Category: Uncategorized

Below are the writing-related links I tweeted last week.

The Writer’s Knowledge Base search engine, designed by software engineer and writer Mike Fleming, makes all these links searchable. Sign up for the free monthly WKB newsletter for the web’s best links and interviews: http://bit.ly/gx7hg1 .

Recent news: Progressive Dinner Deadly is a Myrtle Clover mystery, available for $2.99 on Kindle and Nook. The 3rd book in the Memphis Barbeque series will release November 1—Hickory Smoked Barbeque (available now for preorder).

The Wrong & Right Ways to Solicit Book Reviews: http://bit.ly/qq2eIP @JodyHedlund

6 Fear-Busting Writer Tips: http://bit.ly/mSzWka @TiceWrites

Time management for time-strapped writers: http://bit.ly/pIUglg @gretchenroberts @hopeclark

An Agent’s Advice for Character Creation and Plotting – Keep It Real: http://bit.ly/qK7nzi @greyhausagency

Pulling yourself out of a funk so you can write: http://bit.ly/r8HuyW @fearofwriting

The Non-Fictional Sense of Wonder (by Sandra Tayler): http://bit.ly/qtaGX4

How to get your book noticed by librarians–or not: http://bit.ly/q2ZFxS @BryanThomasS

When your day disappears–thoughts on reclaiming it: http://bit.ly/oZQVvL @jillkemerer

8 Ways To Be (Artistically) Out Of Step With The Times: http://bit.ly/pgarIY by Brian Hodge

Nail Your NaNoWriMo: How to Plan Your Story: http://bit.ly/pA6t0a @storyfix

Dueling Agent Advice on Writing Blogs: http://bit.ly/oxWeG6 @AnneRAllen

The 80/20 equation for your writing time: http://bit.ly/p57Yn1 @Margo_L_Dill

2 misconceptions of new writers: http://bit.ly/nT9goE @dirtywhitecandy

Amazon’s Kindle Fire Will Never Kill the iPad: http://bit.ly/nX3xHA @PassiveVoiceBlg

Enterprise Authors: Rethinking the E-Book Revolution: http://bit.ly/qGwLQJ @selfpubreview

Why and How Your First 12 to 15 Scenes are Different: http://bit.ly/rb4mhu @storyfix

Rethinking Motivation for Character Arc: http://bit.ly/qQha79 @VictoriaMixon

Using Feedback to Better Your Work: http://bit.ly/qJ1UYD @FantasyFaction

4 fears writers face and tips for conquering them: http://bit.ly/p0vrEC @kalayna

The Middle Grade Voice: http://bit.ly/qNJcn5 @KristinHalbrook

Advice on writing poetry: http://bit.ly/obpVAk @write_practice

A Guide to Alienating Editors: http://bit.ly/oSzfZe by Rebecca Coleman

Why You Need to Write Every Day: http://bit.ly/mPUMwv @JeffGoins

Nail Your NaNoWriMo: Take a Hike: http://bit.ly/qzytUE @storyfix

Creativity is connecting things: http://bit.ly/rnT13Q @sierragodfrey

How to Grow Your Twitter Followers: http://bit.ly/nBVvkK @BubbleCow

Learning to Write: The Limitations of Books About Writing: http://bit.ly/oLLkDK by David Coe

The 4-Hour Novel: How to Balance Work, Life, Blogging and Your Passion: http://bit.ly/nC4CXE @OllinMorales

How to Get Started Mind Mapping Your Book (and everything else): http://bit.ly/ogruJM @JFBookman

Tips for writing fight scenes: http://bit.ly/qiVbbQ @FantasyFaction

Journey of a Debut Author: http://bit.ly/oO4WH4 @JoanSwan

Enjoying my interview w/@VictoriaMixon, which runs in 2 weeks.Victoria’s latest interview, with @TheCreativePenn: http://tinyurl.com/3vd82n7

A warning to writers about pursuing newer publishers: http://bit.ly/oeNG5c @behlerpublish

Reasons Your Characters Might Not Use Secret Identities: http://bit.ly/o56GIk by B. McKenzie

