So You’ve Gotten Your Rights Back

A contract with an ink pen on top near a signature line.

by Elizabeth S. Craig, @elizabethscraig

I’ve published a couple of posts about getting your character rights back from publishers.  This enables writers to continue publishing new books in a series.   In my case, I’d been allowed to continue my series, but I hadn’t been able to republish my backlist (the publishers still wanted to hold those rights).

My backlist is still being held by Penguin for one of my series (and another Penguin series doesn’t have a hope of released rights), but for another publisher I finally have the digital rights back to the first book in the Myrtle Clover series (as of July).  I’d received print rights back some time back to the book.

If this all sounds rather complicated…yes, it can be.   I regularly receive emails from traditionally published writers who either aren’t sure about how to go about asking for rights or who aren’t totally sure what to do after they get their rights back.

If you’re trying to get your rights back, see these posts of mine for a little direction:

Thoughts on Getting Rights Back

Self-Publishing a Series that Started in Trad. Pub

If you’re a writer who isn’t totally sure what to do once you’ve gotten yours back, here are some ideas (I’m working on most of these, myself).Continue reading

Fitting in a New Project

Colleagues working on a project in an office with notepads and laptops.

by Elizabeth S. Craig, @elizabethscraig

I usually just jump right into new projects without thinking a lot about it.  I follow my outlines and I write what I’ve told myself to write each day. The big advantage is that these are long-running series and I’m writing another installment.  I know the characters better than I know some family members. I would recognize my settings if I happened to drive through them on a road trip.

But starting a completely new and different project is different.  For one, it’s not guaranteed to be a success, which makes it risky.  I know if I write another Southern Quilting mystery or another Myrtle Clover mystery that I will receive X amount of income from it.  With a new project, it could completely bomb.

Starting a new project is also different because it’s so time consuming.  When you write series, you already have developed characters and a well-established story world.  It takes half the time to write.  When you’re writing something new, everything is new.Continue reading

Myth Busting Time: Online Reputation Management Is Not Just For Plumbers On Yelp. Authors Need It Too

Man working on laptop in office with whiteboard behind him.

By Steven W. Giovinco, @recovreputation

8 Online Reputation Management Tips for Authors, Books, Novels, Fine Art Photography Publications, With Sample Task List

Authors–not just plumbers on Yelp or lawyers on Avvo.com–need a positive online reputation. It helps show the writer as an expert, connect them to readers, drives traffic to their book site and makes it more likely that “content”–bits of the book–will be shared on social media. This all leads to more sales.

Since advertising and traditional promotion don’t work as they did, a writer should strive to be a trustworthy “knowledge leader,” or key source in their niche, whether it be non-fiction, fiction, biographies, poetry, business books, essays, etc. Reputation management helps by building excellent sources when searching online.

  1. Create Goals

Come up with clear online reputation goals. This sounds simple enough, but breezing through this initial step can lead to problems later if unclear. “Sell more books,” might seem to be obvious answer.  But how?

Drill down further. Building an excellent online reputation could, for example:

  1. Show the writer as an expert in their specialized field.

  2. Generate interest from new prospective publishers.

  3. Schedule additional talks at book stores in specific and as-yet unscheduled cities.

  4. Create direct connections to readers through social media.

  5. Generate interviews from bloggers and traditional media.

  6. Lead to translations of the book into other languages.

  7. Conduct podcast or radio interviews.

  8. Connect with screenwriters, film producers or television executives.

It could be one or all of the above.Continue reading

Starting Out as a Freelance Editor

Forest-covered mountains during a sunrise.
by Elizabeth S. Craig, @elizabethscraig
This may seem an odd topic for me to blog on.  I have never been an editor and I have no aspirations to be a freelance editor.  However, I’ve worked with freelance editors for so long and have received so many emails from people interested in becoming editors that I thought I should try to write a post to point folks in the right direction.

 

To start off, you’ll need a home base online.  This can be done relatively inexpensively (or even for free), which might be the way to go, starting out. For info on this, head to industry expert Jane Friedman’s blog.  First, her article on whether to go self-hosted or not (self-hosted is not the free option), then her post on setting up a site (which is where she also recommends not starting with self-hosted).

Here you can have information about your services (are you a developmental editor? A line editor? Proofreader? More on the different types of editing in this post on Joel Friedlander’s blog). An example of a freelance editor’s page (she has a huge site, but she has other interests, as well) can be found here.  You could put the link to your new site in your email signature.

 

Endorsements.  Until you get them from novelists, you could get some from the people you’ve worked for in the past, if you have a editing on your resume.  These endorsements will go on your website and also in your email signature.  You may need to start out doing work for a lower rate than you’ll charge later.

 

Social media.  A professional page on Facebook and accounts on Twitter (there are lots of writers on Twitter) and LinkedIn is important.  Share posts you’ve written and share posts that others have written, too, as well as networking with writers.  Also, many freelance writers get exposure by commenting on writers’ blogs (not pitching…just being there).

 

Rates. One important thing to know about freelance editing: the rates vary and should vary, per project.  Many freelance editors offer sample edits of 15 pages or so for free.  This gives an editor a good idea of the writer’s ability. You can see if the writer writes cleanly or poorly.  Some writers are even English as a Second Language and you’ll want a much higher rate for correcting ESL work.  A reference for pricing can be found here.

 

Ways to connect with indie authors (besides social media).  One of the best-known and most respected sites for indie authors is the Alliance of Independent Authors.  You can apply to be one of their ‘vetted services’.   Another place writers find freelance editors is the Editorial Freelancers Association. You could also attend book festivals and conferences.

 

I think the toughest part is getting the word out and finding writers who need editors.  Although social media is something many of us dislike, it can be key in finding clients.

 

How did you find your freelance editor, if you’re a writer? (For me it was word-of-mouth in a closed forum.)  If you’re an editor, how did you connect with clients? Any other tips from freelance editors?

Photo on Visual Hunt

Update on OverDrive

Interior of a library shows rows of shelves filled with books.

by Elizabeth S. Craig, @elizabethscraig

Getting our digital books into libraries is much easier these days than it was a few years ago.  All we need to do is upload our ebooks to a distributor like Smashwords, Draft2Digital, PublishDrive, or StreetLib , which will make the file available to OverDrive.  OverDrive supplies over 30,000 libraries in 40+ countries.

OverDrive is one of my favorite sites as a reader, so I was eager to have my books available there.  I was writing this post and pulled the site up and then immediately became distracted and requested three books.  :)  Eventually I realized that I was trying to write a blog post.

A little bit of background for those of you who aren’t familiar with OverDrive. For me, OverDrive makes reading easier.  I’ve read over 45 books so far this year and OverDrive definitely helped.  When I hear about an interesting book, I check OverDrive through my library’s website.  If it’s available through OverDrive, I add my name to the waitlist.  When the book becomes available, it’s automatically checked out to me.  I download it on my Kindle (readers can also read on epub devices or by reading a PDF) and then, when it’s time for the book to be ‘returned’ to the library, it becomes unavailable on my device.  It’s just a very easy process for a busy person who might not have time to go to the library as much as they’d like.Continue reading

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