The Sparkle in Our Writing

Interno--Baccio Maria Bacci--1888-1974I have a neighbor who is interested in my writing and frequently asks me questions about it. She’s from South America and expresses herself in refreshing ways sometimes.

One day this week she called me on the phone around lunch to ask me something about our girls’ drama class. “Elizabeth,” she said, “I’m sorry to have to call you! Did you have the inspirations and I am interrupting them?”

Sadly, no. I was actually writing when she called, but I was definitely not having the inspirations. Being on a schedule, though, means writing every day—and not just when I’m inspired. The story comes out just as easily, even when the muse is silent. But the words don’t sparkle as much.

I’ve gotten over the lack of sparkle in the uninspired days because I know I can add the sparkle later, in revisions.

The sparkle to me in a book is the feeling I get when reading it that the author was enthusiastic. And, maybe, that the characters themselves are enthusiastic and vibrant as they face whatever challenge they’re up against.

Sometimes it’s hard to put my finger on exactly what makes for sparkle. But this is what I’ve been able to find that helps:

Strong verbs—Usually they show instead of tell. And sometimes if you look for ‘to be’ verbs like is, was, been, you can find passive construction that could be written stronger.

Vivid imagery— adjectives that go the extra mile (using all the senses.) Words that add texture.

Clever metaphors and similes. Just a dash. Too many and I tend to see the puppet’s strings.

Precise nouns—Try not to overuse pronouns. And name things—”the diner” is Bo’s Diner. “The chair” could be a rocking chair, an armchair, or a recliner.

Varied sentence structure—Something a little different than a subject-verb start. And both short and long sentences.

Characters that are animated instead of stagnant. And that can be both literally animated—they’re in motion—or that their speech is lively.

What do you do to bring the sparkle back to your writing?

Panels

stadium seatsPanels are usually pretty easy, even for those of us who aren’t crazy about public speaking. Usually you’re seated (and frequently behind a table.) You’ll need to remember to bring a book and a plate stand to put the book on (or else prop the book up with a couple of other books.) Bring water, just in case they don’t provide it…my mouth gets dry when I’m nervous.

I’m an early bird anyway, but I always try to arrive at a panel especially early. That way I’ve got a chance to put my promo things out on the special table they’ve usually got out, find out how the venue is handling book sales (is there a volunteer from Friends of the Library helping? Is there a bookstore that has a table and is selling them? Am I responsible for selling my own books?) I always bring lots of ones and fives in case I need to make change…just in case.

Arriving early also means that I have a chance to get acquainted with the audio equipment, find out where I’ll be sitting, and greet and speak to attendees as they come in (which, although I’m introverted, makes me less nervous about speaking to a roomful of people.)

Occasionally, I’ve had to apologize and ask the panel moderator to repeat a question. Either I won’t hear the question or the author who answered it before me got off track and rambled and I forgot the question. It’s better than making up my own question to answer and not having it be germane.

If you’re stumped by the question or need an extra minute to consider your answer, then you can always ask the question to be repeated to give yourself extra time.

There are a couple of things that I’ve noticed are considered bad etiquette on panels. If you’ve written seven or eight books? That’s terrific, but don’t put them all on display in front of you. Other authors get irked. Usually the venue has a table along the conference room wall where you can display books, bookmarks, etc. Pick your last couple of releases.

Also, watch your time when you’re speaking. Sometimes authors get overly-enthusiastic and the audience warms to them and they tend to get verbose. This cuts into everyone’s time and makes the other authors think unkind thoughts. This can be dangerous when the other authors write murder mysteries. :)

Sometimes panelists look like they’re zoning, I’ve noticed. I think it’s a good idea to at least look like you’re attentive when another panelist is talking, even if you’re planning what you’re going to say.

Consider limiting the number of times you give the name of your book during the panel. Some folks tend to get a little carried away.

Depending on the panel, you might want to contact the panel moderator and offer to send him or her a bio, and even a copy of your book ahead of time.