A rating system for books? http://bit.ly/qSn79E @WriteAngleBlog

Rewriting Part 1: Dealing with Plot: http://bit.ly/rnWy9a @AmySueNathan

Why 1 agent goes to writing conferences: http://bit.ly/mXFP6f @RachelleGardner #pubtip

7 Types of Creative Block (and What to Do About Them): http://bit.ly/qifH5U @the99percent

Psychology Of Writing: 5 States Of Success: http://bit.ly/n4gthW @thecreativepenn

The Changing Face of Book Rights: http://bit.ly/qHyzrQ @pubperspectives

Book Review Blogs with Massive Followers: http://bit.ly/rcygo8 @veiledvirtues

The power of opposites in our story: http://bit.ly/p3aWAM

Everything affects characterization: bit.ly/q5tDPx @p2p_editor

Amazon Launches Sci-Fi & Horror Imprint: http://bit.ly/r4fOSL @GalleyCat

Writers Against Plagiarism: A Call to Action: http://bit.ly/oHVLAn @VictoriaStrauss

When to use quotation marks: http://bit.ly/nsEyFa @write_practice

An analysis of how e-publishing will affect traditional : http://oreil.ly/qurhp6 @JennWebb

If the query isn’t working, maybe it’s the book: http://bit.ly/ni7Up7 @BookEndsJessica

The Psychology of Attraction: Uncertainty: http://bit.ly/oVBZLw @lkblackburne

10 Ways to Irritate an Editor: http://bit.ly/qi2Byf @CherylRWrites

What the eBook Revolution Means and How Copywriters Can Prosper From It: http://bit.ly/mUi1Yv @SeanPlatt

4 Essential Elements to Writing a Great Blog Post: http://bit.ly/pBbBkC @JeffGoins

Are Writers without Business Sense Doomed? http://bit.ly/oqao9B @JamiGold

Character or Plot or Setting? Building Your Story’s Universe: http://bit.ly/nbPb3q @4kidlit

10 Ways to Launch Strong Scenes: http://bit.ly/qFm1oF @WritersDigest

How 1 Writer Uses her MFA To Cultivate Creativity: http://bit.ly/oSwNJr @deborahconnolly

5 Great Bits of Wisdom from a New York Times Bestseller: http://bit.ly/pFmNSZ @susanmallery @jhansenwrites

A screenwriter & director provides insight on becoming a novelist: http://bit.ly/qkFcSE @novelrocket

Book Proposals in the Digital Age: http://bit.ly/q9aOkj @JaneFriedman

Characters that become real: http://bit.ly/p9WzMn

Urban Fantasy versus Paranormal Romance: http://bit.ly/ow3hSm @FantasyFaction

A writer’s rant on blogging, platforms, & the pressure on writers: http://bit.ly/pWVb63 @RoniLoren

5 reasons blogging works for writers: http://bit.ly/oLFCj9 @SierraGodfrey

Don’t send your book to an agent before it’s finished: http://bit.ly/pcA9bz @BubbleCow #pubtip

Make your setting a character: http://bit.ly/pGFKw6 @SusanMeissner

Plurals of proper names: http://bit.ly/nyxmQ3 by Mark Nichol

5 elements that make a story strong: http://bit.ly/ph4dMq @storyfix

Books about self-publishing should have gone through a book designer: http://bit.ly/qeSiQa @JFBookman

Theatrical roots & keeping our readers entertained: http://bit.ly/pJXCiQ @GeneLempp

The Evolving Model of the Entrepreneurial Novelist: http://bit.ly/nNanqx @SeanPlatt for @JaneFriedman

1 author’s writing process: http://bit.ly/qy2c1W @MsAnnAguirre

Opposites in crime fiction and how they add to a mystery: http://bit.ly/qwJWST @mkinberg

Ramping up the Tension in our Fiction: http://bit.ly/opIEHx @keligwyn

eBook Library Check Out Up 200%: http://bit.ly/qG3DFA @ebooknewser

A Writer’s Guide To A Healthy and Happy Marriage: http://bit.ly/pTVdec @OllinMorales

