Author: Elizabeth Spann Craig

by Elizabeth S. Craig, @elizabethscraig

Hi everyone!  Today I’m over at writer Elysabeth Eldering’s blog.  In my interview with her there, I talk about juggling several series, my typical writing day, and why I write mysteries, among other things.  Hope you’ll pop by.

Today’s post will be a short one here, since I’m deep in edits for one book and writing another. I thought I’d pose a question to you that nearly stumped me at a recent event.

It was after a talk I’d given and one of the writers in attendance asked me, “So you’re only writing mysteries. Don’t you want to try writing other things?  How do you keep getting creative satisfaction from writing one genre? How do you stay challenged?”

I know that I am currently satisfied writing mysteries. I’ve written eight books in the same genre and haven’t gotten bored with it a bit. But I’d never really thought about why.   So it took me a while to answer his question…in fact, I had to tell him, “Hold on a second while I think about that.”

For me, these are the reasons I’m sticking with my genre and staying satisfied (for at least the foreseeable future):

I love reading mysteries.  I’m a fan.

I’m writing more than one series.  So each book focuses on a different setting and different characters with different personalities.

I love the characters I’m writing.  I enjoy spending time with them in the made-up worlds I’ve created.

It’s a challenge to come up with different plots instead of recycling the same ones.  That’s creativity in action.

With each book, I’m introducing new characters as suspects and victims. 

I’m curious to hear from you.  Do you focus on a single genre?  A single series? How do you keep feeling creatively satisfied and challenged?

by Elizabeth S. Craig, @elizabethscraig

Below are the writing-related links I tweeted last week.

The free Writer’s Knowledge Base search engine, designed by software engineer and writer Mike Fleming, makes all these links (now over 14,000) searchable. The WKB recently celebrated its one-year anniversary.

Sign up for the free monthly WKB newsletter for the web’s best links and interviews: http://bit.ly/gx7hg1

Tips for writing with vivid detail: http://bit.ly/FQanbP

Blog Commenting – Is It Going Extinct? http://bit.ly/zu9XCK @roniloren

3 Things You Must Have in Your Novel’s First Paragraph: http://bit.ly/xCFjRt @LiveWriteThrive

Should Authors Design Their Own Books? http://bit.ly/zxzldQ @jfbookman

Story Setting: How to Make It Unique and Realistic: http://bit.ly/FPi2Jc

Using The 12 Stages of Physical Intimacy To Build Tension In Your Fiction: http://bit.ly/FPi442 @jhansenwrites

Ways to use em-dashes: http://bit.ly/FPi6sB @janice_hardy

Worldbuilding–religion in fantasy: http://bit.ly/wEd6dS

12 Writer Woes and the Books to Cure Them: http://bit.ly/FPihnH @roniloren

How to Identify Top Websites & Blogs in Your Category: http://bit.ly/FPiA1I @janefriedman

Are You Giving Readers the Tools to Understand Your Story? http://bit.ly/FPiJT0 @KMWeiland

Your Character’s Language: http://bit.ly/wMH2ZR @janelebak

A New Breed of Writer for the Digital Age of Publishing: http://bit.ly/FPiOG7 @KristenLambTX

Characterizing Details: http://bit.ly/ytQrmu @Kid_Lit

An agent on pitching: http://bit.ly/y9wv46 @greyhausagency

How to Submit to Literary Magazines: http://bit.ly/yaHb6F @difmfa

5 Muse Abusers: How To Protect Your Creative Flow: http://bit.ly/x6D9X8 @roniloren

Agent Loses a Suit Against an Author for Commissions: http://bit.ly/xUWzQk @passivevoiceblg

6 aspects of writing YA that surprised 1 writer: http://bit.ly/AziwKq @carrieryan

Heroes Who Fail: http://bit.ly/zbrESl (with spoilers–as examples)

