Author: Elizabeth Spann Craig

Here are writing links that I’ve posted to Twitter for the past week.

I’m delighted that now we have an efficient method of locating resources on writing topics when you need them—via the Writer’s Knowledge Base search engine and software engineer and writer Mike Fleming’s ingenuity. The links I tweet (which are writers’ blogs, agents’ and editors’ blogs) all are added to the engine to make it easier for you to access the information you’re looking for.

10 ways to find people to follow on Twitter: http://bit.ly/gCCYoV @emlynchand

Writing Theory — The Monomyth: http://bit.ly/hfeAsU

Why do professional writers shy away from social media? http://bit.ly/ero31d via @BookMD

Writers Tips for Successful Radio Interviews: http://bit.ly/hGSFqe @Working_Writer

Creativity tweets of the week: http://bit.ly/hAMHg8

20 steps for building a Facebook Author Page and getting people to “like” it: http://bit.ly/fgN07J @emlynchand

The Art of Repetition: http://bit.ly/dOd64D

Tips for writing your query: http://bit.ly/e6ptTo

Dealing with the passage of time in a series: http://bit.ly/eKbiRM @mkinberg

Create a foil: http://bit.ly/hGwWMx

Thoughts on outlining novels and stories: http://bit.ly/eIHaFG

Things Could Be Worse: 12 Dystopian Novels: http://huff.to/fWbyQ4

Delegate Your Way To Writing Success: http://bit.ly/gEsOC5

Working (and Writing) Effectively With the On/Off Principle: http://bit.ly/gZr0Zq

The Vampire Issue: Or, why Vamps Don’t Have to Suck: http://bit.ly/gwt7Yl

Promote a Book with Twitter: 10 Strategies for Authors: http://bit.ly/ijUumo

You Might Be Under Deadline If…: http://bit.ly/iapHpB @jamigold

The waiting game: http://bit.ly/ehWbiw

How To Write A Query Letter: http://bit.ly/h3Tsdd @bubblecow

Integrating research into our fiction: http://bit.ly/hPtiXC

9 Tips for Amplified Creativity: http://bit.ly/gihwFB

Over 6000 links to help #writers find resources: http://bit.ly/dYRayA

Writing in layers: http://bit.ly/dQuyTD

6 Techniques for Using Music to Help Our Muse: http://bit.ly/dIiB12 @jamigold

6 Reasons You Will Never Be A Writer: http://bit.ly/h4kS8t @StoryADayMay

Anyone Should Blog? 3 Types of Blogs and 3 Ways to Handle Them: http://bit.ly/f1ruSb

Spectrum surfing–trying out new genres: http://bit.ly/ewveQc @AraTrask

The One Surprise Rule: http://bit.ly/ewoxPG @Thecozychicks

An Education in Book Reviews: http://bit.ly/eA2PJf

Why Alpha Male Writers Became Extinct (Wall St. Journal): http://on.wsj.com/eHn4n4

Best Articles This Week for Writers 2/25/11: http://bit.ly/gxATij @4kidlit

How to get your script read: http://bit.ly/fgMto2

Google introduces e-books to Android market: http://bit.ly/f1qmGF

What Creates Good Writing: Instinct vs. Skill: http://bit.ly/f6ZSYt

The tricky balancing act of red herrings for the crime writer: http://bit.ly/gmPBL6 @mkinberg

The writer’s role in submissions and negotiations: http://bit.ly/ejXU3L

Positive Self-Talk–Examples: http://bit.ly/gXTk8i @joanswan

The Book Is Dead. Long Live The Publishing Industry! http://huff.to/hjhuMb

Protect Yourself from Writing’s Physical Hazards: http://bit.ly/hqr7gl

How To Entice An Agent In 25 Words Or Fewer: http://bit.ly/hk4GHI

Poetry and literature in Kensington Gardens – interactive (Guardian): http://bit.ly/ib5zSn

A Writer Muses on Marketing and Sales: http://bit.ly/gRnOtL

Giving Your Character Choices: http://bit.ly/fjNPRk

Myst. Lov. Kitchen: Scallops over a bed of Creamed Spinach http://bit.ly/dKI1KA @CleoCoyle

Directory for Plot Series: http://bit.ly/dWXmFB

Does Your Fiction Have A Comfort Zone? http://bit.ly/eayUVd

Ideas for earning money as a writer: http://bit.ly/f6tDN2

Dos and Don’ts of writing conferences: http://bit.ly/fxbfGR

Starting a New Manuscript (Having a Template): http://bit.ly/fqyqlF

Are your characters frozen in time or aging through your series? http://bit.ly/hYrsCP