Tips on Marketing Your Novel: http://bit.ly/nm35cJ @Natalie_Lakosil

Writers who refuse to be taught: http://bit.ly/neCKwE @pegeditors

10 tips for writers: http://bit.ly/omy5SX @LynnetteLabelle

Surviving the Slushpile …as a dyslexic: http://bit.ly/qjYqh2

How to read a book contract–litigation: http://bit.ly/mVog33 @PassiveVoiceBlg

10 writing lessons from Annie Proulx: http://bit.ly/pa8gZX @michellerafter

3 reasons to pull the plug on your novel: http://bit.ly/onsXve Marcus Brotherton for @RachelleGardner

On backlists, the future of footnotes, & ebook errors: http://bit.ly/oGl0Eo @Porter_Anderson for @JaneFriedman

20 More Smothered Verbs Set Free: http://bit.ly/nUWViJ by Mark Nichol

Beat sheets for your NaNoWriMo novel: http://bit.ly/nh6xMC @storyfix

9 tools for character development: http://bit.ly/pPoErm @BryanThomasS

The new world of publishing–cash flow: http://bit.ly/pJFGze @DeanWesleySmith

The power of commenting: http://bit.ly/nDeBdv @Blogussion

How to survey your readers: http://bit.ly/qSEeer @Rule17

3 tips for a good relationship with your editor: http://bit.ly/qnHQsl

Recycle your blog: http://bit.ly/o8B1We @chrisbrogan

On 1st and 2nd drafts: http://bit.ly/mY65uE @VictoriaMixon

Write your characters larger than life & they’ll seem just right on the page: http://bit.ly/n3Qqiv @SarahAHoyt

What It Takes to Pull Off a Great Launch: http://bit.ly/ou5P7b @alexisgrant

Channeling your inner Word Wizard: http://bit.ly/nPuOjq @behlerpublish

Using symbolism in our writing (with Harry Potter used as an example): http://bit.ly/r8MEvA @HP4Writers

Alerts: Lobster Press and Dailey Swan Publishing: http://bit.ly/oNEVl8 @VictoriaStrauss

NaNoWriMo: The Right Rite of Passage for Writers: http://bit.ly/r9Jb4o @GeorgeAngus

How to Write Like a Professional: http://bit.ly/nK0uAJ @aliventures

Building Your Web Presence for Authors: Creating Effective Landing Pages: http://bit.ly/o7jDjy @LizzyFord2010

An agent urges writers to show confidence during the query process: http://bit.ly/mR8pmZ @BookEndsJessica

Is Amazon the Sauron of Publishing? http://bit.ly/r0gwKU by Michael A. Stackpole via @PassiveVoiceBlg

Why journalists should avoid analyzing word clouds: http://bit.ly/q9WVpo @harrisj

Making Sense of Digital Books for Kids: http://bit.ly/oFVh2E @ddonahoo

Alternatives for Getting Your Screenwriting Projects Off the Ground: http://bit.ly/rjxBIC @scriptmag

Lessons from the car dealership: http://bit.ly/qaVuJh

Tell, don’t show! http://bit.ly/q14Ytg @bbeaulieu

On paid book blog tours: http://bit.ly/rpIjFh @BlurbIsAVerb

NaNoWriMo tip–surrender to the process: http://bit.ly/n6A6qU @Storyfix

Trying to Promote Your Work? Maybe It’s Time To Go Back To School: http://bit.ly/pQku1S @darrenpillsbury

3 Questions Every Creative Person Must Ask: http://bit.ly/qKwZId @JaneFriedman

Yes, writers can crush it on Kindle this Christmas: http://bit.ly/oFnECH @SeanPlatt for @thecreativepenn

A critiqued synopsis: http://bit.ly/oPZ38m @nicolamorgan #pubtip

Why sweet romances aren’t boring: http://bit.ly/pq6LED @JodyHedlund for @RoniLoren

Starting A New Book: Why Some Things We Never Learn: http://bit.ly/pzdIss @BTMargins

Keeping too much realism out of crime fiction: http://bit.ly/q37SYa @mkinberg

Best Articles This Week for Writers 10/14/11: http://bit.ly/nPwwSi @4kidlit

10 Ways Your Friends Can Help You Sell More Books: http://bit.ly/opEUTe @bdunc1

After 5 books, 1 author still questions calling himself a writer: http://bit.ly/nnBAmW by Rick Gekoski

