10 Things to Know About Pitching Agents and Editors

by Colby Marshallcolbymarshall-headshot1

The first time I pitched agents in person was a terrifying, enlightening, fantastic, and awful experience.  I met my now-agent that day, but I also made some mistakes that—trust me—I would be sure I never made again. (For Example: that bad joke I threw out as I sat down across the table from an agent with a sign hanging behind her that read, ‘No genre romances, no unicorns.’ The first words out of my mouth probably shouldn’t have been, “So, I guess you’re really going to love A Tail that Shines, my Unicorn Romance complete at 97,000 words.”

But, after a dodging a few cuss words, outrunning an intern who’d been promised a partnership if she returned wearing my scalp, and vowing to myself that I’d never joke about another directional sign at a pitch conference so long as I lived, I ended up taking the paper sack off my head for the last day of the conference in order to actually taste the food I’d already paid for once before heading home instead of sitting behind it blindly and in shame like I had the rest of the week. Continue reading

Getting Reviews

By Elizabeth S. Craig, @elizabethscraigDyeing Shame Reviews

I’ve noticed that my books with the highest number of reviews usually tend to be my top sellers.  Not always (there are a couple of Penguin books with a couple of dozen reviews that still tend to sell well), but most of the time.

I’m not sure how it works—it’s either because Amazon’s algorithm favors books with more reviews (they show up near the top in searches or in the “customers who bought this also bought” section) or because readers think “oh, everyone is reading this” and they jump on the bandwagon too.

Whatever the reason, sales do tend to follow reviews.

I’ve been asked, in the last couple of interviews I’ve done for bloggers, how I’ve gotten reviews for my books.Continue reading

Allowing Your Book to Be True to Itself

by Patrick Ross, @PatrickRWritesCommitted front cover

“The author has certainly gone on an interesting journey, but I’m afraid the tone is too journalistic for our list. I’m looking for more literary and personal accounts of creativity and personal growth.”

That was a rejection my literary agent received on June 2, 2011, to our proposal for The Artist’s Road, a yet-to-be-written nonfiction work that we pitched as a craft book. It would focus on creative lessons I learned from artists I interviewed on a cross-country U.S. road trip for a documentary video series. My encounters with those artists and their authentic approaches to living an art-committed life had transformed me; part of that transformation was a compulsion to write the story of my trip. Yet my background was journalism; I wrote about others, not myself, and the book proposal reflected that.Continue reading

Promo Tactics and Balancing Life and Writing

by Elizabeth S. Craig, @elizabethscraigHBS

Hi everyone!   I’m over at James Moushon’s HBS Spotlight today talking about how free book promos have worked for me, how I’ve gotten book reviews, how audiobooks have affected my sales, handling a pen name, balancing life and writing…and a whole bunch of other stuff.    Hope you’ll pop by.

And Happy Halloween.   Hope everyone has a fun day.  My costume this year is a sleep-deprived mom.  Oh wait….think that’s my costume every year…. :)

Using Critical Reviews as Resources

By Elizabeth S. Craig, @elizabethscraigfile0001022451654

Wired’s founding executive editor Kevin Kelly stated that if writers and other artists have “one thousand true fans” then they’re able to sustain a living from their art.

I don’t honestly know how many true fans I have (and I prefer calling them readers instead of fans) but I know I get nearly-daily emails from readers.

And I do know one true ‘fan’.  She is, actually, my number one fan (no Stephen King reference intended).  She is also my number one critic.  Since she doesn’t have a public presence, I won’t call her out by giving her name online.Continue reading

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