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I haven’t run a post on negotiating your own contract for a while, and received a recent email from a writer looking for resources on the subject.

I did negotiate my first contract myself since I didn’t have representation at the time–and didn’t have enough time to really hunt when the publisher came calling.

I wouldn’t recommend doing it by yourself, but sometimes it’s just not an option—agents are hard to come by, and you can get an offer from (usually small-to-mid-sized) publishers before you’re able to land a literary agent.

There are posts, by agents, on negotiating your own contract: the “Agenting 101” series (look for it on the right hand side of the page. There are eleven references) on the Pub Rants blog by Kristen Nelson, a blog entry called “Ten Things to Know if You Go Commando” on agent Janet Reid’s blog, and a series called “Contracts 101” on the BookEnds Literary Agency blog:

http://tinyurl.com/2rneqq
http://tinyurl.com/yaebq3t
http://tinyurl.com/y882fn5

There’s a guest post by agent Holly Root with Waxman Literary Agency on negotiating contracts: http://tinyurl.com/ybedos7

A general post by an agent on negotiating your own contract.

Another site I found helpful showed a sample author contract, just to give you an idea what the document may look like: www.writecontent.com.

Stroppy Author blog ran posts covering each section of a contract. Just scroll down for all the posts.

Usually publishers will go off a basic template contract—what’s known in the industry as a “boilerplate.” Publishers will expect counteroffers (I countered on my contract), but likely won’t budge too much from the original offer.

If something in the contract seems a little off to you, though, the information on these different blogs can definitely help keep you from being taken advantage of.

Hope this information will help some folks out there. :) Google searches on this topic are sometimes hard to sort through.

I really never thought I’d be writing a post like this, but I have to admit that I really like the Kindle.

I was definitely not expecting to like it—for several reasons.

One is that I love being in places where there are books. I grew up surrounded by books in the public library and my house. There was always a book on the table and books making the bookcases groan.

Another reason is that I have enough screen time as it is. If I’ve had a busy writing week (or promo week, or both), then by the end of the day my head aches and my eyes hurt and I just can’t wait to get away from my laptop, the desktop, my smart phone, whatever.

So I wasn’t exactly expecting to be a fan of the Kindle when my husband bought one a few weeks ago.

But—it’s so sensible.

It takes up hardly any space. The screen isn’t backlit like a computer screen, so (as yet) I haven’t experienced any eyestrain. I can actually read the Kindle outdoors because there won’t be glare on the screen. It can hold all the books I want.

Unfortunately, I think we’ve reached the point where we can’t collect many more books. Books are even stacked on the floor in some rooms…and this is after culling our collection! No, if some come in, then some have to go out….

Unless you have a Kindle. Then you can have a huge library on a single device…and back it up to another.

Usually, if I go out of town, I have to make a big decision as to which books I’m going to bring with me. This involves skimming the first chapter of each book to see which ones I’m more likely to want to read.

If you have a Kindle, you can bring all the books with you.

I’m a clumsy person. Very. Yes, I’ve already dropped this brand-new device. While I wouldn’t recommend dropping the Kindle, it has survived its scary experience.

Do you like to write in the margins of your books? I’m a margin-writer and highlighter, myself. Yes, you can do it in the Kindle.

Like a book, you will still need a booklight if you read the Kindle in your bed in the middle of the night and don’t want to wake the person sleeping next to you. That’s because it’s not backlit. But that’s sort of comforting and almost book-like.

I really don’t have anything bad to say about it. I’m a fan.

I still go hang out where there are books. I go to the library once or twice a week. I’m frequently in the bookstores…and yes, I’m still buying paper books (after I give away several to make room for the new ones.)

But I think I’m seeing a glimpse of the future. It’s a little scary because it’s creating a lot of discord in the publishing industry…but I’m definitely a convert.

Have you got an eReader? Are you planning on buying one? How do you like yours?

If you think about it, every trait, even the good ones, can be taken too far or have a flipside to it.

What if our good traits start to work against us and create conflict for us or add tension to a situation?

I’m really Type A about some things. I have to be on time. It’s almost an obsession for me…and I’ll do just about anything to be on time.

That definitely has a bad side. If I get any hint that a situation will make me late…a traffic jam, a last-minute emergency that crops up…I’m stressed out. Stress isn’t good for me and isn’t good for people around me, either. :) I’m not nearly as fun to be around when I’m stressed out—and that’s a lousy way to start out a lunch date or a night at the movies, or a school event, or whatever I’m on my way to.

An organized person who plans their day may have low tolerance for a sudden change in plans.

Sometimes people who are too nice don’t have much of a backbone.

Someone can be industrious but could cross the line into being a workaholic.

Charismatic people can be egotistical.

Intelligent people sometimes need constant stimulation or else they get bored.

And on it goes. :) Have you thought of the flipside of your characters’ positive traits and how they might trip them up?