When Are You Finished with Your Revision? http://bit.ly/ym2q9k @fictionnotes

Tips for polishing your manuscript: http://bit.ly/xzuj60 @msheatherwebb

Understanding the “Show Don’t Tell” Rule: http://bit.ly/yYkuoq

How to start a book project: http://bit.ly/yGF1sJ

The broken van (writers have options): http://bit.ly/yvBUGS @sarahahoyt

Promoting Your Blog With Twitter – 3 Underutilized Methods: http://bit.ly/FPhAvb @tomewer

Matching booze with bestsellers: http://bit.ly/w75sQl @ebooknewser

3 Lessons for the Traveling Writer: http://bit.ly/wnxo8a @Christi_Craig

Unusual creatures from myth & legend to use as inspiration: http://bit.ly/yn8nOS @GeneLempp

How to Win the War Against Grammar Trolls: http://bit.ly/wsOr7B @seanplatt

Your Book’s Palette – Using Color in Your Fiction: http://bit.ly/yMw0ZS @SamanthaHunter for @Ravenrequiem13

Regency romance–the popularity of the highwayman: http://bit.ly/xJJT1W @bookemdonnna

Adverse vs. Averse: http://bit.ly/A8RK8A @writing_tips

How to network without being obnoxious: http://bit.ly/AAxhZT @writerashley

Endurance: whatever happens, just keep writing: http://bit.ly/FUsYUj

Marketing Fiction vs Non-Fiction: http://bit.ly/zC2KYV @thecreativepenn

How to Write Like You Can’t Fail: http://bit.ly/y0qwAv @LyndaRYoung

5 things that really matter to search engines: http://bit.ly/z7LJXp @rule17

Reader to Writer: Write it Clearer: http://bit.ly/wZJ2jd

Why aren’t you writing? http://bit.ly/y4rLDW @fantasyfaction

3 Ways to Find the Perfect Opening for Your Story: http://bit.ly/AyozbE @jodyhedlund

Not Just Another Writer’s Writing Blog: http://bit.ly/AtRS7Y @writeitsideways

Why writers should care about indie bookstores: http://bit.ly/xqEvff @ThereseWalsh

What makes a character unique: http://bit.ly/zLm36U @JamiGold

Tips for heightening the suspense: http://bit.ly/yza6K4 @JodieRennerEd

How to Check Your Grammar Online: http://bit.ly/yCLir6 @galleycat

1 writer’s Feb. sales report for epub: http://bit.ly/xn47Iq @DavidGaughran

Writing Stress for Freelancers: http://bit.ly/xZwCQD

Logic: Without It, Your Story May Have A Serious Neurological Disorder: http://bit.ly/xPKh7C

Book Design Case Study: Two Contemporary Novels: http://bit.ly/FQEkgl @JFBookman

Writing sentences with rhythm: http://bit.ly/wAK0J3

“Read What We Publish” – What editors really mean: http://bit.ly/FQElB0 @greyhausagency

Is There a Self-Publishing Bubble? http://bit.ly/ziUJpm @NathanBransford

4 Quick-Fix Ways to Improve Your Novel’s Opening: http://bit.ly/wkt6IB @MuseInks

What 1 writer has learned from joining a book club: http://bit.ly/Arvqxg

Calculation of Royalty Fees In Publishing Contracts (& 2 things writers should remember): http://bit.ly/zI2gTl @SusanSpann

Your Homepage Isn’t As Important As You Think: http://bit.ly/xvgwIm @WeGrowMedia for @janefriedman

What Makes Fiction Literary? http://bit.ly/FUPigl @KMWeiland

Getting Better vs Being Good: http://bit.ly/FUPmg2 @the99percent

Dialog Mistakes (Part 2 – Idle Chatter): http://bit.ly/FUPnAR @WritingChronicl

When a Writing Contest Has a Hidden Agenda: http://bit.ly/x6HTh4 @victoricastrauss

