation:

Me: “Gee, Sarah, this cover is really gory!”

Sarah:  (Silence).

Me:  “Then again, it’s what I had asked for, isn’t it?”

Sarah:  “Perhaps some background would help.”

Me:  “How about a suggestion of the story’s English rural village in the background? And a reference to a musical score?”

Sarah e-mailed her concept of the background to me: a village in the moonlight with a ripped musical score slicing across the graphics.  It was pure genius!

And so A Death in C Minor is graced with a cover that has received effusive praise.  It evokes the story, reaching out to the reader and announcing, “If you enter this picture and walk with me down that moonlit village path, you’ll be in for the adventure of your life.”

Conceptualizing the covers for the next two titles was easier.  By that time Sarah and I were completely comfortable working together.  As a result, she created two more knock-out designs that have also attracted considerable praise.

So don’t ever delude yourself into thinking that e-book covers don’t matter.  A brilliant one can take the book to places you never imagined.

Is there a Pulitzer Prize for book covers?  A National Book Award cover prize?  Is there something akin to a book cover Academy Award?

If not, there ought to be.

 

Rebecca Yount’s Mick Chandra series, A Death in C Minor, The Erlking, and The Ravenhoe Cauldron are published in e-book format and are available from all major vendors. Her website is www.rebeccayount.com.


Rebecca Yount’s Mick Chandra series, A Death in C Minor, The Erlking,and The
Ravenhoe Cauldron
are published in e-book format and are available from all major vendors. Her website is www.rebeccayount.com.

Deepening the Mystery

by Paul Anthony Shortt, @PAShortt
by Paul Anthony Shortt, @PAShortt

While I’m not a mystery writer, I have enjoyed including mystery elements in Locked Within Silent Oath. Nathan Shepherd started off his journey investigating mysterious deaths and disappearances. His eidetic memory helps him piece together clues and figure out what his enemies are planning.

Many urban fantasy series include elements of detective fiction. It’s common for the protagonist to have a job, or some form of responsibility, that relates to crime investigation. For Nathan, what started out as a strange death led to the discovery of the supernatural world he was once a part of. One thing which I did, which is a little different to many urban fantasies, was use Nathan’s past-life memories to explore the setting and take that opportunity to make other characters draw him into this world, rather than push him away. It was the antagonists, Dorian and Morningway, who held the mystery, not the world itself.

In Silent Oath, this practice continues. The state of Nathan’s world is laid bare to the reader. He is working to create a new conclave that can protect New York from the Council of Chains. However, there is more mystery to be solved, with the arrival of Athamar, an enemy from Nathan’s previous incarnations, and Elena, the reincarnation of his lost lover. Until his memories fully return, can Nathan trust that these people are who he expects? What is it that drives Athamar to hunt Nathan across lifetimes? Why has it been so long since he and Elena were reborn? And why is it now, when Athamar also returns to bring chaos to the city, that Nathan and Elena have found each other at all?

When creating a series, mystery or not, every answer must lead to another question. This way, the reader is hooked and drawn into the characters’ turmoil. They share the protagonist’s need to find the truth, even when that truth may be difficult to accept.

An ideal mystery has multiple layers. There’s the surface mystery, determining what the villain is up to, why they’re pursuing this goal, and how they plan to achieve it. This is the mystery that is most often actively investigated, the course of events that snares the protagonist’s thoughts and drives them on.

Then there’s the personal mystery. Why does the protagonist have such feelings for another person? Why does the antagonist hate the hero so much? What could the hero have possibly done to turn another person so completely against them? This mystery may only be a mystery to the reader, but in Nathan’s case, because he has not yet remembered all of his past lives, the reader shares in each of his revelations and setbacks. Before this ordeal is over, Nathan will learn things that make him question everything he thought he knew.

***

A child at heart who turned to writing and roleplaying games when there simply weren’t enough action figures to play out the stories he wanted, Paul Anthony Shortt has been writing all his life. Growing up surrounded by music, film and theatre gave him a deep love of all forms of storytelling, each teaching him something new he could use. When not playing with the people in his head, he enjoys cooking and regular meet-ups with his gaming group.

 

Paul lives in Ireland with his wife Jen and their dogs, Pepper and Jasper. Their first child, Conor William Henry Shortt, was born on July 11th, 2011. He passed away three days later, but brought love and joy into their lives and those of their friends. The following year, Jen gave birth to twins, Amy and Erica, and is now expecting their fourth child.

Paul’s first novel, Locked Within, was released on November 6th, 2012, by WiDo Publishing. Silent Oath is the second book in this urban fantasy trilogy.

***

Hope has returned to New York City. Nathan Shepherd leads a small band of dedicated fighters against the Council of Chains and the city’s supernatural masters. But it’s not enough. Because from the shadows of Nathan’s former lives comes an old enemy, one who knows terrible secrets that Nathan has not yet remembered, secrets that could undo everything he has fought for.

Nathan’s only chance to uncover the memories of his previous existence, and to conquer these new forces of evil, lies in Elena DeSantis. A woman he has fought beside in past lifetimes. A woman he has loved.

Together, Nathan and Elena are the only future the city has.

 

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