Practice summing up your book in a few, interesting but pithy sentences. Prepare for common questions like “are you anything like your protagonist?” “What’s your writing process like?” and “What are you working on now?”

It’s nice to write a note to the moderator or the event organizer to thank them for the appearance.

Although I’m not someone who enjoys in-person appearances, panels are my favorite public speaking venue.

I know I’ve got some panelists out there…and moderators, too! Any additional tips?

Interviews

Micro_hI’ve had two interviews in the space of a week, and I’m headed to a conference next month to speak on a panel—so I thought that a post on interviews might be timely. :)

Radio—I’ve done a couple of radio interviews. I had a great interview with Sheila Redling from WKEE yesterday…and she’s a writer, herself, so all the better!

For some reason, I seem only to be able to do radio interviews when the children are home. :) Yesterday was a snow day because of icy conditions. Here’s a tip for parents who do interviews while the kids are home: explain everything. Explain that a radio interview means that the phone will ring and they don’t need to get it, that they only need to interrupt you if it’s a true emergency (and clarify what a true emergency is), and explain that if the dog starts unexpectedly barking, to put her outside in the back yard. Trust me. It’s better to be over-prepared. Put a sticky note on your closed door to remind them you’re on the radio/on the phone…they’ll forget. They were very good yesterday. I’ve had problems in the past, though. :)

Other tips for radio:

  • Use your land line and don’t use your speaker phone or a headset.

  • Turn call-waiting off

  • Know the station’s call letters and use them in the interview.

  • Make sure you know the demographic for the station.

  • Have water nearby.

  • Jot down your interviewer’s name and use it. Silence your cell phone.

  • Make notes for yourself—even with your website info in case you suddenly draw a complete blank under pressure.

  • Be prepared to sum up your book in a couple of sentences.

  • Know how long the interview will last so your answers won’t be too long or too short.
  • Emailed Interviews

    Most of the interviews that I do are emailed interviews…which, of course, I love. Easy peasy for writers to do email interviews. And they turn out so well!

    Telephone Interviews with Newspapers

    I’ve done a couple of phone interviews for the newspaper and those make me a little anxious because they usually don’t submit the questions in advance…and because I don’t like being on the phone. And because sometimes news people (not all news people…maybe just the reporters that I happen to have dealt with) are a little more challenging to talk to. I’ve found, though, that you can be really thoughtful :) and, when you get the interview request from a newspaper, you can offer to provide them with questions or with ideas for questions. You’re only thinking of them, naturally. The reporters are frequently short on time and are grateful for the help…and I’m grateful to prepare in advance.

    My radio interview is going to be playing Friday on WKEE 100.5 at 8:35 and 8:50 EST and as soon as it uploads on their website as a podcast, I’ll link to it. :)

    My Skype interview for Joanna Penn’s new Mystery TV show is here and I talk about writing mysteries (and you can see a summary of the interview below the video player.) As a note to women writers out there—y’all, I wore a ton of makeup (enough for my husband to blink at me when he came in from work and wonder who the heck I was), but you can’t even tell. So definitely make up more.

    I’ll add the proviso that it’s difficult for me to see and hear myself on video and audio, but I take comfort in the fact that so many of you said that you didn’t like to see or hear yourselves, either! There’s room for improvement for me, but thank goodness for video and audio editing.

    Tomorrow I’ll post a little on panels and preparing for those. I lumped everything together in this one post and it was too long, so I’ll tackle that topic tomorrow. :)

    Anyone with any additional tips for interviews? Which type of format do you like best?

    On Starting Out Your Writing Blog

    computerI’ve recently gotten a couple of emails from writers asking for tips on starting out with blogging, and gaining blog followers.

    I’m definitely not an expert, but I’ll share what I do know and offer some tips that might help with starting out.

    There are definitely some elements that you’ll want on your blog. The design of the blog doesn’t matter very much (except that some of us have trouble reading white words on black backgrounds). But there are some widgets and elements you might want to think about including in your sidebar.