Do the Write Thing: Earthquake Relief & Donations: http://bit.ly/hfE6el @janetrudolph @mkinberg

Writing race in YA: http://bit.ly/eN8tTn

Writer’s Digest hosts free webinar tomorrow (2-25) on what the Borders bankruptcy means for writers: http://bit.ly/epwAJV

5 Surprising Things One Writer Has Learned Since Selling her Manuscript: http://bit.ly/gET0w3

Questions to ask editors at conferences: http://bit.ly/g9OROR

The Loneliness of Self-Publishing: http://bit.ly/dKztqd

Protagonists need to be proactive: http://bit.ly/fPhidl

Cliches for Aspiring Writers: http://bit.ly/fUSE3K

SFF and the Classical Past—Odysseys: http://bit.ly/hHnhHE

Plot Arcs & The Query: http://bit.ly/f1pWIX

The Unreal, and Why We Love It: Recognition–http://bit.ly/gCqfba

3 Types of Character Arcs: Choose the Best for Your Novel: http://bit.ly/ee0kTZ

Revising a Short Story: http://bit.ly/iivRVt

An editor with setting writing tips: http://bit.ly/hYb6QL

Traits of a good crime fiction character: http://bit.ly/hDX7Xo

10 Ways to Improve Your “Likability Quotient”: http://bit.ly/grRgXL

Myst. Lov. Kitchen: Mystery Lovers Kitchen: I ADORE SOUP http://bit.ly/gzBZGd @CleoCoyle

How to Use LinkedIn With Twitter for Better Networking: http://bit.ly/fE0xJS

Is The First Book We Write Usually Garbage? http://bit.ly/dVF2aJ

Changing a Location Can Mean Everything: http://bit.ly/hcaTNV

Barnes & Noble Opens Doors for Self-Published Writers: http://bit.ly/eTFjqU

A writer who survived the New Zealand earthquake posts an update from his phone: http://bit.ly/e8gMoh @ajackwriting

Track Changes – A Critique Group Lifesaver: http://bit.ly/emavdS

Writing Every Day vs. Binge Writing: http://bit.ly/hTSrm6

If you are an author, everything is your fault: http://bit.ly/hQUTny

Adults are just as creative as children: http://bit.ly/iiILl1

Why you should — or maybe shouldn’t — be blogging: http://bit.ly/exi7Ho

When the words don’t flow: http://bit.ly/hbn1DH

An agent says, “When to keep your trap shut? Almost always.”: http://bit.ly/hMXY8D

How to Leave Meaningful Blog Comments: http://bit.ly/hGHnvq

Developmental Stages of a Short Story 101: http://bit.ly/htyebw

Going Neuro: Writing for Brains: http://bit.ly/eQ6cKg

First chapters: http://bit.ly/eLfLJW

Researching the Historical Novel: http://bit.ly/fgzka4

Size Can Matter: Novels vs Short Stories: http://bit.ly/e1ptIf

Authors catch fire with self-published e-books (USA Today): http://usat.ly/eOc0li

An editor reviews the Sony Daily Edition eReader: http://bit.ly/eFIrn9 @martyhalpern

Hooking the Reader and Never Letting Go: http://bit.ly/eUTZm3

Myst. Lov. Kitchen: Margarita Pie http://bit.ly/fJYvI4 @CleoCoyle

Exploring the wonder of the genre with a space opera author: http://bit.ly/hEqW4P

Tweet from your phone–even if you don’t have an internet-enabled phone: http://bit.ly/e4O51i

Promotional Cargo Cults: http://bit.ly/ewjHbZ

A Writer’s Dress Code? http://bit.ly/hOMr9x @authorterryo

When Should Authors Show Off Their Book Covers? http://bit.ly/h2jms2

Tips for pitching your book: http://bit.ly/gi1YUx

10 Signs of a Typical Writing Day: http://bit.ly/fzEPlb @elspethwrites

How to Grow Your Reader Community with an Author Blog: http://bit.ly/hKMabw @thecreativepenn