Wake up early to write: http://bit.ly/pclZ9p @SimonCLarter

A life in : Terry Pratchett: http://bit.ly/qUT2ef @alisonflood

Screenwriting–write it funny or they’ll cut it: http://bit.ly/qw6DLO @scriptmag #screenwriting

Putting the A in YA: http://bit.ly/pbfmQx @sarahlapolla

Why “branding” won’t save the creative class: http://bit.ly/niA1BD @salon

How to write fiction: Geoff Dyer on freedom: http://bit.ly/ptv3zm

Three Parts to Every Story: Endings: http://bit.ly/ojcFXr @fuelyourwriting

Writing through doubt: http://bit.ly/phNPl7 @carleenbrice

Writing Rules vs. Rules of Thumb: http://bit.ly/nHKUax @thomasroche

Perfecting your YA voice: http://bit.ly/pjnqMC @ingridsundberg

Secrets in Your Story and Why You Should Keep Them Until The Very End: http://bit.ly/oQc2CR @OllinMorales

Should writers learn fiction writing techniques or dive into writing? http://bit.ly/oKDkmk @JodyHedlund

The rewards of journaling our lives: http://bit.ly/pusUdG @literarymama

“Something a composer ‘says’ in music can help me ‘hear’ what I need for a chapter.”@Porter_Anderson http://bit.ly/qLaSlS via @VictoriaMixon

Why 1 writer is happy with her small press publishers: http://bit.ly/pCSwWy @MarilynMeredith

Tool time: Using Dropbox to back up your work: http://bit.ly/qV9lUl @caxdj

An agent states that voice *can* change (especially when needed, to suit publisher needs): http://bit.ly/qqjSyy @greyhausagency

How to speak publisher – C is for Copy editor: http://bit.ly/nkFgvQ @annerooney

On National Novel Writing Month: http://bit.ly/qfu2ix by Mark Nichol

Is Your Book a Hobby or a Business? Thinking like an entrepreneur: http://bit.ly/nUbgyT @BookMarketer

Should You Write When You’re Tired? http://bit.ly/oKutef @boonieschick

The political possibilities of SF: http://bit.ly/p3h36q by Damien Walter

How the National Book Awards made themselves irrelevant: http://bit.ly/ncVBv5 @magiciansbook

8 Expert Tips for Building Effective Email Lists: http://bit.ly/pKB5kn

Why teens should read adult fiction: http://bit.ly/nNkiJq by Brian McGreevy @Salon

Writing, Editing and The Cliffs of Despair: http://bit.ly/rbi8d5 @msforster

7 things 1 writer has learned so far: http://bit.ly/o3ak25 @samrvamos

Making Your “Sing” Like the Beatles: http://bit.ly/nJNd0z @JeffGoins

Addiction in Historical Romance: http://bit.ly/nIVEhf @unzadi

Is the Booker Prize really being dumbed down? http://tgr.ph/n9pcU2 @alainmas

6 ways for our blog to work for us behind the scenes: http://bit.ly/qwt9VD @KarenGowen

Barnes & Noble Assumes Control of Borders’ Web Presence: http://bit.ly/pR3BoZ @galleycat

Adult Hardcover Sales Rose 33% in July, But That Didn’t Help the Year Much: http://bit.ly/oQMut2 @PassiveVoiceBlg

by Elizabeth S. Craig @elizabethscraig

I was reading a great psychological thriller on Thursday afternoon. It was broad daylight, 1:30 p.m., the cats were snoozing in a sunbeam, the dog was snoring, and I was convinced that there was an intruder upstairs.

Yes, it was Before I Go to Sleep by S.J. Watson and it scared me silly. But it wasn’t just the book. It was my own imagination.

Too imaginative? In fact, for a mystery writer, I scare myself on a pretty regular basis. I remember as a kid I’d get up out of bed all night (lifelong insomniac) and would tell my mother I heard noises or that there were monsters in my room, or that I saw a strange and ominous light moving across my bedroom…and she would tell me it was my imagination.

And darn it, it was!