Facing the blank page: http://bit.ly/Aarq3Y

10 Essential Tools & Apps for Freelancers: http://bit.ly/wLMKnF

13 Stephen King Quotes on Writing: http://bit.ly/y3q1TM @writersdigest

Politics, Religion and Our Author Platform: http://bit.ly/AfSOD1 @kristenlambTX

Arsenic and Old Leaves: The Art of Poisoning Your Fantasy Characters: http://bit.ly/Agbu42 @fantasyfaction

Describing characters through POV: http://bit.ly/FPwEg0 @Janice_Hardy

Top 5 Tools for Writing the Setting of Your Story or Novel: http://bit.ly/AcJMyH

E-Book Smackdown: Who Should Control Pricing—Publishers Or Amazon? http://bit.ly/GID6VF @laurahazardowen

Tips for taking a vacation from technology: http://bit.ly/GIDjby

Deepening Your POV: http://bit.ly/GIDtje @Janice_Hardy

The Real World and the YA Novel: http://bit.ly/GIDCTz @zeitlingeist

Three or Four acts to your story’s structure: http://bit.ly/GIDSCi

Story Structure: The First Act: http://bit.ly/GIE0S0 @KMWeiland

Getting Better vs Being Good: http://bit.ly/FUPmg2 @the99percent

Are the Big 6 Publishers Really Dying? http://bit.ly/GGmWuV @annerallen

How to Handle Criticism: http://bit.ly/GGn7X2 @LyndaRYoung

When Acting Impulsively Can Hurt Your Writing: http://bit.ly/GGnnoU @catewoods

Techniques for Building Suspense: http://bit.ly/GGnvF4 @JodieRennerE

The midpoint – where your story gets personal: http://bit.ly/GGnO2B @dirtywhitecandy

Clarifying What Your Characters Do: http://bit.ly/GK4WBe @Janice_Hardy

8 Key Elements For Capturing The Star Wars Feel In Your Story: http://bit.ly/GK5maY @BryanThomasS

4 Rewards from Creative Writing Immersion: http://bit.ly/GK5Aib @PatrickRwrites

4 cardinal rules for social media: http://bit.ly/GK5Mhs @victoriamixon

An agent says: “It’s Not Just About ‘Paying Your Dues'”: http://bit.ly/GK73Ff @greyhausagency

Is A “Niche” Or “Non-Niche” Blog Right For You? http://bit.ly/GN1nqz @serbaughman @writeitsideways

Don’t QWERTY, Be Happy? http://bit.ly/GN1vGK @vwishna

Blog Tours: The Good – The Bad – The Ugly: http://bit.ly/GN1QsI @CynthiaDAlba

11 of the greatest bromances in Southern Literature: http://bit.ly/GGR2l9 @HunterMurphyYea

Finding Value in Your “Mistakes” http://ow.ly/1IVFQ3 @jamieraintree

Libraries as publishers? http://bit.ly/GF7e1Q @Porter_Anderson

Authors: climbing the walls: http://bit.ly/GGbvpF @Porter_Anderson

Getting Better vs Being Good: http://bit.ly/FUPmg2

How to Get Your First 1,000 Blog Readers: http://bit.ly/GFqlbV @pushingsocial

How to be creative: http://on.wsj.com/GFqDQ9 @WSJ

Story Structure With a Hole In It: http://bit.ly/GFqL20 @write_practice

5 Uses for a Lull in Writing: http://bit.ly/GFrbW5 @fictionnotes

Building a Believable Author Brand through Blogging: http://bit.ly/GFrjFb @catseyewriter

Why Self-Publish When You Have a Chance to Go Traditional? http://bit.ly/GFrm3K @goblinwriter

The Problems with Strong Female Characters: http://bit.ly/GFsCnu @AnnieNeugebauer