10 Resources to Help You Write a Great Short Story: http://bit.ly/h5CZLn

World building in short stories: http://bit.ly/enqQOu

Coping with rejection: http://bit.ly/epAFkj

5 tips for squashing self-doubt demons: http://bit.ly/dXFgSN @tawnafenske

Tips to keep those modifiers from dangling: http://bit.ly/f0DGBt

Slush behind the scenes: http://bit.ly/fjVhVT

Point of View, Whose Head Should I Be In? http://bit.ly/g6aLf4

Changing times: Changing book design: http://bit.ly/gz6jom

How accurately labeling your genre can help get you published: http://bit.ly/dTcjcl

4 Absurdly Effective Steps to Take Before Asking to Guest Post: http://bit.ly/gFH4Aa

How to improve your writing in 5 minutes or fewer: http://bit.ly/ebcKIK

Building Reader Rapport through Characters’ Emotions: http://bit.ly/gA4ZYX

A lesson in teaching writing (Guardian): http://bit.ly/dEI6XB

Romance Novel Tropes: Cliches We Love and Hate: http://bit.ly/fs3R0X

Five (Easy) 5-Minute Marketing Ideas for the Unmotivated and/or Lazy Author: http://tinyurl.com/6977axt

When authors met book bloggers for lunch (Guardian): http://bit.ly/gMXoWQ

8 New Facebook Page Changes: What You Need to Know: http://bit.ly/fb5KcE

Mixing Past and Present Tense: http://bit.ly/hPBIwj

How To Write The Perfect Sentence: http://bit.ly/h560uu

What Can Literary Criticism Do For You? http://bit.ly/hOHQM7 @amwriting

Myst. Lov. Kitchen: Oprah’s Oatmeal Muffins and The Zero Fat Muffin Experiment by Cleo Coyle http://bit.ly/gJdEH4 @CleoCoyle

Too Many Books: http://bit.ly/gY2uMy

Pacing your novel: http://bit.ly/frg2gQ

I Was Told to Like You: Marriage of Convenience Plots: http://bit.ly/etwN3F

Why It’s Called The Slush Pile: http://bit.ly/hybujC

Feeling Sleepy? 5 Quick Energy Tips For Writers: http://bit.ly/gCqgBv @ajackwriting

Why writers make reluctant revolutionaries (Guardian): http://bit.ly/gk4EVH

Promote Yourself, Not Your Book: http://bit.ly/fraY6P

Thoughts on writing description: http://bit.ly/dYKZXE

Character Believability Using POV: http://bit.ly/dQryDQ

Examining Trends vs. Style in Children’s Books: http://bit.ly/eqkFY8

Writing dialogue–how people really talk on the page: http://bit.ly/fl84KU

Introspection–how much is too much? http://bit.ly/eqQBKS

How To Clearly Communicate the Essence Of Your Book To Agents And Publishers: http://bit.ly/h5zOH1 @bubblecow

Exposition: A Little Crazy Goes A Long Way: http://bit.ly/dEXDLH

Modern writer survival skills: http://bit.ly/eekqqb

Book bloggers can help sell your book: Tips for authors: http://bit.ly/dLH0Sx

Network & increase blog traffic with a blog challenge: http://bit.ly/fw7S61 or blogfest: http://bit.ly/ekLTsO @AlexJCavanaugh @hartjohnson

Don’t Speak: On Writers and Angst and How to Deal: http://bit.ly/hSsvZA

What Does Your Email Say About You? http://bit.ly/gXQJrL @PStoltey

Mastering characters’ inner narrative: http://bit.ly/gjFvc7

I Do: Tips for Co-blogging with Your Spouse: http://bit.ly/f1zv25

What “Home” Means – to Your Characters and your Story: http://bit.ly/hbz9po

Keeping Dialogue Real: http://bit.ly/eAo39i

Has Facebook Peaked? http://bit.ly/i8KXZI @annerallen

Writing Conference Preparation: http://bit.ly/hCNWeS

A writing contest for unpublished writers: http://dld.bz/MEvh @jhansenwrites

It’s Horrible, Stupid, and I Hate It: Coping With Criticism: http://bit.ly/eE5G2y

The Gift of Story: http://bit.ly/ibLYr6 @DazyDayWriter

Myst. Lov. Kitchen: Hearty Crockpot Bean Soup http://bit.ly/dFHLyo @CleoCoyle

Seeing is Believing: The Romantic Heroine’s Journey: http://bit.ly/hUlpis

30+ Visually Attracted Creative Resumes: http://bit.ly/gEV2DX

Playing by the Rules (of Magic): http://bit.ly/h6vKig

Let your MC succeed while they’re failing – the power of reward: http://bit.ly/hhO5k2 @dirtywhitecandy

