A Community of Writers

by Reyna Marder Gentin, @reynagentin

When I tell people I’m writing a novel, their first questions are often about logistics — when do you write, where do you write, do you write a certain number of words a day. Maybe because my own habits are haphazard, I initially found this fascination with process a little off point. But when I thought more about it, I realized that these questions hint at something very different, something I’ve found critically relevant to writing success.

When someone wants to know about the “hows” of writing, it stems, I think, from an inability to imagine sitting, alone, with just one’s thoughts and a pen or a keyboard, hoping to create something readers will find meaningful or entertaining. The preoccupation with this somewhat unnatural process is understandable. The solitary nature of writing is both its greatest draw, if that’s your bent, or its biggest drawback, if it isn’t. While working alone is definitely part of the deal, it’s the communal aspect of writing that I find intriguing.

A little over three years ago I finished a first draft of the manuscript that will be my debut novel  — part legal thriller, part love story — come November. I had written quickly, almost obsessively, the story pouring out of me. Later, after I’d received my first slew of rejections, I understood that sending out a draft that no one else had laid eyes on was incredibly foolish and naive.      At a loss, I reached out to a friend who had published two novels. When I floated the idea of joining a writing workshop, he cautioned against it. A writer shouldn’t subject herself to the judgmental eye of other writers who might not have much more experience than she has. The blind leading the blind.

Heeding his advice, I hired a seasoned and perceptive developmental editor. Her help was invaluable, and the manuscript went from a good first effort to something much more solid. But after reading the novel twice, she told me I needed fresh eyes to see the small pitfalls that were holding me back. She suggested I join a writing group.

Workshops can be more or less productive, depending on the day. But there is one constant. The participants are invariably supportive. Joining a writing group allows the writer, novice or professional, to tap into the energy of others who understand both the loneliness of the task and the ultimate goal — to have readers get what you are trying to say. That support cuts both ways. There have been times when I’ve wanted to quit when someone commented simply, “I liked that,” after reading my submission. There have been other times when that moment of positive reinforcement was all it took to get me back to my computer.

For me, the most important role that a writing group plays is assessing tone — how the words I have written are actually being heard. Recently when I finished reading my pages, someone asked, “How do you want us to think about this character?” It was a seemingly basic question. But it revealed to me that, although I had been aiming for “wrapped up in himself but basically a good guy,” I had produced “arrogant and a little smarmy.” Back to the drawing board! Perhaps nowhere is writing group more important than when you are trying for humor — to see if and when the laughs come in a safe environment.

The most fundamental part about being a member of a writing group is that the others expect something from me each and every week. We’re each working alone, sitting wherever we sit at whatever time of day cranking out what we can, but we know that come Tuesday morning, there will be others waiting to understand and appreciate our efforts. It’s what keeps us going.

REYNA MARDER GENTIN grew up in Great Neck, New York. She attended college and law school at Yale.  For many years, she practiced as an appellate attorney representing criminal defendants who could not afford private counsel. Reyna studies at the Writing Institute at Sarah Lawrence College, and her fiction and personal essays have been published in The Westchester Review and online. She lives with her family in Scarsdale, New York. To learn more, please visit reynamardergentin.com.

 

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Overcoming Perfectionism

Man in a button-down blue shirt holds paintbrushes in both hands (hands that are covered with various colors of paints).

by Elizabeth S. Craig, @elizabethscraig

Anyone who regularly reads this blog knows that I’m not a perfectionist.  There are too many typos for that to be the case.

There was a time, however, when I was a perfectionist.  I wasn’t nearly as productive as I am now, and I was extremely averse to hearing editorial suggestions from editors or even well-meaning beta readers.  The problem was that I wanted to fix my story’s problems myself … and even catch the errors myself.

I’m Type A now, but I’m not a perfectionist.  Usually I’ll do a task, any task, and figure it’s good enough.  It’s just that I’m very compulsive about doing the tasks. Laundry is done every day (the folding isn’t pretty), writing is done every day (sometimes it’s not pretty, either). But I’m extremely productive because I don’t feel the need to deliver something perfect to my editor.

As I mentioned, I wasn’t always this way. As a student, I was actually more like two different students rolled into one.  I was the English student who did very well, but felt pressure to be doing well, too (mostly internal pressure).  To me, hearing ‘do your best’ meant that a completed English assignment needed to be pretty extraordinary.  That’s what having even a modicum of talent does to you.

In math class, I was a horrendous student.  Despite tutors and hours and hours spent studying, I couldn’t grasp or apply concepts that I learned. Hearing ‘do your best’ in that class was actually very comforting.  It meant that it was understood that I might do (very) poorly on the test, but at least I had given it my all…which is all anyone can expect.