What bestsellers have in common: http://bit.ly/GFsUeg @ava_jae

How publishing auctions work: http://bit.ly/GFtto8 @rachellegardner

How To Start A Story The Stephen King Way: http://bit.ly/GFtwk3 @mooderino

An argument in favor of outlining: http://bit.ly/GPbBbH

3 Ways to Keep Social Media from Taking Control of Writing Time: http://bit.ly/GPc5i0 @jodyhedlund

Is Your Favorite Author A Jerk? (Interesting discussion among readers in the comments): http://bit.ly/GLKq2U @deadwhiteguys

10 Types of Filler Content for Your Blog: http://bit.ly/GLL4gY @ProBlogger

The importance of writing likeable characters: http://bit.ly/GLLnIq

Writing lessons from “A Tree Grows in Brooklyn”: http://bit.ly/GLLKCZ @juliemusil

Writing Action Sequences: a process of layering and research: http://bit.ly/GLMwjk @JulietteWade

Several processes for starting a book: http://bit.ly/GLRM6F

10+ Ways to Find Blog Post Ideas: http://bit.ly/GLRZXl @CherylRWrites

Your Story’s Time Line: Cut It Up: http://bit.ly/GLSbWF @fictionnotes

Writing on the Ether by @Porter_Anderson features @naypinya @mikecane @philipdsjones @jonnygeller @ByRozMorris http://bit.ly/GOEUKL

How to Submit Short Stories: http://bit.ly/GQbTvn

A Quiz About Combining Sentences: http://bit.ly/GQbYPH @writing_tips

Why 1 writer dislikes outlines: http://bit.ly/GQcm0z @sarahahoyt

An explanation of author-agent agreement: http://bit.ly/GQcqNU @rachellegardner

How to Position Your Book To Go Viral: http://bit.ly/GQcv49 @storyfix

An Agent on Shopping Self-Published Titles: http://bit.ly/GQcAEV @SaraMegibow

Tips for Conference Planners–The Simple Guide to Caring for an Author: http://bit.ly/GQ9vK6 @nicolamorgan

Creating Cover Love: http://bit.ly/GQ9TIF @StinaLL

Comments — The Weakest Part of Blogs: http://bit.ly/GQada9 @scholarlykitchn

Hook ‘Em on the First Cast: http://bit.ly/GQapq4 @LiveWriteThrive

Three Keys to Building Your Author Platform: http://bit.ly/GQaxG6 @JFBookman

Sometimes revision means rewriting: http://bit.ly/GQaXfv @TaliaVance

Are You Committing These E-mail Sins? http://bit.ly/GQb76G @janefriedman

Imagery and your story: http://bit.ly/GK8AKw @KarenCV

Does Publishing Support the Writer-Artist? http://bit.ly/GK8D9j @KristenLambTX

The Difference between Style and Voice: http://bit.ly/GK8Jxx

Hook Your Reader with Character: http://bit.ly/GK99nA @howtowriteshop

3 Myths of Guest Writing for Big Websites …and 6 Tactics for Doing it Well: http://bit.ly/GK9h6I @copyblogger

The Social Networks of Emily Dickinson, Paul Gauguin & Charlotte Bronte: http://bit.ly/GLy3G5

Self Publishing: Perils, Pitfalls, and Promise: http://bit.ly/GLyb8h @lisajanicecohen

The Contract Between Writer and Reader: http://bit.ly/GLyiB1 @MsAnnAguirre

What We Can Learn From The Poets: http://bit.ly/GLyksr @greyhausagency

Lessons 1 writer has learned about memoir writing: http://bit.ly/GLypMN @jhansenwrites for @nicolebasaraba

Illustrate a Character Through His Possessions: http://bit.ly/GLyrnO @kmweiland

Writers–the promised land is where you find it: http://bit.ly/GMQWYb @sarahahoyt

3 Helpful Tools For Writers Who Struggle With ADD: http://bit.ly/GWHoXq @lformichelli

by C.E. Lawrence, @C_E_Lawrence

Life is nothing if not ironic. You spend all your time working for money or fame or adulation or whatever – only to find out that in getting what you thought you wanted, you don’t get what you were after all along – happiness.