This isn’t the only hazard of being a writer. I find myself in a complete fog much of the day. This comes from thinking about my book throughout the day…driving, running errands. I’ve been known to look blankly at people who wave at me from cars. I tell people that I’m just very slow to react to faces, but the truth is that I was living in the Neighborhood of Make-Believe, as Mr. Rogers would say.

Changing as a reader,viewer, and filmgoer: It’s also, as I mentioned the other day, that I take a very analytical approach to most of my reading and film-going/television watching. Actually, I’ve just about given up on TV altogether.

Clutter: As much as I do online and as much as I do my writing on computer, I still end up with paper everywhere. Notebooks, index cards, scraps of receipts with scribbled notes on them, Post-Its. My bedside table is full of cryptic scribbles that seem deranged if you read them. At the end of the day, I try to collect all my papers and put them in one place. This is tough.

How have you changed since becoming a writer?

Photo credit: Muffet

by Elizabeth S. Craig @elizabethscraig

I’ve had a crazy last week. That’s because, in addition to the regular craziness, I had a car kick the bucket on me.

My husband, fortunately, jumped into full car-shopping gear while I tried really hard to stay out of it. My demands of a car are pretty minor: I want it to run and I want it to be safe. Low gas mileage would be nice. That’s about it. :)

Unfortunately, though, I couldn’t completely stay out of the car shopping. “Elizabeth, you’ve got to test drive the two cars I’ve narrowed it down to,” said my husband. “This is going to be the car you drive every day. I can’t just buy you a car without your ever even driving it!”

“Can’t you?” I felt very wistful.

No, he really couldn’t. So I ended up at two car dealerships on Monday. My husband told me he’d asked the salesmen not to try to sell me on the cars at all…just to let me drive them.

For salesmen, of course, that’s a pretty tall order. And they’re just so extroverted. I believe they tried their very hardest not to give me a sales pitch. But I could tell they were gently trying to show the car in the best light possible.

Writers do a lot more selling than most of us would like. Not only are we literally selling our books (promoting them), but we’re also trying to keep our readers flipping pages and giving them a great read so we can have them buy our next book.

After listening to the expert salesmen at the dealerships, I realized that some of their techniques could be adapted for our own use, too:

Have a pithy pitch: The salesmen both dropped something casual about what they loved about the car they were showing me. It’s good to be prepared for people to ask us, in person, about our book. I used to get a deer-in-the-headlights look when an acquaintance would ask me what my latest book was about. I’ve tried to hone this skill, because it’s important. What’s your favorite part of your story? The characters? The life or death conflict? It should be something you can be enthusiastic about.

Be friendly and accessible: After I left the dealership (probably before I’d even gotten off the lot, actually), I’d gotten emails from the dealers telling me how much they’d enjoyed meeting me and giving me all their contact info. Writers should have a welcoming home base of some kind online for readers to find them. Readers can visit your blog, website, or Facebook page to find out more about you and what you’re working on next.

Give something for readers to identify with: The dealers quickly realized that cars were not going to be a good common denominator for me to relate with them. One salesman started talking about how much he enjoyed reading thrillers and asked me about the mystery market and the other salesman quickly started talking to me about family life and children. Naturally, this made them very likeable to me. Making our protagonists likeable or at least someone that readers can identify with. Even the Grinch had likeable traits…and quickly changed.

The car salesmen’s soft selling did work…I’ve already gotten my new car. And I think I walked away with some good tips for selling. How do you sell your story to your readers?

Hope you’ll join me in welcoming Kathleen Ernst today. She’s got some excellent tips for working with an editor. Kathleen is the author of the Chloe Ellefson/Historic Sites mysteries among other books.

Getting a book contract in hand can be such a long slog that many pre-published writers don’t think much beyond that magical goal. I wrote novels for twenty years before my first book was published, so I can relate.

My latest title, The Heirloom Murders, is my seventeenth book. I’ve worked with seven different publishing companies. They range from very small (White Mane Kids) to mid-sized (Cricket Books, Midnight Ink) to large (Dutton, American Girl.) Each house has its own editing style. And each editor within a given house has her own editing style, too. Small presses might move quickly to copyediting, while larger ones spend months working on more substantial revisions.