Hope you’ll all welcome fellow Midnight Ink author Julia Buckley to Mystery Writing is Murder today! Julia’s Madeline Mann, which Kirkus called “a bright debut” is now available on Kindle.

My writer’s group has gone through many incarnations and has been winnowed down to five dedicated, hard-working women. Once, more than a decade ago, it had more members who had varying levels of commitment to their writing. It was this group that did a reading of my first draft of Madeline Mann, which came out on Kindle a couple of weeks ago.

While the group discussed my book, a young woman pursed her lips over the names of Madeline’s brothers, Fritz and Gerhard. “Must they be so ETHNIC?” she asked, sounding almost disgusted.

This shocked me for a variety of reasons. First, because we live in a country that isn’t very old; therefore everyone, either immediately or distantly, is from somewhere else. Second, I felt the question revealed more about the woman posing it than it did about my characters, and what it revealed wasn’t flattering. Third, I thought that the German ethnicity of the Mann family, informed as it was by my own childhood with European parents, would be one of the things they liked best about the book.

Ethnicity, in fact, is simply one of many things that makes fiction either authentic or not so. Because I had a German mother and a Hungarian father, I felt that I could create a fun and authentic picture of what Madeline’s German-American family would be like. Had I chosen to write a character who was French, or Mexican, or Russian, I could certainly have tried to make her life authentic by researching and talking to people who came from those particular cultures, but I wouldn’t be able to write with the same authority that my own background gave me.

I’m not sure what would make a reader shy away from “ethnic” fiction, and in fact Madeline’s German family is really mostly similar to the stereotypical American family. What seemed to offend the reader the most, then, were the characters’ names. She seemed to think they were somehow an exaggeration because they were so different from names she was used to.

One of the joys of fiction, to me, is that we can enter worlds where things are different and names are different and behaviors are different–and then we learn things from all of those differences. Gerhard and Fritz were names I heard on a daily basis, because not only did my mother have family members with very German names, but she had many German-American friends whose children had names just like these.

Ironically, my parents married in the late 1950s and their cultural world suggested that the best way to raise “American” children was to speak only English in the house. Since neither of my parents could claim English as a native tongue, they felt obliged to make us feel comfortable in our environment. They spoke only English at home, and they gave us distinctly non-European names: William, Christopher, Claudia, Linda, Julia. This, despite the fact that my mother’s friends and relatives had beautiful German names like Loli and Lizabeth and Nanne and MariTereze, and her brothers had the lovely names of Ferdi and Hermann-Josef.

In Madeline Mann, I was able to pay tribute to my mother’s German ethnicity while writing a very American murder mystery.

A day or two after the book appeared on Kindle, I got an e-mail from my uncle, Hermann-Josef (nicknamed Ebbo) in Germany. I have not seen Ebbo in person since I was one week old; he came to America to be with my mother during her final pregnancy, and he was there when I was born. He held me in his lap and they took photos to commemorate the occasion, but that is the only physical bond between us.

In his older years, though, Onkel Ebbo has discovered e-mail and the Internet, and his world will never be the same. He sends me e-mails all the time, either in German (which I can only partly translate) or in an English that he has translated online, and which is ultimately garbled. But the gist of his e-mail was “Congratulations on your book! I love the German names Fritz and Gerhard!”

And that was a wonderful antidote to my earlier experience, in which my wonderful German-American brothers were viewed with such disdain.

When Robert Fate was kind enough to read my book and blurb it, the brothers were what he loved best: He wrote “I love Buckley’s flawless style; her small town American settings are perfect, and her characters are so real it wouldn’t surprise me to discover one of the brothers rummaging in my refrigerator.”

Vindication! And a reminder that ethnicity is as integral to a story as is plot or setting.

Julia Buckley, the proud daughter of a German mother and a Hungarian father, lives in the Chicago area. Her first mystery, THE DARK BACKWARD, was published in 2006. Visit her website at juliabuckley.com or her blog, Mysterious Musings. She also posts at Inkspot and Poe’s Deadly Daughters.

Buckley is a member of Sisters in Crime, MWA and RWA. She recently earned her Master of Arts in Literature, and is at work on a young adult suspense novel and on a new mystery series. Kirkus Reviews called Madeline Mann “a bright debut,” and The Library Journal called Buckley “a writer to watch.”

Here are writing links that I’ve posted to Twitter for the past week.

If you’re looking for a particular topic, just plug in your keyword into the search box at the top left-hand corner of the blog (on the black header right above my blog name…next to the Blogger symbol…the small search window is next to the magnifying glass) and the roundup with your subject will come up. To narrow your search down on the page, do a CTRL+F, type your subject, and hit enter.

Be sure to come by tomorrow when Julia Buckley will be guest posting on “Ethnicity in Writing.”