How ironic. Or you finally marry that fabulous blond bombshell you always thought was the idea woman, only to fall in love with that funny little neighbor next door with the short brown hair and lopsided smile. Ironies in life abound, even for the rich and famous: Republican Terminator Arnold Schwarzenegger marries Kennedy Babe Maria Shriver; Democratic policy wonk James Carville marries Republican Spokeschick Mary Matalin. How ironic. Super anal retentive Felix Unger’s best friend is super slob Oscar Madison, and vice versa. Hmm . . . do I sense a pattern here?

Webster’s first definition of irony is: “1. expression in which the intended meaning of the words is the direct opposite of their usual sense: as in irony she called the stupid plan ‘very clever.’” (We’ll talk about the second definition later.)

IT’S ALL GREEK TO ME

The word irony is derived from the Greek “eironeia,” which means “simulated ignorance.” The Wordsworth Dictionary of Phrase and Fable says irony is “the use of expressions having a meaning different from the ostensible one; a subtle form of sarcasm understood correctly by the initiated.” In literature, this kind of irony can proceed from one character to another – or from the author to the reader. In “Everything That Rises Must Converge,” Flannery O’Connor gives us an accurate portrait of Julian through the constant use of irony. What Julian thinks about himself is not at all what we are invited to think about him; the story fairly drips with irony.

And E.L. Doctorow, in writing about Mark Twain, has this to say:

“Huck, making the socially immoral choice to assist the escape of a slave – someone’s rightful property, he thinks – creates in himself an ethically superior morality that he defines as outlaw, and appropriate to such a worthless tramp as he. And Twain can deal with the monstrous national catastrophe of slaveholding, not head on, in righteousness, in the manner of Harriet Beecher Stowe, but with the sharper stick, the deeper thrust, of irony.”

In other words, the initiated reader “gets it” – Huck is not immoral at all, but is the product of a society whose values are so twisted that Huck actually believes that giving an enslaved fellow human being his freedom is wicked. How ironic. I might also point out that while Huckleberry Finn is still flying off the shelves, read by children and adults alike, few people other than English graduate students ever read Uncle Tom’s Cabin. Of course, Twain is one of our national treasures – but it is his use of irony that makes his political writing so sharp, even today. (And also, he’s a pretty funny guy – I have yet to see a really good comic writer who doesn’t use irony. It literally comes with the territory.)

CLUB TALK

Using irony in your writing also makes your readers feel smart – they “get it,” they’re part of the “initiated.” It’s like belonging to a club. In “Everything That Rises,” Flannery O’Connor invites us to sort of “gang up” on poor Julian; in seeing him for what he really is, we become her cronies, her cohorts, her co-conspirators, in a sense. This is fun for us; we feel like we’re “in on something.” Of course, the only person “left out” is a fictional character, but no matter. We still get the same naughty thrill we got as children when we formed the Glass Club and kept out those nasty boys across the road. After all, what’s the point of a club if everyone can join?

IRONY IN COMEDY: THIS IS NOT YOUR PARENTS’ TELEVISION

For those of you who watch The Daily Show, (and I hope that’s everyone with cable), don’t you get a little kick out of the fact that you’re pretty sure your parents wouldn’t get this kind of humor, and if they did, they wouldn’t think it was funny anyway? Irony, like comedy to which it is so closely related, has a point, a cutting edge – it is an attitude born of anger. Like comedy, it also invariably involves a “twist” of some kind. It can be dry or wet, but not everyone “gets it.” You have to be one of the “initiated.” I have a kind of “irony meter” when I judge people’s characters, and some people have little or no sense of the ironic. I have found, for example, that as you head west across the United States, the irony meter drops rapidly, until, some time after crossing the Delaware, you come to the Great Midwest, or, as I like to call, the Irony Free Zone. (To those of you who live there, my apology; every rule has its exceptions.)