5 ways to write an atrocious blog post: http://bit.ly/hJ6QtV @jammer0501

What We Say When We Don’t Speak. Or, Five Ways To Put a Sock In It: http://bit.ly/h6O14P

10 of the best: fictional poets (Guardian): http://bit.ly/fACsOg

POV confusion? Helpful links: http://bit.ly/hJZD8n

5 Writing Mantras That Bear Repeating: http://bit.ly/eb9d2q

7 Solutions for Sentences with Problematic Parallels: http://bit.ly/gdDJYv

A SF author with a letter to beginning writers: http://bit.ly/hBrLMY

Enter the Extraordinary Heroine: Are We Ready For Her Yet? http://bit.ly/ea72aa

The decline and fall of the fantasy novel: http://bit.ly/hjzctB

10 Tips To Help You Become A Better Writer: http://bit.ly/emOZeY

Looking on the Write Side: Turning Off Your Inner Editor: http://bit.ly/gKHMhK

Getting Your Work Out in the World: The Mechanics: http://bit.ly/fvd6v6

Using Twitter to Market Your Book: http://bit.ly/ftjBNA

The wonder of yes: http://bit.ly/funcAG

Myst. Lov. Kitchen: Please Welcome Guest Blogger Misa Ramirez! http://bit.ly/hvxdMm @CleoCoyle

Becoming A Writer: http://bit.ly/g2maDI

Fertilize Confusion to Thrive During Creative & Life Challenges: http://bit.ly/e6CtyN

I did our taxes this week, which is cause for tremendous celebration for me.

Doing taxes is a real grind, especially sifting through all the bits of paper and receipts that I keep over the course of the year. Since my writing income puts me in the self-employed category, the tax rate on my income is higher (bleh).

I write off as many of my expenses as possible and keep all my writing-related and promo-related receipts in an envelope. The envelope is bulging by the end of the year…and then comes the fun part of sorting through it all.

Each year, I take the tax time opportunity to also go through all the non-writing-related papers I’ve collected—statements, invoices, etc. that fill the desk. I file some and shred others. It’s a very time-consuming process that I’ve struggled with for years…just because of the sheer volume of paper that we’ve got.

Yesterday, while I was shredding the umpteenth statement, I had a sudden brainstorm. I didn’t need these statements—clearly. It was a nightmare to shred or file them all. Why not just contact all the various institutions and ask them to discontinue their mailings? Why not just get whatever information I needed online?

The reason I’ve been stuck with that time-consuming chore for the last ten years is because I never thought about the root cause of the problem…the unwanted paper.

On the same wavelength, I’ve noticed the last few weeks that my mornings have been less-productive than usual. Instead of really taking a minute to figure out why, I just kept on trying to make up my lost time later in the day.

After I figured out my paper conundrum, though, I started thinking about what had changed in my schedule to cause such a disruption to my writing in the mornings. I realized it was the number of Twitter messages and emails that I was getting…and the fact that I was responding to them first thing in the morning instead of getting my work done. I never used to check messages first thing in the morning, but somehow I’d fallen into that trap recently.

So now I put off checking and responding to messages until later in the morning—and it seems to be working out a lot better for me.

It’s amazing how I can just blindly stumble along with a problem before I make time to figure out what’s actually causing it. And addressing the root cause always seems to work.

Is there anything keeping you from being productive?

As I mentioned a couple of weeks ago, I’m working on a new mystery series for Penguin/NAL…a series set in the South that involves a quilting guild.

I’ve probably never mentioned my quilting expertise before…because it’s non-existent. :)

Quilting is the perfect topic for me to research, though, because I’ve always been interested in quilting as an art form and as a way to tell stories.

Recently, I’ve been immersed in quilting books and magazines, talked to quilters, visited quilt shops, and watched videos on quilting.

I know way more information about quilting than needs to go into the book.

Sometimes I read books and feel like the author was trying to convey all of what he’d learned about a topic to the reader, resulting in an information dump.

This could be a setting dump, a character skill dump, a forensics investigation dump, etc. It takes lots of different forms, but it’s rarely fun to read. It makes me feel like the writer is showing off…although they’re probably just trying to include all the information they dug up during the long hours of research.

So what I’m trying to do with my quilting research is integrate it naturally into the story in bits and pieces.

I’m finding different ways to do this. Some of the integration is as simple as letting individual preference of quilt styles indicate the different personalities of the characters.

Some of the research figures into the detail and history of a quilt that’s an important prop in the mystery.