    Blog roll: Not only is this a great way to direct traffic to your blogging friends’ sites, but it’s also helpful to writers who are looking for other writing blogs to follow.

    RSS feed button: RSS is basically just an easy way for someone to add you to their blog reader by just a couple of clicks. If you put it near the top of your sidebar, it will help encourage folks to follow you.

    A follower widget. This could be Networked Blogs (a 3rd party application of Facebook) or the Google follower widget. People like to feel like they belong…I know I look for a follower widget as soon as I visit a new blog.

    Are you on Twitter or Facebook? You don’t have to be, but if you are, then add a button to your sidebar to increase interaction with your readers.

    Besides blog widgets and buttons, there’s another important area to consider—readers. Be sure to visit others’ blogs and comment. Many will return the favor with a visit to your blog.

    I know that folks who participate in blogfests and blog carnivals also find new readers. It’s boggling my mind right now, but I looked for an online dictionary definition of blogfest to link to…and I can’t find one. Bizarre! I’ll give it a go myself, then—a blogfest is a group of blogs who post on a particular topic (usually on one particular day, unless specified for longer) and link to each others’ blogs.

    A quick tip—don’t bite off more than you can chew. If you won’t be able to post every day, then don’t. Better to post once a week on a particular day (that you note in your sidebar) or three times a week and be able to keep up with the pace.

    I’d also recommend having a good number of blog posts in draft form that you can pull from if you need to. It would be fantastic if you could have an emergency supply of posts before you start your blog, but it’s easy to do a marathon blog-writing session and build up a backlog of them at any time.

    I learned a lot from the Blog Book Tour class that Dani offers…and she’s just about to start another one in February, I see. Here’s the info on the class (I got a ton out of it when I took it in 2009): http://blogbooktours.blogspot.com/2011/01/in-with-new-class.html .

    Most of y’all who comment here have been long-time bloggers yourselves. Got tips? Please share!

    More Thoughts on Using Lists to Write

    Interno-- Gigi Chessa -1895-1935I love making lists. I make lists of things to do, things to get at the store, and things I want to accomplish for the year.

    And, as I mentioned in this post in September, I frequently use lists while writing, too. To recap that post, I’ve found that making lists can help me advance my plot when I don’t have much time (I can list all the ways I can think of…from zany to useful…to approach the next scene), or to make my setting come alive (a list of one particular setting, using each of the five senses to describe it), or to develop my character or my understanding of a character (top 5 things my character cares about, top 5 things that keeps my protagonist up at night.)

    My writing friend Jemi Fraser of the Just Jemi blog posted recently on her frustration with her lack of writing time lately. She’s frequently getting only twenty minutes a day or fewer to work on her book.

    The nice thing about lists is that you can keep a small notebook with you and even if you only have 5 minutes to write, you can make some short lists of things like your character’s traits, ways the character can grow during the course of the book, possible subplots, etc.

    I’ve also found that making lists has made me a less-tentative writer. I used to obsess a little over my book’s beginning and ending. I would write several different options for the first chapter and the closing chapter of the book, then choose which I liked best.

    When you make lists of your possibilities instead, I’ve found that somehow it puts my anxiety to rest—and I can more quickly explore the different options and see which is better.

    You can also curb your desire to stop writing and research part of your book by listing the different things you need to look up. Not happy with a character name or the name of your fictitious town? You don’t have to fix it right then…just start a list called “names” and add to it when you come across them. You can always call a character A or B and fill the names in later.

    Making lists also comes in handy when you have plot holes. My editor emailed me last week and pointed out a problem area with the third Memphis Barbeque book. Somehow I hadn’t noticed it during my revisions, but it was definitely something that needed to be fixed.

    I made a list of all the different ways I could think of to work my way out of the mess. When I thought I’d come up with all of them, I kept on going and found some additional solutions. It was easy to come up with the strongest solution when I saw the possibilities together.

    Are you a list-maker, too? Have you tried using lists to help write your story?

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