IRISH CHILDREN – BAKED OR BOILED?

In the eighteenth century, Jonathan Swift, noted author, journalist, and wit, wrote a rather famous essay called “A Modest Proposal.” In it he suggested dealing with the problem of famine in Ireland by eating Irish children. He felt this was an elegant solution because it would both reduce the population while providing a plentiful and cheap source of nutrition. Needless to say, his irony – wet as it was – completely escaped a certain percentage of the population. In fact, the editor of his newspaper received letters from outraged readers castigating Mr. Swift for his insensitive and wicked ideas. So much for political satire. Irony will always have its “initiated” audience, but, as they say, you can’t please all of the people all of the time.

But go out there and have fun – be funny, be satirical, be ironic! After all, what can they do to you – shoot you?

Oh, right, I guess they can. I forgot this is America, where everyone owns guns. On second thought, maybe this is a good time to move to Canada. Long winters and moose meat. Oh, yeah.

Carole Bugge ( C.E. Lawrence) has eight published novels, six novellas and a dozen or so short stories and poems. Her work has received glowing reviews from such publications as Kirkus, The Library Journal, Publisher’s Weekly, Booklist, The Boston Herald, Ellery Queen, and others. Her short fiction has appeared in numerous anthologies and magazines. Winner of both the Euphoria Poetry Competition and the Eve of St. Agnes Poetry Award, she is also a Pushcart Prize nominee and First Prize winner of the Maxim Mazumdar Playwriting Competition, the Chronogram Literary Fiction Prize, Jerry Jazz Musician Short Fiction Award, and the Jean Paiva Memorial Fiction award, which included an NEA grant to read her fiction and poetry at Lincoln Center. A finalist in the McClaren, MSU and Henrico Playwriting Competitions, she has read her work at Barnes and Noble, The Knitting Factory, Mercy College, Merritt Books, the Colony Cafe and the Gryphon Bookstore. She has received grants from Poets and Writers, as well as the New York State Arts Council. Her story “A Day in the Life of Comrade Lenin” received an Honorable Mention in St. Martin’s Best Fantasy and Horror Stories, and she was a winner in the Writer’s Digest Competition in both the playwriting and essay categories.

by Elizabeth S. Craig, @elizabethscraig

On Sunday, my daughter and I took advantage of the nice weather and went for a walk at the park.

It was like a hundred other walks at the park that we’ve taken over the years. Sunny and warm. There were lots of people and dogs walking. The birds were chirping loudly, since it’s a protected habitat there. And my daughter wanted to play Poohsticks on the bridge for the eleventy-bazillionth time.

It was all very peaceful…and unremarkable. My daughter and I stood on the small bridge and waited to see which of the two sticks she threw into the fast-moving creek would come out quicker on the other side.

Then I saw him. A Mr. No-Shoulders, as my mother would call him. A snake, sunning himself on a rock.

Now, snakes in the Southern US are not remarkable. They’re everywhere. And this winter they really didn’t hibernate since it never really got cold. There are probably a ton of sleep-deprived, grumpy snakes around North Carolina right now.

But snakes usually wisely avoid Southerners. They don’t want to see us and we don’t particularly want to see them.

And this snake was watching my daughter and me closely, suspiciously. It was pretty in the sun, actually. Until it quickly leaped into the water to get away from us.

We continued on our walk…until we saw another snake sunning itself. I took a picture of one of the snakes (above) and didn’t have a chance to ask my Scout son or outdoorsy husband what type it was. Water moccasin? Cottonmouth? Copperhead? Who knows?

I’m never a fan of writing setting. It’s the kind of stuff that I skip over as a reader—unless there’s a remarkable detail that makes me interested. If a snake intrudes on a normal, everyday walk at the park, I’m more interested. If the setting is atmospheric, if I feel the setting is setting a mood, if the setting is viewed through the eyes of a character and gives me more character insight….then I don’t skip it.