Creating a good relationship with an editor is both challenging and incredibly important. Over the years I’ve developed a few strategies. They’ve worked for me—perhaps they will for you as well.

Tip 1: Don’t respond immediately.

Although some editors give suggestions over the phone, most of the editors I’ve worked with begin with a written editorial letter. If you haven’t been through this process before, the emotional impact of a several page, single-spaced letter can be enormous. (This is the point where you think, But I thought she liked it!)

I once heard an editor say that she tells her authors to “Pretend I’m right for three days.” Editors want writers to consider new ideas with an open mind, so it’s OK to buy yourself some time. Even if you’re on the phone, you can probably get by with “That’s an interesting suggestion. May I think about that for a few days?” Give yourself a chance to absorb and process a suggestion or request that might at first seem shocking…but just may be perfect.

Good editors want their writers to approach revision thoughtfully, not make every change requested before slamming the manuscript back.

Tip 2: Establish the “Three Pile” rule

Ideally, you’ll find that most of the suggestions an editor makes—big or small—are good ones. Those go into the “Good Idea” pile.

Then there’s neutral ground—requests that strike you as something that will make a chapter/scene/sentence different, but not necessarily better or worse. Those go into the “I’ll Give It To You” pile.

That probably leaves a few things that you do feel strongly about, which go into the “No Thanks” pile. Politely explain what changes you don’t want to make, and why. Since you’ve already been accommodating on most things, the editor will probably agree.

Tip 3: Hit your deadlines.

Once you’ve thoughtfully processed the editorial suggestions, and sorted them into neat piles, it’s time for butt-in-chair. Understand that missing a deadline affects complicated schedules for editors, designers, marketing people, and more within the company. Unexpected life events can affect anyone, of course, but writers who habitually miss deadlines may find themselves bumped from an editor’s “Authors I Love To Work With” list.

Do you have any other tips for forging a great relationship with an editor? I’d love to hear your ideas!

I’m grateful to Elizabeth for allowing me to celebrate publication of The Heirloom Murders: A Chloe Ellefson Mystery by guest-posting here. And I’m grateful to readers! I love my work, and I’d be nowhere without you. Leave a comment, and your name will go into a drawing for a free book. The winner can choose any of my titles. The Heirloom Murders, one of my American Girl mysteries, a Civil War novel—the choice will be yours! To learn more, please visit my website, www.kathleenernst.com.

by Elizabeth S. Craig/ @elizabethscraig

At some point when we’re writing our book, there comes a happy time when our characters become real. It’s like Pinocchio turning into a real boy.

Of course, it’s only natural to have it happen over time. Think about how well you know the closest members of your family or your oldest friends. You can almost predict their reaction to any given situation that comes up. You know what they’ll say, what they’ll do, how they’ll act. You almost know what they’ll think. That’s because we’ve spent so much time with them.

That’s, I think, one of the main reasons I love series so much. I love them as a writer because I want to hang out more with the characters I’ve created. As a reader, I become invested in other authors’ characters. I’ve spent a lot of time with them, gotten to know them. They’ve either made me laugh or made me sad or even scared me. I feel like I know them and it’s easy to go to the writer’s next book in the series because I don’t have to do all the work of learning new characters again…I already know the main ones.

When we’re writing the first book in a series, or a standalone, we have to work a little harder to get acquainted with our characters. I’ve heard lots of different approaches for doing this. The most popular are to base the character on a person the writer knows, make the character an amalgam of different personalities the writer knows, and use character worksheets to help flesh the character out.

One of the ways I like to get to know a character is to spend the day with my character by imagining them near me throughout the course of my day—thinking about how they’d react in the situations that I face, how they’d handle things differently, what they’d rather be reading or watching on television.

Once you know your character, you really know him. I’m still editing that first backlist book of mine and I keep thinking (horrified), “Myrtle would never say something like this!” I’ve deleted a ton of dialogue. It’s funny that I feel almost offended that Myrtle had the wrong words coming out of her mouth. But then….the book was written over five years ago. Myrtle has evolved over time. And her voice has gotten stronger.

How do you make your characters real? Do your characters evolve over time?