Some of the research integrates into setting detail as I describe the environments where the ladies quilt together (bees, guild meetings)—and where one plots murder. :)

I’m writing a murder mystery—not a how-to book on quilting. So the quilting research is there to add flavor to the novel instead of overwhelming it.

I’m looking at the research a lot like I look at character worksheets and questionnaires—I don’t need to use all the information I find out about my character. The information is just there for me to develop a well-rounded character. Similarly, the research is there for me to develop a textured book.

How do you integrate your research naturally into your novel?

Sometimes I’d like to be my protagonist. Time moves at a much slower pace for them than it does for the rest of us.

Margot Kinberg had a thought-provoking post on her Confessions of a Mystery Novelist blog the other day about the passage of time in series writing. In one interesting example, Margot points out that Agatha Christie had Tommy and Tuppence age in real time in one series while Miss Marple really doesn’t seem to age at all in her series. Christie wrote Miss Marple books for almost 40 years and Miss Marple would have had to have been well over 100 if she aged at the rate that you and I do.

I write two series with protagonists in their 60s. I also write Myrtle Clover, who is an octogenarian. I’ve decided that, while time passes (the murders in the series are not happening back to back in real time from book to book), its passage is a lot slower than ours.

This suits me fine because I like to cultivate a slower-paced, cozier feel anyway. My characters grow—but in talent and character…not in terms of age.

I’m being vague about the passage of time in my books, primarily because of my characters’ more advanced ages. But there are plenty of writers with young protagonists who stop time…Nancy Drew has stayed 18 for the past 80 years or so (well, she was 16, briefly, at the very start of the series.) Clearly, having Nancy age was going to put her in the category of ‘grownup’ to many of her elementary-school age readers.

Sue Grafton’s Kinsey Millhone still lives in the 1980s. Grafton’s first book of the series, A is for Alibi, was written and set in 1982. Her last book, U is for Undertow, which released in 2009, is set in 1988. Time does pass…but very slowly.

Then there are writers who have let their characters age over the course of a series—which sometimes results in the end of a series. The Little Colonel books come to mind (she married and that was it), and the Little House on the Prairie books where Laura grows up and marries (resulting in the end of the series.) Because really, how far do young readers want to stretch from the familiar? Reading about married life when you’re ten years old can be something of a bummer.

So here are the possibilities, as I see them, for passage of time and character age:

Follow real time fairly exactly (so, if you put out a novel a year, then your character will age each year in real time)

Freeze time completely.

Slow down time in a vague way (my current approach)

Slow down time…dramatically (à la Sue Grafton.)

Speed time forward temporarily. Maybe you’ve frozen time for a couple of books or more and now your next book is set five years out from when your last one ended.

Any other thoughts on how to wrangle space and time in a series? Which approach do you take when you write…or which do you like reading?

I’ve always said, and believed it to be true, that I’ve never been more creative than when I was 9 years old.

My whole 4th grade year just crackled with creativity. I wrote every day, sneaked writing in during math time (no wonder my math grades were horrid), thought about what I was going to write when I got home from school, and invited children over to play and instead forced them to write stories with me.

But—I’m creative now, surely. I wrote three books last year, so how could I think I’ve not been creative? Except—I’m more methodical about it, and a lot more measured with my approach. Does that make me less creative?

Still, though, some days I feel like something is missing that used to be there.

There was an article I came across last week that made me realize what was missing. The article was by Jeffrey Davis on Psychology Today in a post titled “Think Like a 47-Year-Old to Boost Your Creativity.”

I think it’s wonder that’s sometimes missing from my creative process.

Davis said that 19th century poet Charles Baudelaire once stated, “Genius is the capacity to retrieve childhood at will.” But Davis noted:

But…highly creative people are not retrieving childhood – which includes, remember, all of its muddled-ness and meanness and necessary dependency and utter self-centeredness. These adults are retrieving wonder – which is what Baudelaire meant. When we say that “Genius is the capacity to retrieve wonder at will,” then we’re not nostalgically trying to bring back some “lost child” or “find our inner child.” We are supremely present with who and how we are.

Davis says that studies have found the adult brain to be superior in many ways to a young brain. And he says that we can not only purposefully embrace wonder, but that our “knowledge and experience can enrich” it.

So looking at the world with fresh eyes is important to creativity. The wonder of the world is what helps fuel our imaginations. We might have to work harder to feel the wonder, but we can definitely do it.

How do you fuel your imagination and keep the wonder alive?