How about you? How do you set apart your settings to make them pop and tie them into the story or indicate something interesting about your characters? Do you enjoy reading and writing setting?

by Elizabeth S. Craig, @elizabethscraig

Tonight I’m speaking with the creative writing students at my alma mater, Presbyterian College in SC. It’s a great liberal arts school with a strong English department.

I’ll be giving a reading (a short one, since I have little faith in my ability to be entertaining) and then talking a little about the writing business before taking questions.

And I’m planning on spreading the exciting news about being a 21st century writer—that it’s the best time ever to be a writer.

I’m never sure if that message is getting out to writers, unless they’re plugged into the online writing community. The talk of bankrupt book chains, struggling independent bookstores, and decreasing advances from traditional publishers might be eclipsing that message.

Ultimately, writers have got a new gateway—directly from us to our reader.

Why this is exciting:

We have choices. We can choose to follow the traditional publishing route of finding an agent and then a publisher. Or we can hone our work, get our manuscript professionally edited, formatted, and designed and self-publish our books. Or we can do both (I’m taking the hybrid approach, myself.)

We can develop a niche readership. Let’s say that you are completely engulfed in working on projects that feature your favorite things—horror and marine biology. Before, if your idea wasn’t commercial enough to get the strong sales needed for a slot on the bookstore shelves, then there was no hope for you. You could either publish the book yourself (with a great deal of expense and poor distribution) or else you could just share the story among your friends and family.

Now you can self-publish it…but for very little expense, compared to the old days. And your distribution is online—it has the potential of reaching millions, worldwide. In that group of millions is your niche reader…the ones who are also obsessed with horror and marine biology. The challenge for you is to get the word out to these readers, in an un-obnoxious way, that your book exists.

We can explore different genres. In the pre-ebook days, if you’d made a good name for yourself in one genre, it was pretty difficult to make the leap to another one. Some agents only represent one type of book. So, if you were a fantasy writer who wanted to write thrillers, your agent might not represent thrillers. You’d have to find another agent….by again going through the query process. And then you’d have to basically start from scratch to find a publisher.

Now, if you can write it, you can publish it. (It still might be wise to use a pen name if your name is particularly associated with a particular genre…that way you’re not confusing your readers. You can still always give them the chance to read your other books by telling them you’re writing another genre under a pseudonym.)

We can explore formats. Do we feel like experimenting with short stories or poetry? Previously, if we wanted to reach readers with those formats…well, it was going to be a long-shot. We’d be trying to get inclusion in anthologies, or literary magazines or publishers who put out chapbooks. There was a strong possibility that the stories or poetry would never find an audience, never get reviewed, never inspire, never receive feedback.

Now we can sell short stories or serials or poetry, ourselves. We can price them as a collection or price them as singles. We can even sell them at a low price as a loss leader to gain visibility for our other, full-priced work. We can experiment.

We can have complete creative control. Now, admittedly, this is a scary area sometimes. And I’m one who previously just wanted to write the stories and promote them and not have to think about formatting or covers or design.

Now, though, we can expand our thinking into other channels. We can envision what we’d like our cover to look like and the kinds of readers that we’d like to appeal to with them. We can set a tone. And, importantly, we can outsource these tasks to experts and have them complete our vision of our book. If that vision proves not to connect with the readers…well, we can change it. That’s amazing, in itself.

We can put our books in readers’ hands faster—keeping series continuity and making our connection with readers stronger. Traditional publishing takes a while. When I hand in a manuscript, it’s a full 12 months before that book gets to the reader. Now, after I write a book and edit it, I send it to professional editors and cover designers and then to my reader. It takes about 1-2 months after I turn over my manuscript.

What do you look forward to most as a writer these days? How are you enjoying our new freedom? Does it still seem scary, or is it becoming exhilarating?