As a reformed perfectionist, this is my simple message for today: take ‘do the best you can’ the comforting, encouraging way when you’re writing.  Take ‘do the best you can’ the pushy, driven way when you’re revising your finished story, (if you take it at all).

For further reading on overcoming perfectionism:

17 Signs Perfectionism is Killing Your Writing Dreams by Mandy Wallace

5 Tricks to Sneak Past Perfectionism by Michelle Russell

Perfectionism is Murdering Your Muse by Veronica Sicoe

Do you struggle with perfectionism?  What’s helped you?

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Easy, Free Tool for Tracking Habits

Man's hands holding a cell phone.

by Elizabeth S. Craig, @elizabethscraig

I’ve always kept a journal…well, since first grade, anyway.  I look back on those childhood diaries and wonder who that person was.  My adult journaling has been a lot more erratic than my childhood and teen journaling and the days usually fly by without my taking the time to make notes on them.

I’ve used online journals before, but the sites ended up going under (I did retrieve my entries before they did).

I’d heard about the free app Daylio (for Apple and Android) a while back, but because it was mostly billed as a mood tracker, I didn’t really take a closer look at it.  My moods are fairly even (and since I’ve been using Daylio, Daylio has backed this up).   But I think this could be incredibly useful to anyone who is trying to track moods because you can report all the activities you participated in on the excellent/good/bad day and see patterns. Maybe you have an especially good day when you fit in exercise and writing, or you have an especially bad day when you didn’t get enough sleep, etc.Continue reading

Balancing Writing and Business

Two friends balancing on railroad ties. by Elizabeth S. Craig, @elizabethscraig

Sometimes dealing with both creative work and the business end can be overwhelming.  On any given day, I’m brainstorming plots, researching a new promo approach, and reading articles about the publishing industry.  It’s a lot to juggle.

The part that probably takes up the most time and energy for me is learning something new.  And I’m always learning something new.  I’m branching into hardcover, I’m reading about new translation platforms, I’m trying a new app, I’m using a new aggregator, I’m reading up on Amazon ads.  There’s rarely a time that I’m not figuring something out.

I’ve discovered a few things that work for me in regards to both balancing the writing and business sides and making myself feel less-frantic in the process.

Write first.  There is so much to learn and apply with the business end of things that it’s easy to get wrapped up in it and lose out on writing time.  By hitting your writing goals first, you know you’re staying on track.  It has always reminded me a little of housework.  If I tackle a large project at home, like clearing out a closet, if I haven’t done my regular housework (loading the dishwasher, making beds, putting away clutter), then despite how much progress I made with the closet, I’m still feeling frustrated and behind.  By writing first, you know that anything else we accomplish that day is above and beyond.

Don’t try to multitask it.  I love using the Pomodoro method for my writing and at one point was interspersing the writing with research or business in 20-minute sessions.  But I found that this wasn’t good for either the creative work or the business work.

Set a time limit.  I usually set a timer for myself when I’m working on business-related stuff or learning something new. Otherwise, one link tends to lead to another and soon I’m lost in a rabbit hole of new information.  I can eat up hours that way if I’m not careful (and usually I don’t have hours to spend).

Keep notes.   I’ve learned that even though I’ve spent hours figuring out how to do something on my website or how to make the best ad, etc, this does not guarantee that I’ll remember how to do it the next time around.  There are tons of ways to keep notes on this stuff: use an old-fashioned notebook, create a folder in Word, or use OneNote (OneNote is my current method for organizing my notes and works really well.  Plus, it’s free).

How do you handle the balance between the writing life and business?  Any tips I’ve missed?

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Filling the Creative Well

Paintbrushes lie near a paint palette and a blank notebook is close by.

by Elizabeth S. Craig, @elizabethscraig

I was stumped a couple of months ago by a question from a very sharp writer in a high school creative writing class.  He asked me what I do on those days when I didn’t feel inspired to write.  I had to babble out some answer about what I hear that other writers do on days when they don’t feel inspired to write.  The truth is that I’m rarely inspired when I write…I just do it and fix anything that sounds ‘off’ later.

But I know what I wished I’d answered.  Because I do always make a point of filling my creative well.   I may not feel inspired when I write, but I sure as heck don’t want to feel burned out when I write.  I’ve written through burnout several times over the past ten years and it didn’t feel good.  Forcing the words out isn’t fun and the end product will need work.

For me, the answer is two-fold.  It’s surrounding myself with other people’s creativity and giving myself quiet, empty time to think or just be.Continue reading

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