Best articles this week for writers (11-12 edition): http://dld.bz/6s6Q @4kidlit

Writing Killer Content in 140 Characters or Less: http://dld.bz/6maN

A useful foreshadowing device for crime fiction writers: http://dld.bz/6s57 @mkinberg

On Submission Etiquette and Offers: http://dld.bz/6mau

Smart Querying for Unagented Writers: http://dld.bz/6mah @Georgia_McBride

How to write a review: http://dld.bz/6kZN

Taking our readers into account as we write: http://dld.bz/6qU4

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Myst. Lov. Kitchen: Going Bananas! http://bit.ly/9iFDL0 @CleoCoyle

Ten of the best zoos in literature: http://dld.bz/6fKB

When—and How—to Compress URLs: http://dld.bz/6fK8

The Unauthorized Biographer’s Challenge (Daily Beast): http://dld.bz/6fKs

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No More Drinking the Publishing Cool-Aid: http://dld.bz/6mcF @KristenLambTX

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Tips on writing great novel hooks from Writer’s Digest: http://dld.bz/5PQV

When is close TOO close? http://dld.bz/5PSS @bluemaven

Excuse Editor Troubleshooting Guide for Successful Writing: http://dld.bz/5PRN

Myst. Lov. Kitchen: You CAN Beet Chocolate Cake (just don’t underestimate Flour Power!) http://bit.ly/bp0GrP @CleoCoyle

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The Small Press Book Contract, Pt 2: http://dld.bz/5PNj

Dealing With the Self-Doubt Monster: http://dld.bz/5PMT @jodyhedlund

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Three Lessons from Nano: http://dld.bz/5PKz

Five Writing Tips From Reading J.K. Rowling’s “Harry Potter”: http://dld.bz/5MJR

“Niceness” only goes so far in the publishing industry: http://dld.bz/5MHW

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Myst. Lov. Kitchen: Sweeeeeeeet Potatoes http://bit.ly/9yiFK5 @CleoCoyle

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Writers, it’s not about the toys: http://dld.bz/5ME3

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20 Essential Works of Noir Fiction: http://dld.bz/5PYU @janetrudolph

7 things your characters do too much of: http://dld.bz/5MBP

Before you write: http://dld.bz/5PPQ @elspethwrites

Creative blocks and how to overcome them: http://dld.bz/5MBA

Now You Have No Excuse Not to Write: http://dld.bz/5MB5

To Prologue or not to prologue: http://dld.bz/5MBq

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An agent on publishing contracts: http://dld.bz/5A3T

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Social networking should work for you: http://dld.bz/5A3p

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The curse of being a writer: http://dld.bz/5A35

Myst. Lov. Kitchen: Sunday Chicken–on Wednesday http://bit.ly/9wxUOX @CleoCoyle

Berlinica is Born: How a German Journalist Became a US Publisher: http://dld.bz/5A3d

Resources for writers–an exhaustive list: http://dld.bz/5A2D

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Lit agents in and around Ireland: http://dld.bz/569m

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Lighting our scenes–keeping it real: http://dld.bz/564N @authorterryo

Pacing, dialogue, and research: http://dld.bz/54WE

The writer’s comment filtration system: http://bit.ly/a0Bpju @EverettMaroon

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Authors weigh in on what makes a good blog tour: http://dld.bz/56xN @spunkonastick

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Magic Systems as Characters: http://dld.bz/5xeG

Useful websites for writers: http://dld.bz/5xeh

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Best Tweets for Writers (week ending 11/5/10): http://dld.bz/5xbq

Writing time jumps: http://dld.bz/5xbn

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Nathan Bransford’s Decision, Self-Published Kindle books, and You: http://dld.bz/5wZ5

Are you dating your fiction? http://dld.bz/5wZt

Myst. Lov. Kitchen: Pecan Lace Sandwich Cookies with Orange Buttercream http://bit.ly/caofQg @CleoCoyle

Myst. Lov. Kitchen: Welcome, Kate Carlisle! http://bit.ly/cc8GTy @CleoCoyle

ElizabethSCraig is having another busy weekend–please check back Monday morning for more writing tweets. Happy weekend!

Myst. Lov. Kitchen: Pomegranate Goodness! http://bit.ly/aT4nGg @CleoCoyle

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Writing With a Daily Word Goal: http://dld.bz/4Hdv

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Writing with heart: http://dld.bz/4HeJ

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Writing humor: http://dld.bz/4HcK

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The action/adventure genre: http://dld.bz/4HcD

A caveat about starting your book with action: http://dld.bz/4TRb @authorterryo

Facebook Blocking Friend Requests: http://dld.bz/4Hcp

Myst. Lov. Kitchen: Avery’s Easy Cheddar Soup http://bit.ly/93DwJf @CleoCoyle

The wrong end of the telescope: http://dld.bz/4HaY

Online Tools for NaNoWriMo: http://dld.bz/4Ewe

The Pitch and Why We Should Care: http://dld.bz/4Ev3